Hannah More
-
Standard Name: More, Hannah
Birth Name: Hannah More
Nickname: Nine
Pseudonym: A Young Lady
Pseudonym: The Author of Percy
Pseudonym: H. M.
Pseudonym: Will Chip, a Carpenter
During her long and phenomenally productive career HM
wrote plays, poems, a single novel and much social, religious, and political commentary. She was the leading conservative and Christian moralist of her day. Her political opinions were reactionary, and her passionate commitment to educating the poor and lessening their destitution has been judged as marred by its paternalist tone. But she was a pioneer educator and philanthropist, with enormous influence on the Victorian age.
Orlando gratefully acknowledges help with this document from Mary Waldron. Any flaws or errors are, of course, not hers.
Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Literary responses | Charlotte Lennox | Samuel Johnson
pronounced in conversation that CL
was worthy to rank with the exceptional women Carter
, More
, and Burney
: more yet, she was superiour to them all. Boswell, James, 1740 - 1795. Boswell’s Life of Johnson. Editors Hill, George Birkbeck and Laurence Fitzroy Powell, Clarendon, 1934, 6 vols. 4: 275 |
Literary responses | Harriett Mozley | This work aroused unease in the Athenæum reviewer, who feared that such probing and scrutiny of feelings, fancies, small cares and small intrigues Athenæum. J. Lection. 739 (1841): 994 |
Literary responses | Ann Yearsley | More
and Elizabeth Montagu
admired AY
as a primitive, untrained writer whose excellence came from nature, not from carefully nurtured ability: as a phenomenon verging on a freak. More's Prefatory Letter to Yearsley's Poems, on... |
Literary responses | Hester Mulso Chapone | Her brother John
wrote of the Praises that resound on all Sides following the publication of this book, though he regretted that reviewers, in praising the moral content, had ignored the literary style. qtd. in Myers, Sylvia Harcstark. The Bluestocking Circle: Women, Friendship, and the Life of the Mind in Eighteenth-Century England. Clarendon, 1990. 231 |
Literary responses | Sarah Trimmer | The Critical Review gave this work a warm welcome. Critical Review. W. Simpkin and R. Marshall, 5 series. 66 (1788): 74-5 |
Literary responses | Lydia Howard Sigourney | Edgar Allan Poe
, reviewing this book for the Southern Literary Messenger, thought that LHS
did too much borrowing: from Hannah More
, William Cowper
, William Wordsworth
, and Byron
. Critic Emily Stipes Watts |
Literary responses | Catharine Macaulay | Her biographer Bridget Hill
identifies CM
's fame as having lasted fifteen years: from the publication of her first volume to the date of her second marriage (1763-78). But in fact she continued to command... |
Literary responses | Anna Letitia Barbauld | Literary admirers of the hymns included Hannah More
, Anna Seward
, and Elizabeth Carter
, who found some passages amazingly sublime. McCarthy, William. Anna Letitia Barbauld, Voice of the Enlightenment. The Johns Hopkins University Press, 2008. 193 |
Literary responses | Ann Yearsley | Again one of Yearsley's most perceptive readers was Anna Seward
, who wrote to Helen Maria Williams
on Christmas Day 1787 that Yearsley and Burns
were both miracles . . . . Perhaps she has... |
Literary responses | Barbara Hofland | In the early 1820s BH
seems to have been at the apex of her career. She was appreciated not only by her friend Mary Russell Mitford
(who believed that nobody else could combine so much... |
Literary responses | Anna Letitia Barbauld | Frances Burney
thought this the best of all Barbauld's poems. Hannah More
wrote to thank ALB
for writing so well on a subject so near her, More's heart, Paul, Lissa. The Children’s Book Business. Routledge, 2011. 111 |
Literary responses | Caroline Norton | John Abraham Heraud
, reviewing for the Athenæum, looked somewhat askance on CN
's having taken on herself (like Hannah More
before her in Hints Towards Forming the Character of a Young Princess... |
Literary responses | Mary Deverell | Among those who felt the sermon genre was inappropriate to a woman was apparently Hannah More
, whose use of the word parsoness for Deverell (quoted by Anne Stott
in the Oxford Dictionary of National... |
Literary responses | Helen Maria Williams | |
Literary responses | Mary Deverell | Hannah More
, who heard MD
read from her poem in 1782, experienced the performance as burlesque. She claimed to have listened through 1,800 lines and took exception to Deverell's claims both to the genre... |
Timeline
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Texts
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