Manvell, Roger. Elizabeth Inchbald: England’s Principal Woman Dramatist and Independent Woman of Letters in 18th Century London. University Press of America, 1987.
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Connections Sort descending | Author name | Excerpt |
---|---|---|
Friends, Associates | Ann Batten Cristall | ABC
and her brother Joshua met Wollstonecraft
in about 1788, and Joshua coresponded with her. A few years later Wollstonecraft told Joshua she wished that Ann could obtain a little more strength of mind instead... |
Friends, Associates | Thomas Holcroft | TH
knew most of the English radicals of the day. For years before this he had been a particularly close friend of William Godwin
, who regarded him as a mentor. The two men saw... |
Friends, Associates | Sydney Owenson Lady Morgan | Sydney Owenson formed a lasting friendship with the poet Mary Tighe
. In connection with the publishing of her second novel, she met the London publisher Richard Phillips
and others in his circle, including William Godwin |
Friends, Associates | Amelia Opie | In London she met many artists, writers, and politically active reformists: as well as Godwin
, she met Elizabeth Inchbald
, Mary Wollstonecraft
(who impressed her deeply, and trusted her enough to confide her plans... |
Friends, Associates | Elizabeth Inchbald | Another radical, William Godwin
, proposed marriage to EI
—unsuccessfully. Manvell, Roger. Elizabeth Inchbald: England’s Principal Woman Dramatist and Independent Woman of Letters in 18th Century London. University Press of America, 1987. 94 |
Friends, Associates | Helen Maria Williams | That year HMW
was introduced by Dr John Moore
to Burns
, with whom she then corresponded. She met Samuel Rogers
(in November 1787), Hester Lynch Piozzi
, and Sir Joshua Reynolds
. The year... |
Intertextuality and Influence | Sarah Green | The novel itself has elements of a spoof on the gothic, a didactic courtship plot, a social satire of the dialogue kind associated with Elizabeth Hamilton
and Thomas Love Peacock
, a sentimental melodrama, a... |
Intertextuality and Influence | Sophia King | |
Intertextuality and Influence | Charlotte Smith | A preface (in the first volume) quotes the words of Samuel Johnson
(with apology for applying them to so trifling a matter as novel-writing) about working at his dictionary amid grief and illness, feeling cut... |
Intertextuality and Influence | Mary Shelley | She began work on it in probably early 1827, with Godwin
's encouragement. He had done research on the same period five years before, and shared his daughter's view that Richard III was not so... |
Intertextuality and Influence | Mary Shelley | The title may have been suggested by Falkland, a key character in Godwin
's Caleb Williams. The novel takes up several points in his Deloraine, 1833. Falkner causes the death of his wife... |
Intertextuality and Influence | Mary Shelley | |
Intertextuality and Influence | Catherine Hutton | Jane Oakwood says (presumably standing in for her author, as she often does) that in youth she was accused of imitating Juliet, Lady Catesby (Frances Brooke
's translation from Marie-Jeanne Riccoboni
). Hutton, Catherine. Oakwood Hall. Longman, Hurst, Rees, Orme, and Brown, 1819, 3 vols. 3: 95 |
Intertextuality and Influence | Elizabeth Inchbald | Several known plays by EI
were never published. All on a Summer's Day, 1787 (about a couple ill-matched in age), and The Hue and Cry, 1791, are known only from the copies provided... |
Literary responses | Ann Taylor Gilbert | The Critical Review gave the second volume five words: Very good in their way. Critical Review. W. Simpkin and R. Marshall, 5 series. 3d ser. 6 (1805): 333 |
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