Philip Larkin
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Standard Name: Larkin, Philip
Birth Name: Philip Arthur Larkin
PL
is now widely regarded as one of the leading English poets of the later twentieth century. His output was small and his chosen form is brief, tightly structured, rhyming and self-contained, using a demotic vocabulary of deceptive simplicity. Though he often expresses brief, exuberant joy, he also returns again and again to the prospect of personal death, and the general tone of his poems is downbeat. He also published two novels as well as volumes of his reviews (of jazz and books), and other occasional prose writings.
Connections
Connections Sort descending | Author name | Excerpt |
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Reception | Caroline Blackwood | This was shortlisted for the Booker Prize. Philip Larkin
(a member of the jury) voted against it on the grounds that it was memoir rather than fiction, and it did not win. Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. Schoenberger, Nancy. Dangerous Muse, A Life of Caroline Blackwood. Phoenix, 2002. 25 |
Reception | Susan Miles | The Times Literary Supplement said that Little Mirrors would move the reader not by any particular charm in the clear and modestly modern verse, but by SM
's point of view, her quick observation... |
Reception | May Cannan | |
Reception | Iris Murdoch | It is not clear why Philip Larkin
and Monica Jones
chose a copy of this novel for systematically defacing every page with childishly salacious alterations and insertions (lips were parted, for instance, became... |
Reception | E. J. Scovell | For a poet whose calm clarity, ordinariness, and reach towards the simple sublime seem to give her a kinship with Philip Larkin
(without the cynicism), EJS
is remarkably neglected. In 1990 the Feminist Companion quoted... |
Reception | Ruth Pitter | During her lifetime RP
was deeply appreciated by some readers. C. S. Lewis
scatters through his letters such remarks as Whenever I re-read your poems, I blame myself for not re-reading them oftener. King, Don W. “The Anatomy of a Friendship: the correspondence of Ruth Pitter and C. S. Lewis, 1946-1962: Mythlore, Summer 2003”. Findarticles. 2 |
Reception | Elizabeth Jennings | In the Times Literary SupplementPeter Redgrove
welcomed EJ
as a good rather than a great poet, lyrical, metaphysical, and psychologically penetrating, a very accomplished writer of short pieces. TLS Centenary Archive Centenary Archive [1902-2012]. http://www.gale.com/c/the-times-literary-supplement-historical-archive. 2705 (4 December 1953): 778 |
Reception | Barbara Pym | BP
was the only living writer named as under-rated by two people, Philip Larkin
and Lord David Cecil
, in a list compiled by the Times Literary Supplement of the most over- and under-rated authors... |
Reception | Elizabeth Jennings | Delay became a popular poem. It was selected twenty years after publication, by Philip Larkin
, for The New Oxford Book of Twentieth-Century Verse, and years later again to appear among the advertising placards... |
Textual Features | Zadie Smith | Her subjects include George Eliot
's Middlemarch, Zora Neale Hurston
, Franz Kafka
, Vonnegut
and Salinger
as cult figures, Roland Barthes
and Vladimir Nabokov
(pitted against each other as attacker and booster of... |
Textual Features | Alice Meynell | The Rainy Summer exemplifies her lively descriptions of landscape; it ends, Bees, humming in the storm, carry their cold / Wild honey to cold cells. Larkin, Philip, editor. The Oxford Book of Twentieth-Century English Verse. Clarendon Press, 1973. 34 |
Textual Features | Carol Shields | The poems in Others specialise in evocations of other people, often presented, as the titles of the poems acknowledge, not through an individual observer but through the self-confirming judgement of a couple or a group:... |
Textual Features | E. Nesbit | The title, condensed from two lines in Wordsworth
's Ode on the Intimations of Immortality, alludes to the dimming and flattening of once-acute sensations. One of these poems says that Love can never be... |
Textual Features | Wendy Cope | Yet the casual virtuosity of this poem is a kind of consolation. WC
's assets include the power of compression and the power of brevity, sometimes Larkin
esque (as in the conclusion of Bloody Men... |
Textual Features | Carol Rumens | Until We Could Hardly See Them imagines the dead calling from the roadway on any passers-by to notice them, to remember them, not caring if the living take offence and say their dead are being... |
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