Frances Brooke
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Standard Name: Brooke, Frances
Birth Name: Frances Moore
Nickname: Fan
Nickname: Fanny
Married Name: Frances Brooke
Pseudonym: Mary Singleton, Spinster
Pseudonym: The Author of Lady Julia Mandeville
Used Form: Ariel
Used Form: Mrs Brooke
Used Form: Mrs Brookes
Used Form: the translator of Lady Catesby's Letters
FB
wrote in many genres during the latter half of the eighteenth century: drama and translation as well as an innovative feminist periodical. Best known are her three novels including the first realistic novel in English to be set in a colonial society of North America.
Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Literary responses | Phebe Gibbes | |
Literary responses | Phebe Gibbes | This novel aroused much interest. One letter was reprinted almost entire, without attribution, on 2 July 1789 in the Aberdeen Magazine as a Picture of the Mode of living at Calcutta. In a letter from... |
Occupation | David Garrick | This began his career as theatre manager. One of a manager's duties might be considered to be the putting on of new plays, to ensure the health of the theatre of the future, but familiar... |
Occupation | Mary Robinson | MR
, under a heavy cloak of anonymity, opened her last theatre season, at Covent Garden Theatre
(playing in the mainpiece but apparently not in Frances Brooke
's Rosina, which followed it). Highfill, Philip H. et al. A Biographical Dictionary of Actors, Actresses, Musicians, Dancers, Managers and Other Stage Personnel in London, 1660-1800. Southern Illinois University Press, 1973–1993. 13: 35 The London Stage 1660-1800. Southern Illinois University Press, 1960–1968, 5 vols. 5: 582 |
Performance of text | Elizabeth Inchbald | EI
's farce or comedy Animal Magnetism (advertised on 23 April, but postponed) came on at Covent Garden, accompanying Frances Brooke
's Rosina. The London Stage 1660-1800. Southern Illinois University Press, 1960–1968, 5 vols. 5: 1059, 1060 |
Publishing | Elizabeth Carter | The book had gone to press in June 1757. Feminist Companion Archive. |
Textual Features | Catherine Hutton | The major voice in this epistolary novel is that of the fifty-one-year-old Hutton, Catherine. Oakwood Hall. Longman, Hurst, Rees, Orme, and Brown, 1819, 3 vols. 1: 9 |
Textual Features | Elizabeth Postuma Simcoe | EPS
has an eye for picturesque scenes, which she describes as set pieces as well as sketching as an artist. Examples are the group formed by a servant and a native each knee-deep in a... |
Textual Features | Anna Letitia Barbauld | The series has a general introduction, On the Origin and Progress of Novel-Writing, and a Preface, Biographical and Critical for each novelist, which in its echo of the full and original title of Johnson's... |
Textual Features | Phebe Gibbes | |
Textual Production | Radagunda Roberts | |
Theme or Topic Treated in Text | Susanna Haswell Rowson | In this humorous poem the author draws on her first-hand knowledge, as an actor and singer, with the London stage. She marshals thirty-four of it actors and writers to appear before Apollo, who metes out... |
Theme or Topic Treated in Text | Anna Margaretta Larpent | Criticism has an even freer rein in the later than in the earlier diaries. In 1790 AML
found Mariana Starke
's unpublished The British Orphans indelicate and Starke
's The Widow of Malabar showy but... |
Theme or Topic Treated in Text | Mary Matilda Betham | Her attitudes and judgements are unfailingly interesting. She knows that Mary Sidney Herbert, Countess of Pembroke
(whom she calls Mary Herbert), was not only a great encourager of letters but also herself an ingenious... |
Wealth and Poverty | Radagunda Roberts | She left the stock, the house, and several keepsakes to her sister, to her nephew Alfred William both her inkstand and her copy of John Hawkesworth
's translation of Fénelon
's Télémaque (apparently recognizing William... |
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Texts
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