Kelly, Gary. Women, Writing, and Revolution 1790-1827. Clarendon.
33
Connections Sort ascending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Anne Bannerman | The contents included odes, sonnets (including one sequence from Petrarch
and another based on Goethe
's Werther, in which she speaks as the male lover of a woman, with notes relating her poems to... |
Intertextuality and Influence | Germaine de Staël | Sarah Harriet Burney
, like her famous sister, was troubled at GS
's unconventionality. She wrote that she yawned over De l'Allemagneand yet, here and there, was electrified by a flash of sublimity. Do... |
Intertextuality and Influence | Felicia Hemans | The volume takes its epigraphs and historical starting-points from a wide range of sources, including major male Romantics—Wordsworth
, Byron
, Coleridge
, Goethe
, Schiller
—and lesser-known contemporaries including women—Elizabeth Ogilvy Benger |
Intertextuality and Influence | Sybille Bedford | The third rejected novel was the story of a young man working at a tedious business job in London who loves art and travel and the good life, who falls in with a powerful and... |
Intertextuality and Influence | Edith Wharton | After an epigraph from Goethe
(in German) EW
begins with her earliest memory, which she identifies with the birth of identity and relates in the third person, of the little girl who eventually became me... |
Intertextuality and Influence | Amy Levy | AL
acknowledged the influence on her poetry of Percy Bysshe Shelley
, Goethe
, Heine
, Robert Browning
, Swinburne
(whose poem Félise she answered in Félise to Her Lover), and James Thomson
(the... |
Intertextuality and Influence | Gertrude Stein | Critic Shirley Neuman
sees this opera as an important step towards the final version of Ida.GS
's Faustus (unlike Marlowe
's or Goethe
's) is tormented by the fact that he cannot go... |
Intertextuality and Influence | Helen Maria Williams | This novel re-writes Rousseau
's Julie; ou, La nouvelle Héloise in the sentimental style of Frances Sheridan
's Sidney Bidulph or Henry Mackenzie
's Julia de Roubigné. Kelly, Gary. Women, Writing, and Revolution 1790-1827. Clarendon. 33 |
Intertextuality and Influence | Matilda Betham-Edwards | The poems are printed chronologically (by the author's desire rather than the editor's). MBE
's introduction says nothing about her subject's parentage or his life-history, but canvasses the issues involved in selecting from his poems... |
Intertextuality and Influence | Maria Edgeworth | She designed it to combat the influence of romantic fiction, and to answer Germaine de Staël
's Delphine and Goethe
's Sorrows of Werther. Butler, Marilyn. Maria Edgeworth: A Literary Biography. Clarendon. 318-19 |
Intertextuality and Influence | Helen Maria Williams | |
Intertextuality and Influence | Mary Elizabeth Braddon | Robert Lee Wolff
argues that this is one of MEB
's very best Wilkie Collins
-style investigations. Wolff, Robert Lee. Sensational Victorian. Garland. 243 |
Intertextuality and Influence | Mary Elizabeth Braddon | Set on the coast of Devon fifty years earlier, it traces the fates of two strong characters: Methodist preacher and shopkeeper Joshua Haggard and his daughter Naomi. In the opening scene, Joshua rescues Oswald Pentreath... |
Intertextuality and Influence | Agnes Maule Machar | |
Intertextuality and Influence | Anne Francis |
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