Philip Larkin
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Standard Name: Larkin, Philip
Birth Name: Philip Arthur Larkin
PL
is now widely regarded as one of the leading English poets of the later twentieth century. His output was small and his chosen form is brief, tightly structured, rhyming and self-contained, using a demotic vocabulary of deceptive simplicity. Though he often expresses brief, exuberant joy, he also returns again and again to the prospect of personal death, and the general tone of his poems is downbeat. He also published two novels as well as volumes of his reviews (of jazz and books), and other occasional prose writings.
Connections
Connections Sort descending | Author name | Excerpt |
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Reception | Elizabeth Jennings | Delay became a popular poem. It was selected twenty years after publication, by Philip Larkin
, for The New Oxford Book of Twentieth-Century Verse, and years later again to appear among the advertising placards... |
Reception | Patricia Beer | Reviewers were again appreciative, and many recognised several sides to PB
: oddity as well as cleverness and elegance, risk-taking as well as delicacy and astringency. Martin Dodsworth
, however, sounded a warning note about... |
Reception | Barbara Pym | When An Unsuitable Attachment was finally published (posthumously), Larkin remarked that it was richly redolent of her unique talent, despite some aspects of the text that were not fully done. qtd. in Allen, Orphia Jane. Barbara Pym: Writing a Life. Scarecrow Press, 1994. 34 |
Reception | Caroline Blackwood | This was shortlisted for the Booker Prize. Philip Larkin
(a member of the jury) voted against it on the grounds that it was memoir rather than fiction, and it did not win. Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. Schoenberger, Nancy. Dangerous Muse, A Life of Caroline Blackwood. Phoenix, 2002. 25 |
Reception | Susan Miles | The Times Literary Supplement said that Little Mirrors would move the reader not by any particular charm in the clear and modestly modern verse, but by SM
's point of view, her quick observation... |
Reception | May Cannan | |
Reception | Iris Murdoch | It is not clear why Philip Larkin
and Monica Jones
chose a copy of this novel for systematically defacing every page with childishly salacious alterations and insertions (lips were parted, for instance, became... |
Reception | E. J. Scovell | For a poet whose calm clarity, ordinariness, and reach towards the simple sublime seem to give her a kinship with Philip Larkin
(without the cynicism), EJS
is remarkably neglected. In 1990 the Feminist Companion quoted... |
Reception | Ruth Pitter | During her lifetime RP
was deeply appreciated by some readers. C. S. Lewis
scatters through his letters such remarks as Whenever I re-read your poems, I blame myself for not re-reading them oftener. King, Don W. “The Anatomy of a Friendship: the correspondence of Ruth Pitter and C. S. Lewis, 1946-1962: Mythlore, Summer 2003”. Findarticles. 2 |
Textual Features | Carol Ann Duffy | Many poems here feature women answering back to canonical male voices: Liz Lochhead
to Donne
, Jenny Joseph
to W. S. Gilbert
, U. A. Fanthorpe
to Walt Whitman
, Wendy Cope
to A. E. Housman |
Textual Features | Seamus Heaney | These pieces cover elders and friends (Larkin
, Walcott
, Patrick Kavanagh
), poets of Eastern Europe where poetry performs the service of resistance to political oppression (as it might do in Northern Ireland... |
Textual Features | Carol Ann Duffy | Critic Deryn Rees-Jones
discerns widely varied influences on CAD
's work: mainstream English poets like Wordsworth
, Robert Browning
, T. S. Eliot
, Auden
, Dylan Thomas
, Larkin
, and Ted Hughes
... |
Textual Features | Zadie Smith | Her subjects include George Eliot
's Middlemarch, Zora Neale Hurston
, Franz Kafka
, Vonnegut
and Salinger
as cult figures, Roland Barthes
and Vladimir Nabokov
(pitted against each other as attacker and booster of... |
Textual Features | Alice Meynell | The Rainy Summer exemplifies her lively descriptions of landscape; it ends, Bees, humming in the storm, carry their cold / Wild honey to cold cells. Larkin, Philip, editor. The Oxford Book of Twentieth-Century English Verse. Clarendon Press, 1973. 34 |
Textual Features | Carol Shields | The poems in Others specialise in evocations of other people, often presented, as the titles of the poems acknowledge, not through an individual observer but through the self-confirming judgement of a couple or a group:... |
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