Sir Walter Scott
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Standard Name: Scott, Sir Walter
Birth Name: Walter Scott
Titled: Sir Walter Scott
Nickname: The Great Unknown
Used Form: author of Kenilworth
The remarkable career of Walter Scott
began with a period as a Romantic poet (the leading Romantic poet in terms of popularity) before he went on to achieve even greater popularity as a novelist, particularly for his historical fiction and Scottish national tales. His well-earned fame in both these genres of fiction has tended to create the impression that he originated them, whereas in fact women novelists had preceded him in each.
Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Literary responses | Emily Lawless | The Literary World vividly likened experiencing this novel to reading the life of a past century by lightning flashes, and the half-blinded reader reads on and on and cannot stop or look away short of... |
Literary responses | Maria Edgeworth | Walter Scott
's praise of ME
's admirable Irish portraits Scott, Sir Walter. Waverley. Editor Lamont, Claire, Oxford University Press, 1986. 341 Scott, Sir Walter. Waverley. Editor Lamont, Claire, Oxford University Press, 1986. 352-3 |
Literary responses | Felicia Hemans | Appreciation of FH
was slowly growing. Following on the positive responses from Scott
and Byron
, in October 1820John Taylor Coleridge
in the influential Quarterly Review (published by John Murray
, her own publisher)... |
Literary responses | Anna Seward | The Horatian odes received in London literary circles such warm approbation that the poet could not listen with undelighted ears. qtd. in Ashmun, Margaret. The Singing Swan. Yale University Press; H. Milford, Oxford University Press, 1931. 145 |
Literary responses | Jane Austen | Sir Walter Scott
recorded in his journal on 14 March 1826 a judgement which has become famous: read again, and for the third time at least, Miss Austen's very finely written novel of Pride and... |
Literary responses | Jane West | Unlike JW
's two previous works, this one was reviewed in the Quarterly Magazine and elsewhere. Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press, 2000, 2 vols. 2: 373 |
Literary responses | Susan Ferrier | |
Literary responses | Jane Austen | Emma received eight reviews in English: more than any other Austen novel. Murray
sounded apologetic as he invited Walter Scott to review it (It wants incident and romance does it not?). qtd. in Tomalin, Claire. Jane Austen: A Life. Penguin Viking, 1997. 252 |
Literary responses | Anne Bannerman | The notice in the Critical Review was uncomplimentary, dismissing her as an imitator of Scott
, John Leyden
, and William Wordsworth
. Critical Review. W. Simpkin and R. Marshall, 5 series. 38 (1803): 110ff Elfenbein, Andrew. Romantic Genius: The Prehistory of a Homosexual Role. Columbia University Press, 1999. 143 |
Literary responses | Anne Marsh | Chorley
's Athenæum review is remarkable for two things: for the vehemence with which he praised the novel's plotting and the climactic scene of preparations for the wedding (which he quoted at length, only regretting... |
Literary responses | Sydney Owenson Lady Morgan | The review in the Critical made nostalgic reference to pleasure in Morgan's The Wild Irish Girl, and continued: As a national writer, we cannot too much admire her sentiments; and, as a descriptive writer... |
Literary responses | Susan Ferrier | Again SF
met with success on balance. The Athenæum, however, naming Miss Ferriar as author, stated that the success of Marriage, backed by the good-natured commendation of Sir Walter Scott
, induced the... |
Literary responses | Anna Seward | Scott
in his introduction gave a vivid description of AS
's good looks (even in old age), especially the poetical attributes of dark, flashing eyes and a melodious voice. Ashmun, Margaret. The Singing Swan. Yale University Press; H. Milford, Oxford University Press, 1931. 253-4 |
Literary responses | Susanna Centlivre | From this plot Frances Burney
borrowed the four guardians of her heroine in Cecilia. Walter Scott
thought the plot was extravagant enough (when the play was a hundred and ten years old) yet that... |
Literary responses | Anne Grant | The pension was granted following the petition of Sir Walter Scott
(who had praised her writing at the end of Waverley), Perkins, Pamela. “Anne Grant and the Professionalization of Privacy”. Authorship, Commerce and the Public: Scenes of Writing, 1750-1850, edited by Emma Clery et al., Palgrave Macmillan, 2002, pp. 29-43. 32 |
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