Demastes, William W., editor. British Playwrights, 1956-1995. Greenwood Press, 1996.
161
Connections Sort descending | Author name | Excerpt |
---|---|---|
Employer | Margaret Drabble | She had decided while at school that she was going to be an actress. In Stratford both she and Clive Swift acted with the Royal Shakespeare Company
under Peter Hall
, who was setting out... |
Intertextuality and Influence | Aphra Behn | A further rewriting, under the original title, by Nigerian playwright Biyi Bandele
, met with great success when performed by the Royal Shakespeare Company
at Stratford in summer 1999. Joan Anim-Addo
's libretto Imoinda: Or... |
Occupation | Liz Lochhead | LL
's several positions as Writer-in-Residence have included Duncan of Jordanstone College of Art
in Dundee (1980), the Tattenhall Centre
, near Chester (1982-84), Edinburgh University
(1985-87), and the Royal Shakespeare Company
in 1988-89, on... |
Performance of text | Margaret Atwood | The day before International Women's Day 2007, the Canadian National Arts Centre / Centre Nationale des Arts
announced that donations from seven individual Canadian women were funding a production of MA
's stage adaptation of... |
Performance of text | Pam Gems | The Royal Shakespeare Company
first performed PG
's playQueen Christina, at their small Stratford theatre named The Other Place
. Demastes, William W., editor. British Playwrights, 1956-1995. Greenwood Press, 1996. 161 Wandor, Michelene, editor. Plays by Women: Volume Three. Methuen, 1984. 49 |
Performance of text | Pam Gems | PG
's playPiaf, produced by the Royal Shakespeare Company
, opened at The Other Place
in Stratford. Gems, Pam. Three Plays. Penguin, 1985. 9 Wandor, Michelene, editor. Plays by Women: Volume Three. Methuen, 1984. 49 Demastes, William W., editor. British Playwrights, 1956-1995. Greenwood Press, 1996. 161 |
Performance of text | Caryl Churchill | The Royal Shakespeare Company
produced CC
's Softcops, a revue-style drama influenced by Foucault
's Discipline and Punish. Demastes, William W., editor. British Playwrights, 1956-1995. Greenwood Press, 1996. 111-12 |
Performance of text | Pam Gems | The Royal Shakespeare Company
included the play in their regional tour, after which it transferred to the Globe Theatre
in London.Harvard University
holds a video-recording of a performance of this play in Hebrew. OCLC WorldCat. 1992–1998, http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999. |
Performance of text | Anne Devlin | AD
's play After Easter was first performed by the Royal Shakespeare Company
at Stratford's Other Place
theatre (the company's small, intimate venue). Schrank, Bernice, and William W. Demastes, editors. Irish Playwrights, 1880-1995. Greenwood Press, 1997. 94 Devlin, Anne. After Easter. Faber and Faber, 1994. prelims |
Performance of text | Jackie Kay | She and Jo Shapcott
read their poems (together with rising starsJay Bernard
and Kayo Chingonyi
) at the Royal Shakespeare Company
's redesigned Swan Theatre at Stratford on 3 December 2010. Uncertainty is Not a Good Dog. 2010. |
Performance of text | Timberlake Wertenbaker | The Royal Shakespeare Company
moved its production to London in August 1989; the play had been published earlier that year. OCLC WorldCat. 1992–1998, http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999. |
Performance of text | Deborah Levy | DL
's Heresies opened at the Barbican Theatre (The Pit)
in London in a production by the Royal Shakespeare Company
. “Deborah Levy”. doollee.com The Playwrights Database, 2003. Levy |
Performance of text | Michelene Wandor | The Royal Shakespeare Company
performed a short play by MW
, Mal de Mere, along with Whose Greenham. Wandor, Michelene. Carry On, Understudies. Routledge and Kegan Paul, 1986. 186 Michelene Wandor. http://www.mwandor.co.uk/. |
Performance of text | Hilary Mantel | Despite her earlier unwillingness to spend time on adaptations, HM
collaborated with Mike Poulton
on the stage adaptations of her first two Cromwell novels, under the same titles.Both plays opened in productions by the Royal Shakespeare Company |
Performance of text | Mary Pix | It had first been performed about a month before. The London Stage 1660-1800. Southern Illinois University Press, 1960–1968, 5 vols. 1: 526 |
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