Athenæum. J. Lection.
345 (1834): 432
Connections Sort descending | Author name | Excerpt |
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Textual Features | Isabel Hill | The main ambition of Brother Tragedians was to reduce prejudices typically directed towards actresses and actors, by demonstrating their many virtuous qualities. Athenæum. J. Lection. 345 (1834): 432 |
Textual Features | E. A. Dillwyn | This heroine, who is appealing despite her undeniable priggishness, opens her diary under the aegis of Thomas Carlyle
(to whom she would have liked to dedicate her journal had he been alive, because of his... |
Textual Features | John Oliver Hobbes | She writes that the passion for Wagner
among the precious and intellectually snobbish is dying out; he is less fashionable now, while Bayreuth is developing a populist, carnival aspect. Wagner snobs, she says, have been... |
Textual Features | Amy Levy | The frontispiece shows a woman sitting beside a well with an empty bucket. The caption, in Latin, indicates that she has despaired of finding Truth, which proverbially lies at the bottom of a well. Many... |
Textual Features | Ann Yearsley | Though she avoids apology and excessive humility, AY
seeks sympathy in this volume by touching on her own poverty and suffering. She perhaps took this technique from the craze for Goethe
's Werther, which... |
Textual Production | Mary Elizabeth Braddon | |
Textual Production | Anne Francis | |
Textual Production | Anna Swanwick | AS
issued her translation of Goethe
's complete Faust: the first part thoroughly revised, and the second part newly translated. Bruce, Mary Louisa. Anna Swanwick, A Memoir and Recollections 1813-1899. T. F. Unwin. 114-15 British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo. |
Textual Production | Elizabeth Rigby | During a second trip to Germany, ER
penned a solid but unfriendly Stephen, Sir Leslie, and Sidney Lee, editors. The Dictionary of National Biography. Smith, Elder. Broomfield, Andrea, and Sally Mitchell, editors. Prose by Victorian Women. Garland. 78 |
Textual Production | Betty Miller | The Browning line (How good is man's life, the mere living!) is quoted as epigraph, along with a passage from Goethe
which is also about enjoyment of life. Miller, Betty. The Mere Living. Victor Gollancz. prelims |
Textual Production | Anne Burke | AB
's first novel, the two-volume, anonymous, epistolary Eleanora: From the Sorrows of Werter. A Tale, was part of the overwhelming response to Goethe
's The Sorrows of Young Werther. Goethe's novel, published... |
Textual Production | Penelope Shuttle | This was published by Saint Albert's Press
at Aylesford in an edition of 500 copies, with 26 copies in hard covers on special paper, signed by the poet and marked with the letters of the... |
Textual Production | Margaret Fuller | MF
's earliest known writings were connected to her interest in the works of Goethe
. She translated his Torquato Tasso between late 1833 and 1834, although it first appeared in print posthumously, in the... |
Textual Production | Elizabeth Sophia Tomlins | EST
's second novel, The Victim of Fancy, published as by a Lady, appeared, post-dated 1787. It was epistolary and highly sentimental, composed in response to the cult of Goethe
's (translated) The Sorrows of Werter. Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press. 1: 414 |
Textual Production | Constance Naden | This had a red cover with the same design of a trailing plant that adorned her Songs and Sonnets of Springtime, with the frontispiece image and signature (Constance C.W. Naden) which are... |
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