Sir Walter Scott
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Standard Name: Scott, Sir Walter
Birth Name: Walter Scott
Titled: Sir Walter Scott
Nickname: The Great Unknown
Used Form: author of Kenilworth
The remarkable career of Walter Scott
began with a period as a Romantic poet (the leading Romantic poet in terms of popularity) before he went on to achieve even greater popularity as a novelist, particularly for his historical fiction and Scottish national tales. His well-earned fame in both these genres of fiction has tended to create the impression that he originated them, whereas in fact women novelists had preceded him in each.
Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Literary responses | Anne Bannerman | The notice in the Critical Review was uncomplimentary, dismissing her as an imitator of Scott
, John Leyden
, and William Wordsworth
. Critical Review. W. Simpkin and R. Marshall, 5 series. 38 (1803): 110ff Elfenbein, Andrew. Romantic Genius: The Prehistory of a Homosexual Role. Columbia University Press, 1999. 143 |
Literary responses | Emily Lawless | First reviews of With Essex in Ireland were mixed. The New York Tribune felt the work to be uneven, partly on account of Harvey's narration and partly for lack of an adequately engaging plot. New York Tribune. (28 December 1890): 14 |
Literary responses | Susan Ferrier | Again SF
met with success on balance. The Athenæum, however, naming Miss Ferriar as author, stated that the success of Marriage, backed by the good-natured commendation of Sir Walter Scott
, induced the... |
Literary responses | Felicia Hemans | Wordsworth
in 1837 revised his existing Extempore Effusion upon the Death of James Hogg to include a stanza describing FH
as that holy Spirit / Sweet as the spring, as ocean deep. Wordsworth, William. The Complete Poetical Works of Wordsworth. Editor George, Andrew J., Houghton Mifflin, 1932. 737 |
Literary responses | Anna Seward | Scott
in his introduction gave a vivid description of AS
's good looks (even in old age), especially the poetical attributes of dark, flashing eyes and a melodious voice. Ashmun, Margaret. The Singing Swan. Yale University Press; H. Milford, Oxford University Press, 1931. 253-4 |
Literary responses | Mary Russell Mitford | Charles the First was received well by the Athenæum, which indicated that the performance provided genuine satisfaction to a very attentive audience and gratification in its most agreeable shape to the gifted lady, Athenæum. J. Lection. 349 (1834): 508 |
Literary responses | Susanna Centlivre | From this plot Frances Burney
borrowed the four guardians of her heroine in Cecilia. Walter Scott
thought the plot was extravagant enough (when the play was a hundred and ten years old) yet that... |
Literary responses | Emily Lawless | The Literary World vividly likened experiencing this novel to reading the life of a past century by lightning flashes, and the half-blinded reader reads on and on and cannot stop or look away short of... |
Literary Setting | Catherine Gore | The title-page quotes and very slightly alters four lines from Pope
beginning What gay ideas crowd the vacant brain, Gore, Catherine. Mothers and Daughters. Bentley, 1849. title-page |
Material Conditions of Writing | Iris Murdoch | Though she was a contented only child, IM
said that the impulse to create imaginary siblings was the thing that first inspired her to write. In her teens she was a leading contributor to the... |
names | Joanna Baillie | Walter Scott
teased her about her taking up in her fifties the style of Mrs. (This had earlier been universal for older unmarried women, as a mark of respect; it was now becoming limited... |
names | Christian Isobel Johnstone |
|
Occupation | Elizabeth Siddal | ES
was preparing illustrations for ballads by William Allingham
; she also worked on engravings for texts by Wordsworth
, Scott
, Tennyson
, and Browning
. Marsh, Jan, and Pamela Gerrish Nunn. Women Artists and the Pre-Raphaelite Movement. Virago, 1989. 66 |
Occupation | Caroline Scott | CS
became a painter and musician of some accomplishment. According to Lady Louisa Stuart
she called her drawings dark-coloured, [her] music touching, and [her] style pathetic. Stuart, Lady Louisa, and J. Steven Watson. Memoire of Frances, Lady Douglas. Editor Rubenstein, Jill, Scottish Academic Press, 1985. 100 |
Occupation | Barbara Pym |
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