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Percy Bysshe Shelley
-
Standard Name: Shelley, Percy Bysshe
PBS
is one of the six major (male) English Romantic poets.
Connections
Connections Sort ascending | Author name | Excerpt |
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Textual Production | Mathilde Blind | |
Textual Production | Winifred Peck | |
Textual Production | Caroline Bowles | CB
's letters to the poet she married were published in The Correspondence of Robert Southey
with Caroline Bowles, To which are added: Correspondence with Shelley
, and Southey's Dreams. Shattock, Joanne. The Oxford Guide to British Women Writers. Oxford University Press. |
Textual Production | Mary Shelley | MS
published a short-lived edition of her husband
's Posthumous Poems, in 500 copies. Shelley, Mary. The Journals of Mary Shelley, 1814-1844. Editors Feldman, Paula R. and Diana Scott-Kilvert, Johns Hopkins University Press. 434n1 |
Textual Production | Mary Shelley | MS
edited and published a new edition of her husband
's works, with much prefatory material by herself. Shelley, Mary. “Introduction”. Lodore, edited by Lisa Vargo, Broadview, pp. 9-45. 45, 16 |
Textual Production | Mary Ann Browne | The dedication celebrates her sister as the playmate of my childhood, the companion of my youth, and . . . the friend and blessing of my maturer years. Browne, Mary Ann. Ignatia. Hamilton, Adams. prelims |
Textual Production | Mary Shelley | MS
edited and issued Essays, Letters from Abroad, Translations and Fragments by her husband
and herself. British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo. The Athenaeum Index of Reviews and Reviewers: 1830-1870. http://replay.web.archive.org/20070714065452/http://www.soi.city.ac.uk/~asp/v2/home.html. 633 (14 December 1839): 939-42 |
Textual Production | Germaine Greer | GG
has published a good deal in her scholarly field of seventeenth- and eighteenth-century women's writing. Her anthology (with Susan Hastings
, Jeslyn Medoff
and Melinda Sansone
), Kissing the Rod, has played an... |
Textual Production | Robert Browning | RB
's Introductory Essay on Shelley
appeared in Edward Moxon
's edition of Letters of Percy Bysshe Shelley. Day, Aidan, and Robert Browning. “Introduction, Critical Commentary, and Editorial Materials”. Robert Browning: Selected Poetry and Prose, Routledge, pp. 1 - 21, 151. 230 Browning, Robert. Robert Browning’s Poetry: Authoritative Texts, Criticism. Editor Loucks, James F., W. W. Norton. vii The Athenaeum Index of Reviews and Reviewers: 1830-1870. http://replay.web.archive.org/20070714065452/http://www.soi.city.ac.uk/~asp/v2/home.html. 1269 (21 January 1852): 214-5 |
Textual Production | Sylvia Townsend Warner | STW
wrote an opera libretto about the last days of Percy Shelley
, The Sea Change, for musician Paul Nordoff
, who had been commissioned by Columbia University
to write an opera. Harman, Claire. Sylvia Townsend Warner: A Biography. Chatto and Windus. 222 |
Textual Production | Kathleen Nott | KN
published The Good Want Power. An essay in the psychological possibilities of liberalism, titled from a pronouncement of Percy Bysshe Shelley
which continues: the powerful goodness want. “The Times Digital Archive 1785-2007”. Thompson Gale: The Times Digital Archive. 60049 (7 July 1977): 19 |
Textual Production | Dorothy Wellesley | DW
set up her own Penns in the Rocks Press
and in conjunction with publishers William Collins
produced volumes of Byron
and Shelley
each illustrated in black-and-white and colour. OCLC WorldCat. http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999. |
Textual Production | Kate O'Brien | KOB
explores the topic of a lesbian relationship in As Music and Splendour, her last novel, whose title quotation (from a lyric by Percy Bysshe Shelley
) implies that the relationship will not be... |
Textual Production | Felicia Hemans | In a letter of 1822, in mock despair at the interruptions resulting from writing in a home occupied by children and renovators, FH
casts herself as Beatrice in Shelley
's The Cenci (which she misattributes... |
Textual Production | Amabel Williams-Ellis | Her completion of the novel was delayed and nearly prevented when she suffered a serious concussion; however, her friend Storm Jameson
helped bring the text to publication by acting as proofreader and advisor. Williams-Ellis, Amabel. All Stracheys Are Cousins. Weidenfeld and Nicolson. 152 |
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