Fallon, Ann Connerton. Katharine Tynan. Twayne.
142
Connections | Author name Sort descending | Excerpt |
---|---|---|
Cultural formation | Frances Trollope | FT
's tolerance of her local vicar was tested, however, when the poet Byron
decided to have his five-year-old, illegitimate daughter Allegra
—born to Claire Clairmont
—buried at Harrow-on-the-Hill, near which he had spent time... |
Family and Intimate relationships | Susan Tweedsmuir | ST
's maternal aunt Mary married Ralph, second Earl of Lovelace
, who was a grandson of the poet Byron
and son of Augusta Ada Byron
, later Countess of Lovelace (mathematician and author of... |
Textual Production | Katharine Tynan | KT
established in her novel She Walks in Beauty (whose title comes from a lyric by Byron
) a plot line she would repeatedly use in later novels. Fallon, Ann Connerton. Katharine Tynan. Twayne. 142 |
Literary responses | Anna Jane Vardill | In September 1819 the European Magazine carried a poem in praise of AJV
, in which various Muses compete for possession of her. Axon, William E. A., and Ernest Hartley Coleridge. “Anna Jane Vardill Niven, the Authoress of ’Christobell,’ the Sequel to Coleridge’s ’Christabel.’ With a Bibliography. With an Additional Note on ’Christabel’”. Transactions of the Royal Society of Literature, Vol. 2nd series 28 , pp. 57-88. 65-6 |
Theme or Topic Treated in Text | Mary Augusta Ward | Lady Caroline's (here Kitty Ashe's) obsession, Byron
, is thinly disguised as the poet Geoffrey Cliffe. Despite it inspiration in this nearly one-hundred-old relationship, the novel's setting is contemporary and Kitty is a fast cigarette-smoking... |
Textual Features | Susanna Watts | The title-page quotes Pope
, who also (with his Messiah) stands first among the contents. Some pieces are unascribed; others are by Byron
(The Isles of Greece), Jane Taylor
(The Squire's... |
Literary responses | Augusta Webster | This first poetic attempt was well received. Thesing, William B., editor. Dictionary of Literary Biography 240. Gale Research. 240: 333 |
Textual Features | Augusta Webster | Shorter pieces include The River, Two Maidens, and The Hidden Wound. Lota, the last and longest in the collection, is a narrative poem in blank verse. It is most heavily indebted... |
Textual Production | Dorothy Wellesley | DW
set up her own Penns in the Rocks Press
and in conjunction with publishers William Collins
produced volumes of Byron
and Shelley
each illustrated in black-and-white and colour. OCLC WorldCat. http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999. |
Textual Production | Dorothy Whipple | The country house which is the centre and almost the leading character of this novel was called in DW
's earliest working drafts The Manor and later Saunby (still used in the novel as published)... |
Intertextuality and Influence | Ella Wheeler Wilcox | Without ever owning the complete works of Théophile Gautier
, Alphonse Daudet
, Shakespeare
, Byron
, or Swinburne
, she read bits and pieces of them all, and they helped to shape her style... |
Literary responses | Ella Wheeler Wilcox | The Athenæum carried a signed review for this book by Virginia Woolf
, who went straight to the heart of the matter. It would be easy to make fun of her; equally easy to condescend... |
Intertextuality and Influence | Harriet E. Wilson | A number of HEW
's epigraphs to chapters remain untraced, and some may be her own work. Those identified bear witness to considerable reading: among English writers she quotes Shelley
, Byron
, Eliza Cook |
Family and Intimate relationships | Harriette Wilson | HW
propositioned Byron
by letter (have you any objection to introduce yourself to a very impertinent young woman . . . ?) but he turned her offer down. Wilson, Frances. The Courtesan’s Revenge. Faber. 127 |
Education | Harriette Wilson | While she was still in her teens, although engaged in her second paid sexual relationship, her lover Frederic Lamb
set out to get her reading Milton
, Shakespeare
, Byron
, theRambler, Virgil |
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