John Keats
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Standard Name: Keats, John
Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Literary responses | Adelaide Procter | The Spectator greeted this collection effusively as without question the most promising of any first appearance in this century, except that of Keats
, and the Saturday Review asserted, presumably with reference to Elizabeth Barrett Browning |
Literary responses | Rosamond Lehmann | Reviews were slow to appear, and according to RL
's brother John many of the early ones were lukewarm or even hostile. Lehmann, John. In My Own Time. Little, Brown, 1969. 82 |
Literary responses | Florence Dixie | Holyoake
, the dedicatee, in his prefatory piece (like W. Stewart Ross
commenting on The Story of Ijain) defends FD
's work not only by assertion (it is a a marvel of thought... |
Literary responses | Daphne Du Maurier | Rebecca was DDM
's best known work, earning her massive profits, and it has become one of the most widely read novels of all time. Kelly, Richard. Daphne du Maurier. Twayne, 1987. 66 |
Occupation | John Wilson Croker | JWC
became a lawyer, (moving from Ireland to London after the Act of Union) a Tory
MP, an editor of several eighteenth-century texts (including letters by Lady Hervey
and by Henrietta Howard, Lady Suffolk
)... |
Occupation | Frances Horovitz | Through this experience she met the literary biographer Robert Gittings
. She built with him a professional partnership to work on interpretations of John Keats
and Thomas Hardy
, of whom Gittings was writing biographies... |
Publishing | Antonia Fraser | She followed it with Love Letters: An Anthology, dedicated to Harold Pinter
and published in later 1976. Fraser, Antonia. Must You Go?. Random House of Canada, 2010. 62 |
Publishing | Percy Bysshe Shelley | PBS
had Adonais, his elegy on the death of Keats
, printed at Pisa. He sent a copy of this edition to John Gisborne
on this date. The poem was printed at London... |
Publishing | Dorothy Wellesley | DW
's introductions are largely biographical. After these first books she got her series taken on by Collins for The English Poets, a subset of their series Britain in Pictures (of whose editorial committee... |
Publishing | Doreen Wallace | DW
's next novel, Creatures of an Hour, which also appeared in 1933 (title adapted from a love-poem by Keats
), was her last before she switched, in 1934, her publisher from Ernest Benn |
Publishing | Natalie Clifford Barney | The volume was published in a limited edition of 680. Barney, Natalie Clifford. Poems & poèmes. Émile-Paul Frères and George H. Doran, 1920. back matter |
Reception | Jane Porter | It was then eighteen months since the failure of Switzerland. Mitford's hard-heartedness towards her was juxtaposed with pity for Keats
, whom she believed to be dying as a result of the Quarterly's... |
Reception | Mary Howitt | MH
's biographer Joy Dunicliff
credits her with introducing the reading public to both Keats
and Gaskell
. Dunicliff, Joy. Mary Howitt: Another Lost Victorian Writer. Excalibur Press of London, 1992. 1 |
Textual Features | Mary Stewart | These are highly literary poems. In her preface MS
invokes Keats
. She writes on mythological topics, both Biblical (Eve, Cain, Mary) and classical (Icarus, Persephone). She titles poems with an eye to her predecessors... |
Textual Features | Eliza Cook | Her poetic topics strongly reflect her reliance on well-tried promoters of sentiment: death, parting, gypsies, favourite horses and dogs, local feeling for Scotland or Ireland. The collection closes with a section of poems for... |
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