Samuel Johnson

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Standard Name: Johnson, Samuel
Used Form: Dr Johnson
Arriving in eighteenth-century London as one more young literary hopeful from the provinces, SJ achieved such a name for himself as an arbiter of poetry, of morality (through his Rambler and other periodical essays and his prose fiction Rasselas), of the language (the Dictionary), and of the literary canon (his edition of Shakespeare and the Lives of the English Poets) that literary history has often typecast him as hidebound and authoritarian. This idea has been facilitated by his ill-mannered conversational dominance in his late years and by the portrait of him drawn by the hero-worshipping Boswell . In fact he was remarkable for his era in seeing literature as a career open to the talented without regard to gender. From his early-established friendships with Elizabeth Carter and Charlotte Lennox to his mentorship of Hester Thrale , Frances Burney , and (albeit less concentratedly) of Mary Wollstonecraft and Henrietta Battier , it was seldom that he crossed the path of a woman writer without friendly and relatively egalitarian encouragement.

Connections

Connections Author name Sort descending Excerpt
Theme or Topic Treated in Text John Oliver Hobbes
JOH sometimes discusses her own writing, career, and ambition: One's place in literature is a possession—never a concession. And one knows one's place. I don't wish to be judged—one way or the other—till I am...
Intertextuality and Influence Barbara Hofland
The title-page quotes Johnson 's Rambler. This novel opens with fashionable and effective abruptness: What can I do? These words, spoken in a low tone, and followed by a heart rending sigh, broke on...
Textual Production Barbara Hofland
BH published The Merchant's Widow and her Family. A Novel, with a title-page quotation from Samuel Johnson and a date of 1814.
Critical Review. W. Simpkin and R. Marshall.
4th ser. 4 (1813): 448
Intertextuality and Influence Barbara Hofland
The title-page quotes from Spenser , and the first chapter from Johnson 's Rambler. This sophisticated novel, with a North Yorkshire setting, a large cast of upper-class characters, and a wide range of reference...
Textual Features Rachel Hunter
RH defends her project with due modesty in a prefatory dialogue with a reader whom she calls Mr Not-At-All (after the opening words of all his answers). She says she writes for the improvement of...
Intertextuality and Influence Rachel Hunter
The preface opens by quoting Johnson 's view of Shakespeare as the poet of nature who moved away from the universal reliance of dramatists on romantic love as the only motive for action. What a...
Textual Features Lucy Hutchinson
Lucretius , as a pagan philosopher and theologian (and, as LH and her contemporaries believed, insane much of the time and sexually promiscuous), was a daring choice for one of her religious opinions.
Lucretius, and Lucretius. “Introduction”. Lucy Hutchinson’s Translation of Lucretius, "De rerum natura", edited by Hugh De Quehen, translated by. Lucy Hutchinson, University of Michigan Press, pp. 1-20.
8, 11
Intertextuality and Influence Elizabeth Inchbald
EI did not choose the plays herself. Shakespeare fills the first five volumes, apart from one piece by Ben Jonson , and five of her own plays fill volume 20. The eighteenth century is better...
Intertextuality and Influence Frances Jacson
Chapters are headed with a lavish array of quotations. Among the better-known authors are Ariosto (in the original), Shakespeare , Drayton , Milton , Pope (on the title-page), Young , Gray , Collins , Johnson
Intertextuality and Influence Frances Jacson
The title-page quotes Samuel Johnson on the limits to rights held by parents over children. The story has a Jacobin flavour, and reads like a reversal of the circumstances of Plain Sense. It opens...
Theme or Topic Treated in Text Muriel Jaeger
This book is sometimes called a memoir, but its autobiographical moments are only incidental. MJ 's attention is mostly directed towards books and reading; her own experiences of writing, publishing, and having her works performed...
Textual Production P. D. James
The title emerged from a remark of Samuel Johnson about reaching the age of seventy-seven.
James, P. D. Time to Be in Earnest. Faber and Faber.
title-page
Textual Production Elizabeth Jenkins
EJ 's next novels were Doubtful Joy, 1935, The Phoenix Nest, 1936, Robert and Helen, 1944, and Young Enthusiasts, 1947 (titled from Samuel Johnson 's description of the ambitious young scholar...
Theme or Topic Treated in Text Geraldine Jewsbury
Zoe reflects GJ 's own lifelong spiritual crisis.
Bloom, Abigail Burnham, editor. Nineteenth-Century British Women Writers. Greenwood Press.
223-4
Susanne Howe notes that it anticipates later novels by Mary Augusta Ward and J. A. Froude , which also deal with spiritual doubt.
Howe, Susanne. Geraldine Jewsbury: Her Life and Errors. George Allen and Unwin.
72
Beginning in...
Textual Production Jane Johnson
Her letters to her children are charming, though she seems to have encouraged the kind of rivalry among them which Samuel Johnson deplored. In November 1753, when Robert was eight, she wrote to him: I...

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