Johnston, Judith. Anna Jameson: Victorian, Feminist, Woman of Letters. Scolar Press, 1997.
47
Connections Sort descending | Author name | Excerpt |
---|---|---|
Literary responses | Emma Robinson | The Athenæum's reviewer, Henry Fothergill Chorley
, wrote that after Mary Russell Mitford
's characterization of Cromwell
in her Charles the First, we know not who has conceived of the great General better... |
Literary responses | Catherine Hubback | H.F. Chorley
acidly commented in a comic review of the novel for the Athenæum: We are not pious enough to relish the tone of argument,—we are not irreligious enough to find the strained tones... |
Literary responses | Grace Aguilar | The Athenæum's H. F. Chorley
lamented that the publication of GA
's early productions was exposing to view the eager, romantic, generous girl making experiments on subjects of different classes and periods,—writing in search... |
Literary responses | Georgiana Fullerton | Henry Fothergill Chorley
, reviewing the novel for the Athenæum, found Grantley Manorhaunted by the intertextual spectre of Jane Austen
's Emma; he also drew parallels with Frances Burney
's Cecilia... |
Literary responses | Emma Robinson | The Athenæum review of this novel was once more by Henry Chorley
. |
Literary responses | Anna Brownell Jameson | A Commonplace Book was reviewed by the Literary Gazette, the Athenæum (by Henry Fothergill Chorley
), The Spectator and Gentleman's Magazine. Johnston, Judith. Anna Jameson: Victorian, Feminist, Woman of Letters. Scolar Press, 1997. 47 qtd. in Jameson, Anna Brownell. Anna Jameson: Letters and Friendships (1812-1860). Editor Erskine, Beatrice Caroline, T. Fisher Unwin, 1915. 295 |
Literary responses | Rosina Bulwer Lytton Baroness Lytton | In his review in the Athenæum, Henry Fothergill Chorley
admitted that the novel wasnot wholly devoid of attraction and that it contained a tolerably lively picture of the court of Louis Quatorze
... |
Literary responses | Georgiana Fullerton | In Rose LeblancHenry Fothergill Chorley
judged that GF
's power, which was considerable in the early days of her authorship, appears to have been calmed down, and gently washed out of her. He found... |
Literary responses | Emma Robinson | The Athenæum (again in the person of Henry Chorley
, again reviewing ER
as a male author), said she was still improving. Despite the difficulties posed by handling such well-known material, in this novel the... |
Literary responses | Geraldine Jewsbury | The London Literary Gazette reported that the novel displayed considerable intellectual powers, a shrewd observance of character, and a general talent . . . . wanting only some polish to its roughness to raise it... |
Literary responses | Emma Robinson | Henry Fothergill Chorley
, again reviewing ER
for the Athenæum and still convinced that she was a man, wrote that he retained in this foray into the unpleasantness of the modern world the same power... |
Literary responses | Anne Brontë | Like the first, this second reviewer (probably H. F. Chorley
) found Agnes Grey both less objectionable and less powerful than Wuthering Heights. Allott, Miriam, editor. The Brontës. Routledge and Kegan Paul, 1974. 217-9 |
Literary responses | Anne Manning | This book brought AM
great success, and she continued throughout her career to identify herself as its author. Henry Fothergill Chorley
, reviewing it for the Athenæum two years after publication, said mutedly that it... |
Literary responses | Elizabeth Gaskell | The Athenæum's Henry Fothergill Chorley
said that we have met with few pictures of life among the working classes at once so forcible and so fair as Mary Barton. qtd. in Easson, Angus, editor. Elizabeth Gaskell: The Critical Heritage. Routledge, 1991. 62 |
Literary responses | Julia Kavanagh | H. F. Chorley
, the Athenæum reviewer, lauded it as an excellent story for young people, sound in morals and pleasant in incident,—with only one passing apparition of the Deus ex machina to disturb our... |
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