Critical Review. W. Simpkin and R. Marshall.
55 (1783): 152
Connections | Author name Sort descending | Excerpt |
---|---|---|
Reception | Jane Austen | |
Literary responses | Anna Letitia Barbauld | William Enfield
quoted eight lines from Aikin (as Our Poetess) in dedicating his very popular anthology The Speaker, designed for the teaching of elocution, to the head of Warrington Academy
. Her volume... |
Textual Features | Anna Letitia Barbauld | These are not narratives, but more like dramatised scenes from a child's daily life, with emphasis on food, play, and other pleasures. The vocabulary is limited, inessentials pared away, and the short sentences, often in... |
Literary Setting | Susanna Blamire | This topographical poem in heroic couplets has many remarkable features: an early description of urban industrial conditions (as the poet opens by turning her back on the town for the village); a catalogue of flowers... |
Intertextuality and Influence | Elizabeth Boyd | A first prologue addresses Pope
, and invokes the ghosts of Shakespeare
(The Wonder, as the Glory of the Land) and Dryden
(Shakespear's Freind) as mentors to EB
's performance in... |
Intertextuality and Influence | Frances Brooke | Brooke's preface said she had drawn on the book of Ruth, on the Palemon and Lavinia inset story in James Thomson
's Seasons, and on an opera by Favart
. Critical Review. W. Simpkin and R. Marshall. 55 (1783): 152 |
Intertextuality and Influence | Medora Gordon Byron | Alexander Pope
is quoted on the title-page (An Essay on Criticism), James Thomson
at the head of the first chapter, John Langhorne
for another chapter. The novel opens in the new style of... |
Textual Production | Medora Gordon Byron | It was in four volumes, from the Minerva Press
, with a quotation from Francis Bacon
on the title-page, and further chapter-headings from Shakespeare
, Swift
, Prior
, Thomson
, Goldsmith
, Edward Young |
Intertextuality and Influence | Dorothea Primrose Campbell | She dedicated the volume to Jane, Duchess of Gordon
. Gordon was well known as a social and political mover. Her reputation included great beauty, quick repartee, excellent business sense, astute match-making, and also coarse... |
Textual Production | Dorothea Primrose Campbell | The volume's subscribers come from Lerwick, London, and places in between. It includes new material as well as most of the poems from Campbell's earlier volume; the same quotation from Thomson
adorns the... |
Textual Features | Dorothea Celesia | Though the poem, in heroic couplets, turns at the end to praise of virtue, its notion of indolence is more positive than that of James Thomson
in The Castle of Indolence, 1748. In leisurely... |
Intertextuality and Influence | Emily Frederick Clark | The title-page of the first volume quotes Mary Robinson
writing on the heart's sufferings, and that of the last volume quotes James Thomson
on the eventual reward for suffering of the noble few. The... |
Literary responses | Mary Collier | Donna Landry
, in her pioneering book about labouring-class woman poets, attributed to MC
a religious conservatism which she said she would rather believe that Collier was assuming to please her patrons. She nevertheless finds... |
Textual Features | Mary Whateley Darwall | |
Intertextuality and Influence | Mary Deverell |