Conger, Syndy McMillen. “Multivocality in Mary Shelley’s Unfinished Memoirs of Her Father”. European Romantic Review, Vol.
9
, No. 3, 1998, pp. 303-22. 303
Connections Sort descending | Author name | Excerpt |
---|---|---|
Textual Production | Mary Shelley | In the month of his death, MS
was almost ready to publish her father
's posthumous memoirs, with his letters, and her editing and explanatory notes. Conger, Syndy McMillen. “Multivocality in Mary Shelley’s Unfinished Memoirs of Her Father”. European Romantic Review, Vol. 9 , No. 3, 1998, pp. 303-22. 303 |
Textual Production | Mary Shelley | MS
promised that she would soon be publishing her father
's posthumous memoirs, completed and edited by herself. Conger, Syndy McMillen. “Multivocality in Mary Shelley’s Unfinished Memoirs of Her Father”. European Romantic Review, Vol. 9 , No. 3, 1998, pp. 303-22. 303, 319n1 |
Textual Production | Mary Wollstonecraft | MW
's second, unfinished novel, The Wrongs of Woman, or Maria, was published in Godwin
's edition of her Posthumous Works. Kelly, Gary. Revolutionary Feminism: The Mind and Career of Mary Wollstonecraft. Macmillan, 1992. 224 Tomalin, Claire. The Life and Death of Mary Wollstonecraft. Revised, Penguin, 1992. 253 |
Textual Production | Elizabeth Inchbald | EI
submitted the manuscript of A Simple Story to William Godwin
, seeking further criticism. Godwin, William. William Godwin’s Diary. 12 Nov. 2010, http://godwindiary.bodleian.ox.ac.uk/search.html. Manvell, Roger. Elizabeth Inchbald: England’s Principal Woman Dramatist and Independent Woman of Letters in 18th Century London. University Press of America, 1987. 43, 67, 94 |
Textual Production | Mary Wollstonecraft | The bereaved Godwin
performed an act of both love and homage in his edition of MW
's Posthumous Works, January 1798. Here appeared the first printing of The Wrongs of Woman, or Maria... |
Textual Production | Elizabeth Inchbald | Wives as They Were, and Maids as They Are, a comedy by EI
, opened at Covent Garden
. The title sounds like an allusion to such radical texts as Robert Bage
's Man... |
Textual Production | Frances Jacson | This is another novel ascribed in earlier sources to Alethea Lewis
, and available through Chawton
Novels On-line at http://www.chawtonhouse.org/?page_id=55488. Two plot-elements, indeed, are parallelled in Lewis's life: the motherless heroine, Caroline, and the long-drawn-out... |
Textual Production | Amelia Opie | AO
was an indefatigable letter-writer. Her surviving correspondence at the Huntington Library
includes 331 letters (1794-1850). Most are written by her to her cousin Eliza (Alderson) Briggs
or her husband; a few are from her... |
Textual Production | Helen Waddell | HW
provided (anonymously) the introduction to a Constable
reprint of A Narrative of the Life of Mrs. Charlotte Charke
, Daughter of Colley Cibber, one in a series they were issuing of rediscovered works... |
Textual Production | Annie Tinsley | AT
, as the author of Margaret; or, Prejudice at Home, published a novel with a female first-person protagonist, Women as They Are. By One of Them. The title of Women as They... |
Textual Production | Eliza Fenwick | As Lissa Paul has pointed out, she wrote not long after the appearance in earlier 1794 of the Second Report from the Committee of Secrecy, a progress report on government snooping into private affairs... |
Textual Production | Mary Shelley | MS
began to work seriously on this novel in late 1820. Crook, Nora. “Sleuthing towards a Mary Shelley Canon”. Women’s Writing, Vol. 6 , No. 3, 1999, pp. 413-24. 414 Chawton House Library Catalogue. http://www.chawton.org/library/index.html. |
Textual Production | Mary Lamb | In fact Mary had written the versions of all the comedies and histories, while Charles
did the tragedies only. The suppression of her name was not (as the Feminist Companion suggests) due to an error... |
Theme or Topic Treated in Text | Eliza Fletcher | EF
's arrangement is chronological, with original documents printed as they occur or are relevant. Her recall is excellent, her observations and analysis acute, her character-drawing perceptive, and her style pithy. She freely and candidly... |
Theme or Topic Treated in Text | Virginia Woolf | VW
's presentation of Wollstonecraft's struggles and experiments, the high-handed and quick-blooded manner in which she cut her way to the quick of life, Woolf, Virginia, and Michèle Barrett. Women and Writing. Women’s Press, 1979. 103 |
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