Wainwright, Eddie. Taking Stock, A First Study of the Poetry of U.A. Fanthorpe. Peterloo Poets.
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Connections Sort descending | Author name | Excerpt |
---|---|---|
Friends, Associates | Anna Letitia Barbauld | A week later, calling her an amiable lady, he claimed (falsely) that she saw Richardson
as the equal of Shakespeare
. In January 1812 he shocked Henry Crabb Robinson
(who thought this behaviour personally... |
Friends, Associates | Clemence Dane | Toasts were proposed by suffragist Philippa Strachey
and by Ethel Watts
(chair of the Junior Council of the London and National Society for Women's Service
), the latter of whom hoped that in the future... |
Health | Anna Eliza Bray | In the first months of 1834 AEB
found herself again in ill-health. She lost her sight and was confined to her bedroom, where she amused herself by repeating passages from Shakespere
[sic], or inventing plots... |
Intertextuality and Influence | Bryher | |
Intertextuality and Influence | U. A. Fanthorpe | The title poem explains the implications of the title: I was set here / To watch. So I do, / And report, in cipher, to headquarters, / Which is an hypothesis. Wainwright, Eddie. Taking Stock, A First Study of the Poetry of U.A. Fanthorpe. Peterloo Poets. 28 |
Intertextuality and Influence | Edna O'Brien | The first half of the story is set in an imaginary western Irish village called Cloonoila, a strange but utterly convincing hybrid of the idyllic and the stultifyingly parochial. The second half is set in... |
Intertextuality and Influence | Michelene Wandor | It proclaims: this is the story of two people // this is the story of two peoples // and one God / your God or mine? Wandor, Michelene. The Music of the Prophets. Arc Publications. 34 |
Intertextuality and Influence | Clemence Dane | Will Shakespeare is written in blank verse, but does not imitate Elizabethan language. Subtitled an invention, the play dramatises Shakespeare
's early career as a writer, focusing on his move from Stratford to London... |
Intertextuality and Influence | Mrs Ross | Many chapters are headed with quotations from Shakespeare
or Cowper
. This novel pits domestic (upper-class) ties against destructive passions, the latter aroused by the fascinating Marchioness of Laisville (whose vices do not ruin her... |
Intertextuality and Influence | Elizabeth Hamilton | |
Intertextuality and Influence | Roma White | In fact the book deals with gardening in town as well as in the suburbs. The cloth cover is attractively designed with a vignette of London above the title and a country scene below. The... |
Intertextuality and Influence | Elizabeth Meeke | But the most interesting feature of Midnight Weddings is the discussion of novels and novel-writing with which it opens. Meeke defends the function of novels (which, of course, must offer a good moral) and the... |
Intertextuality and Influence | Ella Hepworth Dixon | EHD
took the title for the collection (and for the first story) from a line in Shakespeare
's Henry IV: Were it good / To set the exact wealth of all our states /... |
Intertextuality and Influence | George Bernard Shaw | Shakes
Versus Shav, a puppet play by GBS
dramatizing a confrontation between the two playwrights, was first produced at Malvern by the Waldo Lanchester Marionette Theatre
. Innes, Christopher, editor. The Cambridge Companion to George Bernard Shaw. Cambridge University Press. xxx Weintraub, Stanley, editor. Dictionary of Literary Biography 10. Gale Research. |
Intertextuality and Influence | Ann Hatton | Here AH
opens by quoting Shakespeare
, and applies her usual vivacious style and sense of immediacy to the story of a man who is wrongfully imprisoned, and eventually released only to find his wife... |
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