Hayden, Ruth. Mrs. Delany: Her Life and Her Flowers. British Museum, 1986.
15
Connections Sort descending | Author name | Excerpt |
---|---|---|
Education | Mary Delany | She was then sent to live in the household of her father's sister Lady Stanley, to be trained in social graces and groomed for a post at court. Hayden, Ruth. Mrs. Delany: Her Life and Her Flowers. British Museum, 1986. 15 |
Friends, Associates | Sarah Trimmer | In London, Sarah met William Hogarth
, Thomas Gainsborough
, Sir Joshua Reynolds
, and Dr Samuel Johnson
. She attracted Johnson's notice by producing from her pocket a copy of Paradise Lost, when... |
Intertextuality and Influence | Dora Greenwell | She opens the essay with a sharp and witty caricature of others' representations of unmarried women: they have, it is true, gained much both socially and æsthetically in passing from the traditionary type—the withered prude... |
Intertextuality and Influence | W. H. Auden | The opera is based on the Hogarth
series of paintings and engravings of the same title. Its premiere took place in Venice this year. |
Intertextuality and Influence | Mrs E. M. Foster | The novel parodies Germaine de Staël
's Corinne (which had appeared in French in 1807, in English in 1808). Chapters are supplied with epigraphs: some standard choices like Pope
and Cowper
, but also texts... |
Intertextuality and Influence | Rebecca West | An adaptation of Hogarth
's series of prints, the book traces the modern-day rake's progress from throwing cocktail parties in his expensive flat to waiting for his dole money, by way of film investments, gambling... |
Intertextuality and Influence | Susanna Watts | The title-page quotes James Thomson
. The preface declares a serious, anxious, and most sincere desire to inculcate respect and tenderness towards all the inferior creatures. Watts, Susanna. The Insects in Council. Hurst, Chance; A. Cockshaw, 1828. prelims |
Leisure and Society | Hester Lynch Piozzi | The National Portrait Gallery
lists twelve portraits of HLP
, dated 1781 to 1811 (though some of these derive from each other and a couple are conversation-piece prints). Sir Joshua Reynolds
painted her with her... |
Leisure and Society | Charlotte Charke | Like other theatrical performers, CC
was portrayed by various artists in various roles. Critic Robert Folkenflik
thinks she may appear in William Hogarth
's Southwark Fair as well as in John Laguerre
's The Stage Mutiny. Folkenflik, Robert. “Charlotte Charke: Images and Afterimages”. Introducing Charlotte Charke: Actress, Author, Enigma, edited by Philip E. Baruth, University of Illinois Press, 1998, pp. 137-61. 151-5 |
Literary responses | Henry Handel Richardson | HHR
's husband recalled twenty years later how, although average consumers of circulating-library fiction may have been horrified, to young people interested in literary movements this book was a revelation: not merely a new kind... |
Textual Features | Mary Latter | The poem is in octosyllabics (or, considering the many feminine endings, in the hudibrastics of Samuel Butler
). After an opening address to the conventionally starving and scruffy nameless Grubstreet Muses!, Latter, Mary. Liberty and Interest. James Fletcher, 1764. 1 |
Textual Features | Iris Murdoch | The title comes from William Hogarth
's series of didactic engravings about the two apprentices, of whom the industrious one rises to be Lord Mayor while the idle one takes to crime and is hanged.... |
Textual Production | Marjorie Bowen | MB
published (under this pseudonym, with which she was most closely identified) a biography entitled William Hogarth
. The Cockney's Mirror. Dabydeen, David. Hogarth’s Blacks: Images of Blacks in Eighteenth Century English Art. University of Georgia Press, 1987. 106-7, 139n59 TLS Centenary Archive Centenary Archive [1902-2012]. http://www.gale.com/c/the-times-literary-supplement-historical-archive. 1808 (26 September 1936): 762 |
Textual Production | Mary Augusta Ward | MAW
's novel attacking divorce, entitled Marriage à la Mode, was serialised in Britain and the USA; retitled Daphne; or, "Marriage à la mode" in volume form to make it more palatable in Britain... |
Theme or Topic Treated in Text | George Paston | Social Caricature in the Eighteenth Century covers (and illustrates) such well-known names as Hogarth
, Gillray
, and Rowlandson
. |
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