Sir Walter Scott
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Standard Name: Scott, Sir Walter
Birth Name: Walter Scott
Titled: Sir Walter Scott
Nickname: The Great Unknown
Used Form: author of Kenilworth
The remarkable career of Walter Scott
began with a period as a Romantic poet (the leading Romantic poet in terms of popularity) before he went on to achieve even greater popularity as a novelist, particularly for his historical fiction and Scottish national tales. His well-earned fame in both these genres of fiction has tended to create the impression that he originated them, whereas in fact women novelists had preceded him in each.
Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Literary responses | Harriet Martineau | The Athenæum gave this almost a full-page review (far more than it had yet accorded any of the Illustrations). It compared HM
's work in detail with that of Sir Walter Scott
and more... |
Literary responses | Anna Seward | The Horatian odes received in London literary circles such warm approbation that the poet could not listen with undelighted ears. qtd. in Ashmun, Margaret. The Singing Swan. Yale University Press; H. Milford, Oxford University Press, 1931. 145 |
Literary responses | Jane Austen | Sir Walter Scott
recorded in his journal on 14 March 1826 a judgement which has become famous: read again, and for the third time at least, Miss Austen's very finely written novel of Pride and... |
Literary responses | Jane West | Unlike JW
's two previous works, this one was reviewed in the Quarterly Magazine and elsewhere. Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press, 2000, 2 vols. 2: 373 |
Literary responses | Susan Ferrier | |
Literary responses | Jane Austen | Emma received eight reviews in English: more than any other Austen novel. Murray
sounded apologetic as he invited Walter Scott to review it (It wants incident and romance does it not?). qtd. in Tomalin, Claire. Jane Austen: A Life. Penguin Viking, 1997. 252 |
Literary responses | Anne Bannerman | The notice in the Critical Review was uncomplimentary, dismissing her as an imitator of Scott
, John Leyden
, and William Wordsworth
. Critical Review. W. Simpkin and R. Marshall, 5 series. 38 (1803): 110ff Elfenbein, Andrew. Romantic Genius: The Prehistory of a Homosexual Role. Columbia University Press, 1999. 143 |
Literary responses | Harriet Martineau | The overall reception of this novel was better than that of Deerbrook, although the nobility of the hero was felt to be exaggerated. Roberts, Caroline. The Woman and the Hour: Harriet Martineau and Victorian Ideologies. University of Toronto Press, 2002. 76-7 |
Literary Setting | Catherine Gore | The title-page quotes and very slightly alters four lines from Pope
beginning What gay ideas crowd the vacant brain, Gore, Catherine. Mothers and Daughters. Bentley, 1849. title-page |
Material Conditions of Writing | Iris Murdoch | Though she was a contented only child, IM
said that the impulse to create imaginary siblings was the thing that first inspired her to write. In her teens she was a leading contributor to the... |
names | Joanna Baillie | Walter Scott
teased her about her taking up in her fifties the style of Mrs. (This had earlier been universal for older unmarried women, as a mark of respect; it was now becoming limited... |
names | Christian Isobel Johnstone |
|
Occupation | Fanny Kemble | She toured England, Scotland, and Ireland with the Covent Garden Theatre
company, met Walter Scott
, and was feted by Lady Morgan
in Dublin. Marshall, Dorothy. Fanny Kemble. Weidenfeld and Nicholson, 1977. 54-6 |
Occupation | Elizabeth Siddal | ES
was preparing illustrations for ballads by William Allingham
; she also worked on engravings for texts by Wordsworth
, Scott
, Tennyson
, and Browning
. Marsh, Jan, and Pamela Gerrish Nunn. Women Artists and the Pre-Raphaelite Movement. Virago, 1989. 66 |
Occupation | Elizabeth Siddal | After this show, Siddal's illustration of Scott
's Clerk Saunders was part of an exhibition that toured the United States; beyond these two instances, her work was never exhibited in her lifetime. Charles Eliot Norton |
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