Sir Walter Scott
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Standard Name: Scott, Sir Walter
Birth Name: Walter Scott
Titled: Sir Walter Scott
Nickname: The Great Unknown
Used Form: author of Kenilworth
The remarkable career of Walter Scott
began with a period as a Romantic poet (the leading Romantic poet in terms of popularity) before he went on to achieve even greater popularity as a novelist, particularly for his historical fiction and Scottish national tales. His well-earned fame in both these genres of fiction has tended to create the impression that he originated them, whereas in fact women novelists had preceded him in each.
Connections
Connections Sort descending | Author name | Excerpt |
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Literary responses | Jemima Tautphoeus | The novel was very popular in both England and Bavaria. The general view was that there is no novel . . . in which the epithet charming could be applied with more strict propriety... |
Literary responses | Amelia Opie | This novel was an instantaneous success. Of the second edition the Critical Review (of May 1802) wrote: Seldom have we met with any combination of incidents, real or imaginary, which possessed more of the deeply... |
Literary responses | Anne Grant | The pension was granted following the petition of Sir Walter Scott
(who had praised her writing at the end of Waverley), Perkins, Pamela. “Anne Grant and the Professionalization of Privacy”. Authorship, Commerce and the Public: Scenes of Writing, 1750-1850, edited by Emma Clery et al., Palgrave Macmillan, 2002, pp. 29-43. 32 |
Literary responses | Harriet Martineau | The Athenæum gave this almost a full-page review (far more than it had yet accorded any of the Illustrations). It compared HM
's work in detail with that of Sir Walter Scott
and more... |
Literary responses | Mary Charlton | Sarah Harriet Burney
was clearly more impressed by what she regarded as a popular, even a trashy novel, than she was willing to admit. She called it (in implicit contrast with Walter Scott
) a... |
Literary responses | Rhoda Broughton | The Times marked RB
's death with an editorial asserting her permanent value as a novelist, Times. Times Publishing Company. (7 June 1920): 13 |
Literary responses | Charlotte Yonge | The Daisy Chain's popularity was long-lasting, though not so intense as that of The Heir of Redclyffe. Jane Austen
's nephew James Austen-Leigh
compared it to the work of Austen and Scott
... |
Literary responses | Anna Seward | Scott
confided to Joanna Baillie
after AS
's death that he had developed a most unsentimental horror for her sentimental letters while he was receiving them. qtd. in Ashmun, Margaret. The Singing Swan. Yale University Press; H. Milford, Oxford University Press, 1931. 252 |
Literary responses | Ann Radcliffe | Many reviewers wrongly supposed that Gaston de Blondeville was derivative from Scott
's recent and very successful Kenilworth, which uses the same material. Norton, Rictor. Mistress of Udolpho: The Life of Ann Radcliffe. Leicester University Press, 1999. 194-5 |
Literary responses | Harriet Martineau | The overall reception of this novel was better than that of Deerbrook, although the nobility of the hero was felt to be exaggerated. Roberts, Caroline. The Woman and the Hour: Harriet Martineau and Victorian Ideologies. University of Toronto Press, 2002. 76-7 |
Literary responses | Ann Radcliffe | Anna Seward
, in letters which were to be published in AR
's lifetime, mixed her praise of her gothic oeuvre with some trenchant criticism. Norton, Rictor. Mistress of Udolpho: The Life of Ann Radcliffe. Leicester University Press, 1999. 221-2 |
Literary responses | Mary Matilda Betham | Charles Lamb
pronounced MMB
's poem (before publication) to be very delicately pretty as to sentiment, qtd. in Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. qtd. in Betham, Ernest, editor. A House of Letters. Jarrold and Sons, 1905. 156 |
Literary responses | Ann Taylor Gilbert | T he Critical, warming to the Taylors' work, said the authors of this little book had a better claim to the name of poet than many of higher pretensions. Critical Review. W. Simpkin and R. Marshall, 5 series. 3d ser. 8 (1806) : 440 |
Literary responses | Felicia Hemans | The play's debut was disappointing. It closed after a single night, though it was remounted with greater success in Edinburgh the following April with Harriet Siddons
in a major role (having been recruited at Joanna Baillie |
Literary responses | Joanna Baillie | The Eclectic Magazine raised her confidence about her Scots songs by pronouncing that she was easily the equal in the genre of Scott
or Campbell
, and inferior only to Burns
himself. Baillie, Joanna. “Introduction”. The Selected Poems of Joanna Baillie, 1762-1851, edited by Jennifer Breen, Manchester University Press, 1999, pp. 1-25. 13 |
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