Henry Fothergill Chorley

Standard Name: Chorley, Henry Fothergill
Used Form: H. F. Chorley
Used Form: Henry F. Chorley

Connections

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Literary responses Georgiana Fullerton
Henry Fothergill Chorley , reviewing the novel for the Athenæum, found Grantley Manorhaunted by the intertextual spectre of Jane Austen 's Emma; he also drew parallels with Frances Burney 's Cecilia...
Literary responses Emma Robinson
The Athenæum review of this novel was once more by Henry Chorley .
Literary responses Anna Brownell Jameson
A Commonplace Book was reviewed by the Literary Gazette, the Athenæum (by Henry Fothergill Chorley ), The Spectator and Gentleman's Magazine.
Johnston, Judith. Anna Jameson: Victorian, Feminist, Woman of Letters. Scolar Press, 1997.
47
Elizabeth Gaskell pronounced herself in a letter to ABJ delighted with its graceful suggestive wisdom.
qtd. in
Jameson, Anna Brownell. Anna Jameson: Letters and Friendships (1812-1860). Editor Erskine, Beatrice Caroline, T. Fisher Unwin, 1915.
295
Literary responses Rosina Bulwer Lytton Baroness Lytton
In his review in the Athenæum, Henry Fothergill Chorley admitted that the novel wasnot wholly devoid of attraction and that it contained a tolerably lively picture of the court of Louis Quatorze ...
Literary responses Georgiana Fullerton
In Rose LeblancHenry Fothergill Chorley judged that GF 's power, which was considerable in the early days of her authorship, appears to have been calmed down, and gently washed out of her. He found...
Literary responses Emma Robinson
The Athenæum (again in the person of Henry Chorley , again reviewing ER as a male author), said she was still improving. Despite the difficulties posed by handling such well-known material, in this novel the...
Literary responses Geraldine Jewsbury
The London Literary Gazette reported that the novel displayed considerable intellectual powers, a shrewd observance of character, and a general talent . . . . wanting only some polish to its roughness to raise it...
Literary responses Emma Robinson
Henry Fothergill Chorley , again reviewing ER for the Athenæum and still convinced that she was a man, wrote that he retained in this foray into the unpleasantness of the modern world the same power...
Literary responses Anne Brontë
Like the first, this second reviewer (probably H. F. Chorley ) found Agnes Grey both less objectionable and less powerful than Wuthering Heights.
Allott, Miriam, editor. The Brontës. Routledge and Kegan Paul, 1974.
217-9
Many reviews concentrated wholly or solely on Emily's novel. The...
Literary responses Anne Manning
This book brought AM great success, and she continued throughout her career to identify herself as its author. Henry Fothergill Chorley , reviewing it for the Athenæum two years after publication, said mutedly that it...
Literary responses Elizabeth Gaskell
The Athenæum's Henry Fothergill Chorley said that we have met with few pictures of life among the working classes at once so forcible and so fair as Mary Barton.
qtd. in
Easson, Angus, editor. Elizabeth Gaskell: The Critical Heritage. Routledge, 1991.
62
He compared the...
Literary responses Julia Kavanagh
H. F. Chorley , the Athenæum reviewer, lauded it as an excellent story for young people, sound in morals and pleasant in incident,—with only one passing apparition of the Deus ex machina to disturb our...
Literary responses Anne Marsh
The Athenæum, which had reported favourably after its peep at the first instalment of Mount Sorel,
Athenæum. J. Lection.
897 (1845):14
gave the task of reviewing the complete work to Henry Fothergill Chorley . He felt...
Literary responses Elizabeth Gaskell
Reviews of Cranford were positive, focusing on its charm and apparent simplicity. In the Athenæum, Henry Fothergill Chorley commended its touches of love and kindness, of simple self-sacrifice and of true womanly tenderness.
qtd. in
Easson, Angus, editor. Elizabeth Gaskell: The Critical Heritage. Routledge, 1991.
194
Literary responses Adelaide Procter
The Spectator greeted this collection effusively as without question the most promising of any first appearance in this century, except that of Keats , and the Saturday Review asserted, presumably with reference to Elizabeth Barrett Browning

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