Warner, Sylvia Townsend. “Editorial Materials”. Sylvia Townsend Warner: Collected Poems, edited by Claire Harman, Carcanet New Press, pp. xi - xxiii; 275.
xviii
Connections Sort descending | Author name | Excerpt |
---|---|---|
Textual Features | Eliza Cook | Her poetic topics strongly reflect her reliance on well-tried promoters of sentiment: death, parting, gypsies, favourite horses and dogs, local feeling for Scotland or Ireland. The collection closes with a section of poems for... |
Textual Features | Adrienne Rich | |
Textual Features | A. Mary F. Robinson | |
Textual Features | Sylvia Townsend Warner | One poem, Wish in Spring, opposes Keats
's notion that writing poetry comes naturally: STW
points out that it is a difficult activity which takes great care. Warner, Sylvia Townsend. “Editorial Materials”. Sylvia Townsend Warner: Collected Poems, edited by Claire Harman, Carcanet New Press, pp. xi - xxiii; 275. xviii |
Textual Features | Carol Ann Duffy | Titled simply September 2014 and headed with a Gaelic greeting that translates as I love you, this short poem highlights the shared prickliness of the two national symbols and the pilgrimage of an English... |
Textual Features | Augusta Webster | Like much of AW
's later poetry, this inaugural volume shows the influence of Alfred Tennyson
and Elizabeth Barrett Browning
, as well as earlier poets such as John Keats
. Many poems here, including... |
Textual Features | Dorothy Wellesley | DW
's selection, though, demonstrates a serious interest in women's literary and feminist history. Of the selections whose authors can be identified, almost half are women. Though Marguerite, Lady Blessington
, doyenne of the albums... |
Textual Features | Maureen Duffy | Dates given to poems in the volume range from August 1970 to December 1978. Duffy, Maureen. Memorials of the Quick and the Dead. Hamish Hamilton. 64, 85 |
Textual Production | Winifred Peck | WP
published a novel, Veiled Destinies, titled from a phrase in Shelley
's Adonais (his lament for the death of Keats
). Solo: Search Oxford University Libraries Online. http://solo.bodleian.ox.ac.uk/primo_library/libweb/action/search.do?vid=OXVU1&fromLogin=true&reset_config=true. TLS Centenary Archive Centenary Archive [1902-2012]. http://www.gale.com/c/the-times-literary-supplement-historical-archive. 2410 (10 April 1948): 201 |
Textual Production | Freya Stark | The title echoes a phrase from Keats
's sonnet On First Looking Into Chapman's Homer. |
Textual Production | Barbara Pym | BP
published the last novel of her lifetime, The Sweet Dove Died. The title implies, in a manner both sentimental and canonical, death in captivity. (In this it hearkens back to the title of... |
Textual Production | Eleanor Farjeon | The title (shamelessly re-used by verse anthologists working after EF
) is a quotation from Keats
's Ode to a Nightingale, where the magic windows open on the foam / Of perilous seas, in... |
Textual Production | Helen Waddell | HW
provided an introduction for William Forbes Marshall
's Ballads and Verses from Tyrone, published by the Talbot Press
of Dublin in 1929, and an Appreciation for George Saintsbury
's Shakespeare, 1934. Solo: Search Oxford University Libraries Online. http://solo.bodleian.ox.ac.uk/primo_library/libweb/action/search.do?vid=OXVU1&fromLogin=true&reset_config=true. |
Textual Production | Alice Meynell | AM
wrote introductions or prefaces to over twenty books. For Blackie
's Red Letter Library series alone she introduced Elizabeth Barrett Browning
's letters and poems (1896 and 1903), and works by Robert Browning
(1903),... |
Textual Production | Margaret Drabble | Again the title names an imaginary place: it is the phrase which Keats
applies to the territory of poetry in Upon First Looking into Chapman's Homer. It also suggests the heroine's work as an... |
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