Jameson, Anna Brownell. Sisters of Charity, Catholic and Protestant; and, The Communion of Labor. Hyperion Press.
143
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Isa Blagden | The final line invokes Wordsworth
's The Female Vagrant, andIB
also echoes Thomas Hood
's Bridge of Sighs and the more general iconography of the fallen woman. This treatment of what it meant... |
Intertextuality and Influence | Anna Brownell Jameson | This second lecture takes as its epigraph the invocation in Tennyson
's The Princess of men and women working side by side in council, hearth, and the tangled business of the world. Jameson, Anna Brownell. Sisters of Charity, Catholic and Protestant; and, The Communion of Labor. Hyperion Press. 143 |
Intertextuality and Influence | Catharine Amy Dawson Scott | The poems take up various late-Victorian feminist issues, and their topicality and title seem to make them an implicit rebuttal of Tennyson
's nostalgic Idylls of the King. In A Woman's Ethics (perhaps an... |
Intertextuality and Influence | Katharine Tynan | Mary Beaudesert, V. S. (1923) is about a young woman who, despite all odds and obstacles, succeeds in becoming a veterinarian and winning the heart of her beloved. “Review of <span data-tei-ns-tag="tei_title" data-tei-title-lvl=‘m’>Mary Beaudesert, V. S.</span> by Katharine Tynan”. Times Literary Supplement, No. 1134, p. 672. 672 |
Intertextuality and Influence | L. M. Montgomery | Her writing, like Emily's, was profoundly influenced by nineteenth-century English writers and poets. LMM
named Hemans
and Byron
in personal letters; Emily cites Tennyson
and Wordsworth
. Gillen, Mollie. The Wheel of Things. Fitzhenry and Whiteside. 149, 161 |
Intertextuality and Influence | Mathilde Blind | |
Intertextuality and Influence | Charlotte Guest | One of CG
's admirers was Tennyson
, who was soon to become Poet Laureate. He re-told one of her tales in Idylls of the King. Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. |
Intertextuality and Influence | Frances Cornford | Cornford dedicated the book to the memory of her old friend and mentor, Cornford, Frances. Collected Poems. Cresset Press. 5 |
Intertextuality and Influence | Agnes Maule Machar | |
Intertextuality and Influence | Marjorie Bowen | MB
recalls being influenced at an early age by her enjoyment of Tennyson
's Idylls of the King, Wilde
's Picture of Dorian Gray, the novels of Sir Walter Scott
, and Richardson |
Intertextuality and Influence | Laura Ormiston Chant | Verona's title poem embeds a number of lyrics within its novelistic structure. Tennyson
's influence is particularly apparent in Serenada, which opens: Now folds the cistus, now / The lemon-blossom sleeps Chant, Laura Ormiston. Verona and Other Poems. David Stott. 50 |
Intertextuality and Influence | Louisa Stuart Costello | LSC
was apparently inspired by the same Italian poem (Cento Novelle Antiche) that inspired Tennyson
's The Lady of Shalott three years later. Simpson, Roger. “Costello’s ’The Funeral Boat’: An Analogue of Tennyson’s ’The Lady of Shalott’”. Tennyson Research Bulletin, Vol. 4 , No. 3, pp. 129-31. 129 |
Intertextuality and Influence | Anne Marsh | Edmund, narrator of this novel, is another old man: cautious, hierarchically minded, yet remembering his past as a young radical. He fell in love with Clarice de Vere —whose name recalls Tennyson
's Lady Clara... |
Intertextuality and Influence | Lady Charlotte Elliot | The volume includes the titular long poem Stella, about the doomed love between an Italian patriot and the daughter of a nobleman, which critic Francis O'Gorman
describes as echoing Tennyson'sMaud (published twelve years... |
Intertextuality and Influence | Sarojini Naidu | The story of its publication has been told by Arthur Symons
and Edmund Gosse
, and their accounts reveal considerable English intervention to bring out the Indian aspects of her work. At the age of... |
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