Stowell, Sheila. A Stage of Their Own. University of Michigan Press, 1992.
46
Connections Sort descending | Author name | Excerpt |
---|---|---|
Literary responses | Elizabeth Baker | Despite its short run, the play was a critical success. The Times heartily congratulated the Play Actors
on their choice of play, saying that [o]ne such play as this a year would justify the existence... |
Performance of text | Inez Bensusan | IB
's first play, a one-act suffrage drama entitled The Apple, had one matinee performance by the Play Actors
at the Court Theatre
in London. Stowell, Sheila. A Stage of Their Own. University of Michigan Press, 1992. 46 Nicoll, Allardyce. English Drama, 1900-1930. Cambridge University Press, 1973. 508 |
Performance of text | Githa Sowerby | The Play Actors
society produced GS
's play The Stepmother at London's New Theatre
in a single Sunday performance (other theatres being then closed). Nicoll, Allardyce. English Drama, 1900-1930. Cambridge University Press, 1973. 959 Riley, Patricia. Looking for Githa. New Writing North, 2009. 79 |
Performance of text | George Paston | GP
's Tilda's New Hat, a one-act comedy about love and fashion, was first performed by the Play Actors
at the Court Theatre
. Nicoll, Allardyce. English Drama, 1900-1930. Cambridge University Press, 1973. 875 Kaplan, Joel H., and Sheila Stowell. Theatre and Fashion: Oscar Wilde to the Suffragettes. Cambridge University Press, 1994. 167 |
Performance of text | George Paston | GP
wrote several other one-act plays which were performed in London and further afield. These include Colleagues (performed at the Empire Theatre
in Kilburn on 30 January 1911) and A Great Experiment (at the Lyceum Theatre |
Textual Production | Elizabeth Baker | EB
wrote this and her later plays while in full-time employment. It and the other Court Theatre productions were put on by the Play Actors
society. Chains was revived in 1910 by Dion Boucicault
at... |
Textual Production | Githa Sowerby | The Play Actors
were a London society whose mandate was to encourage new authors, many of them from outside London. Nicoll, Allardyce. English Drama, 1900-1930. Cambridge University Press, 1973. 272 |
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