Thomas Hardy
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Standard Name: Hardy, Thomas
TH
was a poet by vocation and became a novelist by profession. The Wessex of his novels has made him arguably a regional novelist. As well as a prolific output in both these forms, he published a unique verse epic bringing together human and supernatural characters, short fiction, a volume for children, and two volumes of actual autobiography masquerading as a biography by his second wife. Since his career as a publishing novelist ran from the 1870s to the 1890s, and his first volume of poetry post-dated his final novel, he has been seen as a Victorian novelist but a mostly twentieth-century poet. This description, however, is not true to the facts of composition. He wrote poetry from early in his life, but did not publish it in volume form until his final novel.
Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Sarah Waters | Nance is almost a colourless character apart from her capacity for passion. (In an apparently non-literary book, a tradition of steamy fiction is evoked when her desire to make Kitty sorry makes her think of... |
Intertextuality and Influence | P. D. James | As the work opens, Cordelia, slight of body, determined of will, savvy of mind Gidez, Richard. P. D. James. Twayne, 1986. 56 |
Intertextuality and Influence | Margaret Drabble | Imagery of postpartum fluidity, particularly lactation, characterizes the lovers' growing passion and the descriptions of female sexual desire and orgasm. The narrative alternates between a schizoid third-person dialogue Drabble, Margaret. The Waterfall. Penguin, 1971. 130 |
Intertextuality and Influence | Kathleen Jamie | In the third section the transcendental is a frequent presence. (Even in the first, Lepidoptery was about collecting, and pinning by the wings, not butterflies but angels.) Now in a number of markedly topical poems... |
Intertextuality and Influence | Mary Augusta Ward | It is set in the late nineteenth-century on the boundary between Westmorland and Lancashire, an exquisite country Ward, Mary Augusta. Helbeck of Bannisdale. Editor Worthington, Brian, Penguin, 1983. 86 |
Intertextuality and Influence | Christine Brooke-Rose | This sets out to explore the effects of various technological media on the novel genre. It begins with the apparent forcible entry into a story by Jane Austen
of a great German contemporary of Austen:... |
Intertextuality and Influence | Helen Dunmore | These poems deal in passing time and final partings, with the sudden recognition of changes accumulated over years. The magic cloak of invisibility longed for by children comes in the end unsought for and the... |
Intertextuality and Influence | Margiad Evans | As a story-teller Evans has a sure grasp, making every tiny detail contribute to an effect which is understated but emotionally powerful. The named character in Miss Potts and Music is largely a peg for... |
Intertextuality and Influence | John Oliver Hobbes | Pearl Richards (later JOH
) read widely as a child and adolescent, and her parents' liberal views (and considerable fortune) meant that she could pursue her tastes in both the lending libraries and the less... |
Intertextuality and Influence | Margiad Evans | Several poems in A Candle Ahead invoke ME
's teachers: Milton
, Thomas Traherne
, Walter de la Mare
, and Thomas Hardy
, the theme of whose The Well-Beloved is that of her closing... |
Intertextuality and Influence | Margaret Kennedy | Kennedy shifts gears in this work to focus on a young girl's experience in learning about life and love. She foregrounds this theme by means of a quotation from Thomas Hardy
's Tess of the... |
Leisure and Society | May Crommelin | MC
was a member of the Albemarle Club
. Who Was Who in Literature, 1906-1934. Gale Research, 1979, 2 vols. vol. 1 |
Leisure and Society | Lucas Malet | Schaffer writes that she re-invented herself by means of her change in appearance between 1892, when Thomas Hardy
found her tall and striking in looks and likeable in manner, and a decade later, when an... |
Literary responses | Charlotte Mew | CM
's admirers include a long list of writers from Thomas Hardy
and Ezra Pound
to Virginia Woolf
and Marianne Moore
. |
Literary responses | Laurence Hope | Thomas Hardy
in the Athenæum wrote that Stars of the Desert had a greater mastery of rhythm . . . and a firmer intellectual grasp than The Garden of Káma, with no loss of... |
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