Voltaire

The Critical Review was unimpressed by this novel: a strange medley of romance, history, and novel, in which the scenery is changed with the pantomimical rapidity of Voltaire 's Candide. . . . aukwardly...

While she was working on this novel, her husband Alan Odle was preparing for a show of his drawings and book illustrations. Both of these projects necessitated their spending the winter in London, and...

She had written it after fleeing to Blois in France with her family after a theatre riot greeted a performance of Voltaire 's Mahomet, and had intended it to be the first of a...

LMWM acted as patron to a number of writers (all male so far as is known), most notably Richard Savage and Henry Fielding , but also Edward Young and Samuel Boyse . Books to which...

DC 's Almide, an adaptation of Tancrede by Voltaire , opened at Drury Lane in London. It proved a success, and ran for ten nights.

During the same year Eugene Jolas published in the June number of transition Beckett's short story entitled Assumption, and on 14 November the Trinity College, Dublin , student newspaper, A College Miscellany, published...

DC wrote from Genoa to David Garrick in England, submitting a manuscript of a blank-verse tragedy which she had based on Voltaire 's Tancrède, 1760. Though she had entertained Garrick at her house, she...

A prologue by William Whitehead mentioned DC 's right to inherit her father's theatrical talent, in spite of her sex: No Salick law here bars the female's claim. It concluded with the statement that critics...

The earliest letter addressed to David Hume, written on 20 August 1764, is rather elaborately jokey: Idol of Gaul, I worship thee not. The very cloven foot for which thou art worship'd I despise, yet...

Critics Arthur Calder Mashall and Lenemaja Friedman have both noted the probable influence of Voltaire on this novel. Its main characters are an eccentric Brazilian, Countess Flor di Folio (modelled on Baroness Catherine d'Erlanger

This novel is heavy-handedly moralistic. The heroine, Miriam Harcott, is the child of an atheistical philosopher (converted in the end by a good—not Methodist—clergyman) and a careless mother who causes the deaths of three of...

The title-piece is the last and longest in the volume. It belongs to the once-popular genre of dialogues of the dead. Its characters are Voltaire (who had been used this way several times before), Gibbon

This is unusual: a compliment from a Frenchman to Montagu, whose Shakespeare criticism was anti-Voltaire and therefore anti-French.

The month after this success DC was planning to adapt another tragedy by Voltaire (Sémiramis, 1746) and asked Garrick if it had ever been translated into English. But it seems that she never...

An anonymous translation from Voltaire , The Age of Lewis XIV, published by Dodsley , has been thought to be by CL ; her biographer Susan Carlile denies this.