Critical Review. W. Simpkin and R. Marshall.
24 (1798): 1-22
Sir Walter Scott
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Standard Name: Scott, Sir Walter
Birth Name: Walter Scott
Titled: Sir Walter Scott
Nickname: The Great Unknown
Used Form: author of Kenilworth
The remarkable career of Walter Scott
began with a period as a Romantic poet (the leading Romantic poet in terms of popularity) before he went on to achieve even greater popularity as a novelist, particularly for his historical fiction and Scottish national tales. His well-earned fame in both these genres of fiction has tended to create the impression that he originated them, whereas in fact women novelists had preceded him in each.
Connections
| Connections Sort descending | Author name | Excerpt |
|---|---|---|
| Literary responses | Joanna Baillie | The Critical Review assumed the author was male. It thought the versification monotonous but warmly praised both preface and plays. |
| Literary responses | Anna Seward | The Horatian odes received in London literary circles such warm approbation that the poet could not listen with undelighted ears. Ashmun, Margaret. The Singing Swan. Yale University Press; H. Milford, Oxford University Press. 145 |
| Literary responses | Anna Steele | In a lengthy review the Times noted that while Gardenhurst had many faults typical of first novels (citing other examples from Sir Walter Scott
, George Eliot
, and Charles Dickens
), it nonetheless has... |
| Literary responses | Anna Jane Vardill | In September 1819 the European Magazine carried a poem in praise of AJV
, in which various Muses compete for possession of her. Axon, William E. A., and Ernest Hartley Coleridge. “Anna Jane Vardill Niven, the Authoress of ’Christobell,’ the Sequel to Coleridge’s ’Christabel.’ With a Bibliography. With an Additional Note on ’Christabel’”. Transactions of the Royal Society of Literature, Vol. 2nd series 28 , pp. 57-88. 65-6 |
| Literary responses | Margaret Holford | She was very disappointed when Scott never acknowledged this tribute. After Wallace appeared, Joanna Baillie
wrote to him reminding him of this lapse in manners and implicitly that it was his own fault that Wallace... |
| Literary responses | Catherine Fanshawe | CF
's immediately posthumous reputation rested, like her writings themselves, on oral tradition. She had the admiration of William Cowper
and Walter Scott
, as well as Joanna Baillie
, Anne Grant
, and Mary Berry |
| Literary responses | Alison Cockburn | Burns
reflected the influence of Cockburn's I've seen the smiling of Fortune beguiling in one of his earliest compositions, I dream'd I lay where flowers were springing (first published in 1788). Fordonski, Krzysztof. “Robert Burns and Maciej Kazimierz Sarbiewski: A Translatological Investigation into the Mystery of ’I dream’d I lay’”. Scottish Literary Review, Vol. 5 , No. 1, pp. 13-29. 16, 26 |
| Literary responses | Margaret Holford | Walter Scott
never answered when Holford sent him a copy of Wallace for comment, and was apparently scathing about the poem in remarks made privately to Joanna Baillie. Baillie, Joanna. The Collected Letters of Joanna Baillie. Editor Slagle, Judith Bailey, Fairleigh Dickinson University Press. 1: 328 |
| Literary responses | Anna Seward | Scott
in his introduction gave a vivid description of AS
's good looks (even in old age), especially the poetical attributes of dark, flashing eyes and a melodious voice. Ashmun, Margaret. The Singing Swan. Yale University Press; H. Milford, Oxford University Press. 253-4 |
| Literary responses | Henrietta Rouviere Mosse | George Saintsbury
found the title ridiculous and the novel worthy of the title. He blamed it for blocks of spiritless and commonplace historic narrative, and for such anachronisms the gentle and elegant heroine being educated... |
| Literary responses | Christian Isobel Johnstone | Scott
gave this novel qualified praise. He seemed to see it in the light of a legitimate competitor but not a serious rival. Read Elizth. de Bruce—it is very clever but does not show... |
| Literary responses | Beatrice Harraden | Marie Belloc Lowndes
described this book for the Times Literary Supplement as a strangely poignant drama and likened it to Mary Shelley
's Frankenstein and Sir Walter Scott
's Waverley for its comparable ability to... |
| Literary responses | Margaret Holford | Elizabeth Isabella Spence
praised this poem in print not long after its appearance (though she conceded that its view of Wallace was not so accurate as that of Jane Porter
's almost contemporaneous rendering in... |
| Literary responses | Joanna Baillie | When Baillie re-read her own Witchcraft as a work in progress she wrote: I am inclined to think well of it. Renfrew witches upon a polite stage! Will such a thing ever be endorsed! Witchcraft by Joanna Baillie. Finborough Theatre. |
| Literary responses | Eliza Haywood | The Monthly Review found the heroine of this book more interesting than Betsy Thoughtless (with better character-drawing but a continued deficiency in plot and sentiments. It conceded that the whole was doubtless much superior to... |
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