Sylvia Plath
-
Standard Name: Plath, Sylvia
Birth Name: Sylvia Plath
Married Name: Sylvia Hughes
SP
was primarily a poet, and most famously a confessional poet, although she also wrote a novel, a radio play, short stories and a book for children. She is best known for the poems she wrote in the last eighteen months that she lived. Her life story, complete with her suicide at the age of thirty, tends to overshadow her literary achievement, although critics of recent decades have made strides towards preserving her literary contribution and promoting its value.
Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Occupation | Frances Horovitz | Patrick Magee
, Harvey Hall
, Stevie Smith
, Hugh Dickson
, and Basil Jones
were the other readers for the project. The poets from whose work they read included W. B. Yeats
, D. H. Lawrence |
politics | Margaret Drabble | She also remembered the rise of feminism: the books by Doris Lessing
, Sylvia Plath
, Nell Dunn
, and Edna O'Brienthat would irreversibly affect women's destiny, and the pioneering of feminist journalism by Mary Stott
. Drabble, Margaret. “1960s”. The Guardian, 26 May 2007, pp. Weekend 25 - 31. 28 |
Publishing | Seamus Heaney | For the twenty-fifth anniversary of Sylvia Plath
's death, SH
wrote a critical response to her poetry, The indefatigable hoof-taps (titled from Plath's poem Words), which was published this day in the TLS... |
Publishing | Zoë Fairbairns | |
Publishing | Ruth Fainlight | RF
wrote an essay about her friends Jane Bowles
and Sylvia Plath
, which appeared in the Times Literary Supplement and was reprinted in Crossroads, the journal of the American Poetry Society
. Another... |
Reception | Ruth Fainlight | RF
has drawn appreciative comment from fellow poets and writers like Helen Dunmore
, A. S. Byatt
, and Elaine Feinstein
(who has written that in a time when every poet is wooed by the... |
Reception | Julia Ward Howe | Elaine Showalter
's biography, The Civil Wars of Julia Ward Howe, 2016, claimed that Howe possessed the subversive intellect of an Emily Dickinson
, the political and philosophical interests of an Elizabeth Barrett Browning |
Residence | Fleur Adcock | FA
, re-migrating as an adult from New Zealand to London, arrived there a week after the suicide of Sylvia Plath
. Vincent, Sally. “Final touch”. Guardian Unlimited, 29 July 2000. Adcock, Fleur. Poems: 1960-2000. Bloodaxe Books, 2000. final page |
Textual Features | Seamus Heaney | These pieces cover elders and friends (Larkin
, Walcott
, Patrick Kavanagh
), poets of Eastern Europe where poetry performs the service of resistance to political oppression (as it might do in Northern Ireland... |
Textual Features | Leonora Carrington | LC
's text adapts the story of Judith and Holofernes and includes several more characters whose names also come from the Bible version. In addition to the widow Judith, it features her father, Issachar (in... |
Textual Features | Seamus Heaney | The Rattle Bag, arranged not by date, or theme, or even alphabetically by author, but alphabetically by title, aims at and achieves a happy and fertile randomness, gathering chips of brilliance from all times... |
Textual Features | Jennifer Dawson | The title (not the one under which it was first submitted) strikingly anticipates that of Sylvia Plath
's The Bell Jar, 1963, with its image of an invisible barrier separating the protagonist from the... |
Textual Features | Anne Sexton | AS
took the title for this volume from the novel Herzog, by Saul Bellow
, whose writing she deeply admired: Live or die, but don't poison everything. qtd. in Middlebrook, Diane Wood. Anne Sexton: A Biography. Houghton Mifflin, 1991. 162 |
Textual Features | Judith Kazantzis | The errant unicorn that she struggles to ride is the poetic impulse, and she says she entertains incompatible wishes: to ride it hard towards social goals, but also not to be labelled or compelled along... |
Textual Features | Michèle Roberts | The contents of this volume span a range of genres and moods. poems about places or natural objects observe with precision; love poems are often ambivalent: won't you make my blood / jump? won't you... |
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Texts
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