Lady Mary Wortley Montagu

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Standard Name: Montagu, Lady Mary Wortley
Birth Name: Mary Pierrepont
Styled: Lady Mary Pierrepont
Nickname: Flavia
Nickname: Sappho
Married Name: Lady Mary Wortley Montagu
Indexed Name: Lady Mary Wortley Montagu
Pseudonym: Strephon
Pseudonym: Clarinda
Pseudonym: A Turkey Merchant
LMWM , eighteenth-century woman of letters, identified herself as a writer, a sister of the quill
Montagu, Lady Mary Wortley. The Complete Letters of Lady Mary Wortley Montagu. Editor Halsband, Robert, Clarendon Press.
3: 173
haunted by the daemon of poetry. She wrote poems, essays, letters (including the letters from Europe and Turkey which she later recast as a highly successful travel book), fiction (including adult fairy-tale, oriental tale, and full-length mock romance), satire, a diary, a play, a political periodical, and a history of her own times. Not all of these survive. Best known in her lifetime for her poetry, she is today still best known for her letters.
Montagu, Lady Mary Wortley. The Complete Letters of Lady Mary Wortley Montagu. Editor Halsband, Robert, Clarendon Press.
3: 173, 183
Photo of a full-length painting of Lady Mary Wortley Montagu by Jonathan Richardson recording her time in Turkey. She stands outdoors, with famous buildings of Constantinople (Istanbul) visible beyond. She is dressed in gold: a caftan whose deep V-neck and open skirt reveal a lace shift and long harem drawers. She also wears a gold cap which she calls a talpock on her dark hair, a blue cloak edged with ermine, pearl drop earrings, and pointed slippers. The presence of the young Black boy behind her is start

Connections

Connections Author name Excerpt
Intertextuality and Influence Mary Astell
MA influenced a whole generation of writing women: Lady Mary Wortley Montagu , Mary Chudleigh , Elizabeth Thomas , Judith Drake , Damaris Masham (although Masham's opinions were markedly different), Elizabeth Elstob , and Jane Barker
Intertextuality and Influence Madeleine de Scudéry
Aphra Behn took from the Carte de tendre some of the topographical imagery of her verse-and-prose romance A Voyage to the Island of Love (which in turn was the model behind The Adventurer, written...
Intertextuality and Influence Marie de Sévigné
These letters have been immensely popular since their first publication, in France, England, and elsewhere. Numerous male critics have written of their almost personal love for MS . One of those impervious to her charm...
Intertextuality and Influence Georgiana Cavendish, Duchess of Devonshire
The feelings of this Emma are all in extremes. During her early passion she quotes Frances Greville on the pains of sensibility.
Georgiana Cavendish, Duchess of Devonshire,. Emma. T. Hookham.
1: 66
She and her father kneel alternately to each other when she...
Intertextuality and Influence Stéphanie-Félicité de Genlis
This work of pedagogy takes the form of an epistolary novel: a picture of contemporary culture, since its range of reference to other texts is wide. It assumes, like Rousseau 's Nouvelle Héloïse, the...
Intertextuality and Influence Margaret Drabble
The heroine of this novel is unhappy in her marriage (two small children) to an ebullient and overbearing young actor. She is stuck with his theatre company in its seven-month season in Hereford (the birthplace...
Intertextuality and Influence Phebe Gibbes
In addition to its over-riding themes of colonialism and the marriage market, this novel, set in early British Calcutta (and incorporating a good deal of travel book material), is much concerned with literature and with...
Intertextuality and Influence Anna Atkins
This novel keeps its good and bad characters carefully distinct. Olive ministers to the fallen Mary; Matthew, when he gets an opportunity, strangles his wife. In due course follows a court scene, and he is...
Intertextuality and Influence Catherine Hutton
Jane Oakwood says (presumably standing in for her author, as she often does) that in youth she was accused of imitating Juliet, Lady Catesby (Frances Brooke 's translation from Marie-Jeanne Riccoboni ).
Hutton, Catherine. Oakwood Hall. Longman, Hurst, Rees, Orme, and Brown.
3: 95
Intertextuality and Influence Anne Grant
The finished work, published in 1808, begins with a sketch of the history of what became New York State, and continues to cover a good deal of political and historical matters. In the second volume...
Intertextuality and Influence Elizabeth Griffith
He describes her with a line from Donne 's Second Anniversary. EG 's range of reference here includes Rousseau , Milton , Frances Greville , and Lady Mary Wortley Montagu . Characters discuss and...
Intertextuality and Influence Mariana Starke
The play's central theme was suttee or sati, the practice of burning a widow at her husband's death. The playbill advertised a Procession representing the Ceremonies attending the Sacrifice of an Indian Woman on the...
Intertextuality and Influence Elizabeth Rigby
The essay begins with a quotation from Lady Mary Wortley Montagu and goes on to review several publications on the subject, including the Journal of the Women's Education Union (co-edited by Emily Shirreff ). ER
Intertextuality and Influence Henrietta Battier
HB (if it is she) presents herself as a brand-new author: a Bardling! - bursting from her Shell!
Battier, Henrietta. The Mousiad. P. Byrne.
prelims
Her satire on the sexuality of a male ecclesiastic suggests works of several generations earlier by...
Intertextuality and Influence Fanny Aikin Kortright
FAK 's literary allusions here are interesting. Thomas Hood 's The Song of the Shirt is cited more than once, though Kortright insists that the governess is worse off than the seamstress because she is...

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