Conger, Syndy McMillen. “Multivocality in Mary Shelley’s Unfinished Memoirs of Her Father”. European Romantic Review, Vol.
9
, No. 3, pp. 303-22. 316
Connections Sort descending | Author name | Excerpt |
---|---|---|
Friends, Associates | Eliza Fenwick | EF
fully shared in her husband's friendship with William Godwin
. She exchanged visits with him, sometimes with one or other of her children, from the time she first entertained him in November 1788. He... |
Friends, Associates | Helen Maria Williams | That year HMW
was introduced by Dr John Moore
to Burns
, with whom she then corresponded. She met Samuel Rogers
(in November 1787), Hester Lynch Piozzi
, and Sir Joshua Reynolds
. The year... |
Friends, Associates | Amelia Opie | In London she met many artists, writers, and politically active reformists: as well as Godwin
, she met Elizabeth Inchbald
, Mary Wollstonecraft
(who impressed her deeply, and trusted her enough to confide her plans... |
Friends, Associates | Mary Wollstonecraft | MW
met William Godwin
for the first time, but according to their daughter the meeting produced no desire on either side to follow up the acquaintance. Conger, Syndy McMillen. “Multivocality in Mary Shelley’s Unfinished Memoirs of Her Father”. European Romantic Review, Vol. 9 , No. 3, pp. 303-22. 316 |
Friends, Associates | Marguerite Gardiner, Countess of Blessington | They included public men like George Canning
, John Philpot Curran
, and Lord Erskine
, and writers and theatre people like John Philip Kemble
, George Colman
the younger, dramatist and examiner of plays... |
Friends, Associates | Eliza Fletcher | Hamilton, herself a conservative, set about de-demonizing EF
's political reputation. She had good success in persuading her friends that Mrs Fletcher was not the ferocious Democrat she had been represented, and that she neither... |
Intertextuality and Influence | Sophia King | |
Intertextuality and Influence | Sarah Green | The novel itself has elements of a spoof on the gothic, a didactic courtship plot, a social satire of the dialogue kind associated with Elizabeth Hamilton
and Thomas Love Peacock
, a sentimental melodrama, a... |
Intertextuality and Influence | Mary Shelley | She began work on it in probably early 1827, with Godwin
's encouragement. He had done research on the same period five years before, and shared his daughter's view that Richard III was not so... |
Intertextuality and Influence | Mary Shelley | The title may have been suggested by Falkland, a key character in Godwin
's Caleb Williams. The novel takes up several points in his Deloraine, 1833. Falkner causes the death of his wife... |
Intertextuality and Influence | Charlotte Smith | A preface (in the first volume) quotes the words of Samuel Johnson
(with apology for applying them to so trifling a matter as novel-writing) about working at his dictionary amid grief and illness, feeling cut... |
Intertextuality and Influence | Mary Shelley | |
Intertextuality and Influence | Catherine Hutton | Jane Oakwood says (presumably standing in for her author, as she often does) that in youth she was accused of imitating Juliet, Lady Catesby (Frances Brooke
's translation from Marie-Jeanne Riccoboni
). Hutton, Catherine. Oakwood Hall. Longman, Hurst, Rees, Orme, and Brown. 3: 95 |
Intertextuality and Influence | Elizabeth Inchbald | Several known plays by EI
were never published. All on a Summer's Day, 1787 (about a couple ill-matched in age), and The Hue and Cry, 1791, are known only from the copies provided... |
Literary responses | Ann Taylor Gilbert | The Critical Review gave the second volume five words: Very good in their way. Critical Review. W. Simpkin and R. Marshall. 3d ser. 6 (1805): 333 |
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