“Dictionary of Literary Biography online”. Gale Databases: Literature Resource Center-LRC.
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Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Christine Brooke-Rose | This sets out to explore the effects of various technological media on the novel genre. It begins with the apparent forcible entry into a story by Jane Austen
of a great German contemporary of Austen:... |
Intertextuality and Influence | Hannah More | More takes a sceptical view of sensibility: she reproves both the representation of it in Goethe
's Werther (which had been available in English for about three years) and the sentimental enthusiasm which the book... |
Intertextuality and Influence | May Laffan | Set largely in Laffan's home town of Dublin, Hogan, M.P. captures an Ireland whose growing Catholic middle class is challenging the long empowered Protestant ascendancy. The action takes place three or four years before... |
Intertextuality and Influence | Louisa May Alcott | LMA
's Johann Wolfgang von GoetheFaustian novel A Modern Mephistopheles was published in 1877. Its title had originally belonged to her sensation novel, A Long and Fatal Love Chase, which was posthumously published in 1995. “Dictionary of Literary Biography online”. Gale Databases: Literature Resource Center-LRC. 239 OCLC WorldCat. http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999. |
Intertextuality and Influence | Elizabeth von Arnim | Inspired by the spirited correspondence between Goethe
and Bettina von Arnim
, EA
(as the author of Elizabeth and her German Garden) published Fräulein Schmidt and Mr. Anstruther. Woolf, Virginia. The Essays of Virginia Woolf. Editors McNeillie, Andrew and Stuart Nelson Clarke, Hogarth Press. 1: 136 Usborne, Karen. "Elizabeth": The Author of Elizabeth and Her German Garden. Bodley Head. 117 |
Intertextuality and Influence | Emily Gerard | This novel has two sections, Dream-Life and The Awakening, with an Intermezzo between the two: love is not part of the dream, but of the awakening to reality. The title-page quotation from La Fontaine |
Intertextuality and Influence | Charlotte Smith | |
Intertextuality and Influence | Elizabeth Sophia Tomlins | |
Intertextuality and Influence | Sarojini Naidu | For SN
, writing began as an act of rebellion. She wrote her first poem at the age of eleven when she became frustrated with an algebra problem, and thereupon decided to become a poet.... |
Intertextuality and Influence | Charlotte Smith | Syndy Conger has noted that this novel reveals a shift in Smith's attitude to sensibility in the four years since her sonnets: where she was enthusiastic she is now sceptical, even satirical, in her stance... |
Literary responses | Germaine de Staël | Goethe
was so impressed with this essay that he translated it into German. Winegarten, Renee. Mme de Staël. Berg. 47 OCLC WorldCat. http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999. |
Literary responses | Helen Craik | Neilson
detected Werterism in HC
's poems: a tragic sentimentality and preference for suicidal and murderous subjects, which conformed to a current mode even if it was not in fact a direct response to Goethe
. Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. |
Literary responses | Anna Mary Howitt | Rossetti deeply admired this picture, which was Pre-Raphaelite in technique, showing a woman in mourning pose in sunlight, and was inspired by Goethe
's Faust. Howitt's paintings generally focused on melancholy female subjects or... |
Occupation | Thomas Carlyle | In 1814, TC
left the University of Edinburgh
and started teaching, taking up a position at Annan Academy
. He returned to Edinburgh in 1819 to pursue his literary aspirations. While there, he also worked... |
Occupation | Margaret Fuller | The Conversations were not without their critics, however. Maria Weston Chapman
, head of the Boston Female Anti-Slavery Society
, criticised them for failing to address abolition explicitly. Chapman may have influenced the opinion which... |
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