Wandor, Michelene. Carry On, Understudies. Routledge and Kegan Paul, 1986.
186
Connections Sort descending | Author name | Excerpt |
---|---|---|
Performance of text | Michelene Wandor | The Royal Shakespeare Company
performed a short play by MW
, Mal de Mere, along with Whose Greenham. Wandor, Michelene. Carry On, Understudies. Routledge and Kegan Paul, 1986. 186 Michelene Wandor. http://www.mwandor.co.uk/. |
Performance of text | Hilary Mantel | Despite her earlier unwillingness to spend time on adaptations, HM
collaborated with Mike Poulton
on the stage adaptations of her first two Cromwell novels, under the same titles.Both plays opened in productions by the Royal Shakespeare Company |
Performance of text | Mary Pix | It had first been performed about a month before. The London Stage 1660-1800. Southern Illinois University Press, 1960–1968, 5 vols. 1: 526 |
Performance of text | Harold Pinter | The Royal Shakespeare Company
scored a notable success with HP
's play The Homecoming, written the previous year, directed by Peter Hall
. Borne Back Daily. 2001, http://borneback.com/ . 3 June 2009 Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. |
Publishing | Louise Page | During the same year, 1986, a commission for LP
from the Royal Shakespeare Company
resulted in an anti-war play called Hawks and Doves. Ten years after the commission the play had not been produced... |
Reception | Aphra Behn | The late twentieth century saw a number of performances of plays by Behn. The Rover's many productions seem to have begun with the one at Colchester in Essex in 1978. Brophy, Brigid. Baroque-’n’-Roll. Hamish Hamilton, 1987. 163 |
Reception | Michelene Wandor | Time Out discerned in this sequence an astonishing density of feeling. qtd. in Michelene Wandor. http://www.mwandor.co.uk/. |
Textual Production | Louise Page | In 1992 an educational grant from the Royal Shakespeare Company
funded LP
's adaptation, for children, of Antigone by Sophocles
, entitled Royal Blood Bath 3. Eisen, Kurt. “Louise Page”. British Playwrights, 1956-1995. A Research and Production Source Book, edited by William W. Demastes, Greenwood Press, 1996, pp. 291-00. 292 |
Textual Production | Pam Gems | PG
's next two plays, both about historic periods of violent revolutionary struggle, were not well received. La Pasionara, produced at the Newcastle Playhouse
in 1985, was based on the life of Dolores Ibarruri |
Textual Production | Marina Warner | MW
's W. D. Thomas
Memorial Lecture given at the University of Wales
, Swansea, was published the same year under the title Donkey Business; donkey work: magic and metamorphosis in contemporary opera... |
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