Mackworth, Cecily. Ends of the World. Carcanet, 1987.
37n
Connections Sort descending | Author name | Excerpt |
---|---|---|
Anthologization | Christina Rossetti | After the appearance of Goblin Market, CR
had less difficulty placing her verse in periodicals. The tide had already started to turn in the 1850s, when her work began to appear in journals including... |
Intertextuality and Influence | Cecily Mackworth | The title was her publisher's. She wanted to call it Ship of France from Walt Whitman
's O star, O ship of France, beat back and battered long. Mackworth, Cecily. Ends of the World. Carcanet, 1987. 37n |
Material Conditions of Writing | Dorothy Richardson | While she was working on this novel, her husband Alan Odle
was preparing for a show of his drawings and book illustrations. Both of these projects necessitated their spending the winter in London, and... |
Material Conditions of Writing | Jeanette Winterson | Winterson began writing the novel after she was turned down for a publishing job at Pandora Press
, because the interviewing editor suggested she should write a book about her early life. Adam Mars-Jones
has... |
Occupation | Jeanette Winterson | Her other jobs included working at Gateways
, a well-known lesbian club in London, as a general factotum at the Roundhouse Theatre
, and at domestic work and general organization of life for a... |
Publishing | Emma Robinson | Two more editions in English were published in Paris in 1847: by A. and W. Galignani and Co.
and in Baudry's European Library. London editions appeared from Routledge
in 1853 and 1874. OCLC WorldCat. 1992–1998, http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999. British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo. |
Publishing | Maria Edgeworth | John Gibson Lockhart
managed ME
's dealings about this book with the publisher, Bentley
: Bentley was to buy the first edition only, not the continuing copyright, and was to increase the payment if he... |
Publishing | Charlotte Riddell | |
Publishing | Harriet Martineau | Before the end of the year that saw the first volume in print, Mary Russell Mitford
had heard (though it was probably an exaggeration) that HM
had made more than £1,000 from those little eighteen-penny... |
Publishing | Hannah More | A facsimile reprint of this volume appeared in 1996, as part of Routledge/Thoemmes Press
's boxed set, the Romantics: Women Poets 1770-1830, costing $US995 or £650. |
Publishing | Sydney Owenson Lady Morgan | The novel quickly went through seven editions. French and German translations were titled from the heroine Glorvina or Glorwina Wordsworth, Jonathan. The Bright Work Grows: Women Writers of the Romantic Age. Woodstock Books, 1997. 159 Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press, 2000, 2 vols. 2: 237 |
Publishing | Eva Figes | EF
received a Research Award from the Leverhulme Trust
for work on this study. It was reprinted by Pandora
in 1990. OCLC WorldCat. 1992–1998, http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999. |
Publishing | Ann Yearsley | A facsimile reprint appeared in 1996, as part of Routledge/Thoemmes Press
's boxed set, the Romantics: Women Poets of the Romantic Period, 1770-1830, costing $US995 or £650. |
Publishing | Luce Irigaray | Routledge
used the title I Love to You: Sketch for a Happiness within History in the USA, but I Love to You: Sketch of a Possible Felicity in History in Britain. |
Publishing | Mary Leadbeater | These two volumes were re-issued in facsimile by Routledge
in 1998, with an introduction by ML
scholar Maria Luddy
. OCLC WorldCat. 1992–1998, http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999. |