Arthur Wellesley, first Duke of Wellington

Standard Name: Wellington, Arthur Wellesley,,, first Duke of

Connections

Connections Sort descending Author name Excerpt
Occupation Anna Brownell Jameson
Mrs Littleton was a niece of the Duke of Wellington .
Thomas, Clara. Love and Work Enough: The Life of Anna Jameson. University of Toronto Press.
17
politics Amelia Opie
AO 's admiration for military heroes also extended to Kosciusko and later to the Duke of Wellington and General Lafayette . In other respects, however, she fully shared the anti-war stance of her fellow Quakers.
Mahon, Penny. “In Sermon and Story: contrasting anti-war rhetoric in the work of Anna Barbauld and Amelia Opie”. Women’s Writing, Vol.
7
, No. 1, pp. 23-38.
32
Reception Catherine Gore
Charlotte Brontë wrote to CG to voice her admiration: not the echo of another mind—the pale reflection of a reflection—but the result of original observation, and faithful delineation from actual life.
Mudge, Bradford Keyes, editor. Dictionary of Literary Biography 116. Gale Research.
129
Edward Copeland finds...
Reception Harriette Wilson
The apochryphal story that the Duke of Wellington returned one of Wilson's blackmailing letters with the scribbled annotation write and be d—d (universally converted by folklore to publish and be damned)
Wilson, Frances. The Courtesan’s Revenge. Faber.
209
originates not...
Reception Harriet Martineau
Guizot , the French Minister of Public Instruction, was ordered by Louis Philippe to translate the Illustrations for the French national schools. He considered HM to be the only woman ever to have affected legislation...
Residence Georgiana Fullerton
After leaving Staffordshire the Leveson-Gower family moved to Suffolk to live at Wherstead Lodge near Ispwich.
Craven, Pauline. Life of Lady Georgiana Fullerton. Translator Coleridge, Henry James, R. Bentley and Son.
7
GF recollected an eventful visit to Wherstead Lodge by the Duke of Wellington in 1822 or 1823...
Residence Sydney Owenson, Lady Morgan
Her new house was one of the first completed on a new estate by builder-entrepreneur Thomas Cubitt . In January 1838, when she and her husband moved in, the area was still green, almost rural...
Textual Features Antonia Fraser
This book is character-driven in AF 's accustomed manner, featuring Whig reformers, Tory reactionaries, and those dubbed revolutionaries like Daniel O'Connell and William Cobbett . Its story opens in November 1831 with a famous pronouncement...
Textual Features Eva Mary Bell
The novel oddly mixes rendering its central characters' inner lives with bald enumeration of armies, battles, forced marches. It follows George Thomas through his extraordinary conquest of the Punjab, through a growing melancholy and...
Textual Features Marguerite Gardiner, Countess of Blessington
The novel is unashamedly partisan. Paula R. Feldman calls it a roman à clef. The rhetoric of repeal is introduced through the figure of Jim Cassidy, Grace's husband, who has already excused breaking his oath...
Textual Features Harriette Wilson
The Memoirs' opening moves smoothly from the famous shock of the first sentence into a tone of judicious complexity: I shall not say why and how I became, at the age of fifteen, the...
Textual Production May Crommelin
MC continued to publish during the second decade of the twentieth century; only some of this late output is mentioned here. She returned to Ulster for The Golden Bow, 1912, whose heroine has an...
Textual Production Susan Tweedsmuir
Susan Buchan (later ST ) published her first biography, taking as a subject one of her collateral ancestors, The Sword of State: Wellington after Waterloo.
Solo: Search Oxford University Libraries Online. http://solo.bodleian.ox.ac.uk/primo_library/libweb/action/search.do?vid=OXVU1&fromLogin=true&reset_config=true.
Textual Production Carola Oman
CO 's work on a series of leaders from the time of the Napoleonic wars resulted in an invitation to lecture to the Royal Society of Literature about reading the writings of Nelson , Collingwood
Theme or Topic Treated in Text Harriet Smythies
The first canto of the poem, in a mix of heroic couplets and quatrains in the same iambic pentameter line, expresses loyal indignation at the cowardly tumult raised against a prince who is defenceless as...

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