Wordsworth, William. The Complete Poetical Works of Wordsworth. George, Andrew J.Editor , Houghton Mifflin, 1932.
737
Connections Sort descending | Author name | Excerpt |
---|---|---|
Cultural formation | Augusta Webster | She came from a presumably white family with mixed English, Scottish, and French background on her mother's side, which also had strong literary connections. There is dispute among critics as to how far she was... |
Friends, Associates | Rosamund Marriott Watson | According to Angela Leighton
, the social scandal that erupted in the wake of RMW
's adultery and second divorce not only created a rift in private between the writer and many of her friends... |
Intertextuality and Influence | Felicia Hemans | Wordsworth
in 1837 revised his existing Extempore Effusion upon the Death of James Hogg to include a stanza describing FH
as that holy Spirit / Sweet as the spring, as ocean deep. Wordsworth, William. The Complete Poetical Works of Wordsworth. George, Andrew J.Editor , Houghton Mifflin, 1932. 737 |
Literary responses | Constance Naden | William R. Hughes
provided for the Midland Naturalist a review of this book which CN
called kind. Hughes, William Richard, Charles Lapworth, W. A. Tilden, and Robert Lewins. Constance Naden: A Memoir. Bickers and Son, 1890. 38-9 |
Literary responses | Bessie Rayner Parkes | Parkes acknowledged that she considered poetry not as an intellectual luxury but a very real national influence. Gleadle, Kathryn. The Early Feminists. Macmillan, 1995. 182 |
Literary responses | Bessie Rayner Parkes | Leighton
and Reynolds
suggest that this poem, together with Barrett Browning
's Aurora Leigh, is one of the few bold attempts to tackle the woman question in verse and it is clearly influenced by... |
Literary responses | Henrietta Euphemia Tindal | After languishing for more than a century, HET
's work has reappeared in the anthology of Victorian women poets edited by Angela Leighton
and Margaret Reynolds
.Leighton compares her unsentimenal poems on childbirth and motherhood... |
Literary responses | Elizabeth Barrett Browning | The first monograph feminist studies of EBB
were by Helen Cooper
, 1988, and Angela Leighton
,1989. Other significant studies have appeared by Deirdre David
(in Intellectual Women and Victorian Patriarchy, 1987), Glennis Stephenson (later Byron) |
Literary responses | Augusta Webster | Since the 1990s, AW
's critical star has been rising rapidly. She is now regularly included in Victorian poetry anthologies and has had substantial critical articles and book chapters devoted to her by scholars including... |
Literary responses | Harriet Hamilton King | Hickey
noted of these poems that we have the delight in beauty, in beauty for its own sake; the revelling in the wonder of flowers, which Mrs. King can write of as very few can... |
Literary responses | L. E. L. | Feminist critics have been more apt to see LEL as responding in a range of ways to the wrongs of her sex, if only to the extent that, in Angela Leighton
's analysis, these form... |
Reception | Constance Naden | Recently her writing has been included in Victorian Women Poets: an Anthology, edited by Margaret Reynolds
and Angela Leighton
, 1995; in Nineteenth-Century Women Poets: An Oxford Anthology, edited by Isobel Armstrong
,... |
Reception | Michael Field | As Katharine had feared, once MF
's true identity became known, their work received less attention, and critical enthusiasm waned. Blain, Virginia, editor. Victorian Women Poets: A New Annotated Anthology. Longman, 2001. 208 Leighton, Angela. Victorian Women Poets: Writing Against the Heart. University Press of Virginia, 1992. 203 |
Reception | Felicia Hemans | FH
was slow to register on the radar of recuperative feminist critics. Cora Kaplan
was an early exception in her anthology Salt and Bitter and Good, 1975.Margaret Homans
in her early attempt to... |
Textual Features | L. S. Bevington | Poems, Lyrics, and Sonnets also muses on the incompatibility of feminism and religion. LSB
likens marriage to slavery (that most common of first-wave feminist motifs) in Bees in Clover. She uses poetic repetition and... |
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