"Sir Walter Scott" Retrieved from https://upload.wikimedia.org/wikipedia/commons/a/a7/Sir_Henry_Raeburn_-_Portrait_of_Sir_Walter_Scott.jpg.
Sir Walter Scott
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Standard Name: Scott, Sir Walter
Birth Name: Walter Scott
Titled: Sir Walter Scott
Nickname: The Great Unknown
Used Form: author of Kenilworth
The remarkable career of Walter Scott
began with a period as a Romantic poet (the leading Romantic poet in terms of popularity) before he went on to achieve even greater popularity as a novelist, particularly for his historical fiction and Scottish national tales. His well-earned fame in both these genres of fiction has tended to create the impression that he originated them, whereas in fact women novelists had preceded him in each.
Connections
| Connections Sort descending | Author name | Excerpt |
|---|---|---|
| Health | Mary Bryan | MB
(now Bedingfield) sent an anguished appeal to Scott
for an actual gift of money—fifteen pounds—to enable her to see a London specialist about her sight. Ragaz, Sharon. “Writing to Sir Walter: The Letters of Mary Bryan Bedingfield”. Cardiff Corvey: Reading the Romantic Text, No. 7, Dec. 2001. |
| Intertextuality and Influence | Mary Ann Kelty | The book bears in various details the influence of Jane Austen
, though its overall project of pious didacticism is at odds with Austen's approach. The title-page quotes Rousseau
on the topic of the sensitive... |
| Intertextuality and Influence | George Eliot | Those aspects of the book which readers insisted on seeing separately as the Jewish element, as she herself called them, were the hardest for GE
to write. She sought to naturalize the scholarly, Judaic... |
| Intertextuality and Influence | Jane Loudon | In prose the opening tale, Julia de Clifford, presents a well-meaning but thoughtless and impulsive heroine who progresses from dressing up as a ghost to scare the servants, to plunging her lover into despair... |
| Intertextuality and Influence | Catherine Maria Grey | The Duke makes its moral point with a quotation from Sir Walter Scott
on the title-page: Oh woman! in our hours of ease, / Uncertain, coy, and hard to please . . . . When... |
| Intertextuality and Influence | Jane Loudon | This strikingly inventive and ingenious tale seems to owe a good deal to Mary Shelley
's Frankenstein (though Shelley receives no tribute in passing, as do R. B. Sheridan
, Byron
, and especially Scott |
| Intertextuality and Influence | Louisa Anne Meredith | Most of the section called Poems, as well as some other pieces, describe flowers or other features of the natural world. Nature and poetry (which is celebrated in the opening Invocation to Song)... |
| Intertextuality and Influence | Marjorie Bowen | MB
recalls being influenced at an early age by her enjoyment of Tennyson
's Idylls of the King, Wilde
's Picture of Dorian Gray, the novels of Sir Walter Scott
, and Richardson |
| Intertextuality and Influence | Jane Porter | Again her work was extremely popular. The French translation was banned by Napoleon
because of its portrayal of nationalist resistance to conquest. Blain, Virginia et al., editors. The Feminist Companion to Literature in English: Women Writers from the Middle Ages to the Present. Yale University Press; Batsford, 1990. |
| Intertextuality and Influence | Harriett Jay | But then Guy goes to sleep in his study (known as the Knights' room), and finds himself sent back seven hundred years to 1196. Here he is woefully out of place, still being clad in... |
| Intertextuality and Influence | Grace Aguilar | The central character is the undowered girl Florence Leslie—so called because of her birth in Italy—whose high-minded principles have been fuelled by indiscriminate Aguilar, Grace. Woman’s Friendship. D. Appleton and Company, 1891. 13 |
| Intertextuality and Influence | Joanna Baillie | JB
says she took the topic of Witchcraft from a scene in Scott
's Bride of Lammermuir in which disgruntled old women wish the devil would give them a helping hand. (Scott does not mention... |
| Intertextuality and Influence | Henrietta Camilla Jenkin | The book opens with Stella's unhappy childhood, living an isolated, transient life in Continental Europe with her grandmother, Mrs Jodrell, who has fallen out with both her children, and whom Stella has to tend on... |
| Intertextuality and Influence | Sophia Lee | |
| Intertextuality and Influence | Grace Aguilar | One of her source texts was John Stockdale
's The History of the Inquisition, which like other English books on the topic was more concerned to demonstrate the dangers of Catholicism than the plight... |
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