Felicia Hemans

-
Standard Name: Hemans, Felicia
Birth Name: Felicia Dorothea Browne
Married Name: Felicia Dorothea Hemans
Pseudonym: F. H.
Pseudonym: A Lady
A major Romantic poet and the most popular woman poet (or poetess as she and others expressed it) in English during the nineteenth century, FH published nineteen volumes of verse and two dramas. While most of her work was poetry—songs, lyric poetry, dramatic lyrics (arguably dramatic monologues), narrative poetry, and verse drama—she also published literary criticism, and some of her private letters survive. After her death she became in the mid-Victorian period a household name and a staple for memorizing as the popular educational practice at home and in the colonies. Her evocation of the domestic affections and the values associated with English national valour and imperial strength resonated strongly with her contemporaries, but in the late Victorian period her work fell out of favour. Recently interest has revived in her as a female voice within Romanticism, and as a vehicle for bourgeois, domestic, and British hegemony that nevertheless also critiques the very values and ideals for which her work became a byword. Recognition of her as a major poetic voice has accompanied a substantial shift in the understanding of British Romanticism.

Connections

Connections Author name Sort descending Excerpt
Education Winifred Peck
It was probably Mary A. Marzials ' anthology Gems of English Poetry which made poetry the only lesson the Knoxes disliked. Winifred felt that Hemans 's boy on the burning deck cut a poor figure...
Literary responses Laetitia Pilkington
Wordsworth chose from her works eleven melancholy and religious couplets from Sorrow, for inclusion in his manuscript anthology presented to Lady Mary Lowther at Christmas 1819. He omitted the later part of the poem...
Reception Marion Reid
Scholar Margaret McFadden notes that this work was tremendously successful, particularly in the United States, where it went through five editions between 1847 and 1852. The 1847 edition and all ensuing versions were printed...
Education Jean Rhys
At a very young age, JR imagined that God was a book. She was so slow to read that her parents were concerned, but then suddenly found herself able to read even the longer words...
Literary responses Laura Riding
Critic Jerome McGann asserts that LR , while making no claim to transcendent poetic power, makes poetry out of her own power to rise above her subject. In this he associates her with Felicia Hemans
Textual Features Anne Thackeray Ritchie
The Blackstick Papers treat a wide range of topics; three of the thirteen concern women writers, and the book's frontispiece is from a miniature of Felicia Hemans . ATR notes the stoicism
Ritchie, Anne Thackeray. Blackstick Papers. Books for Libraries Press.
146
of Mary Berry
Literary responses Emma Roberts
ER 's reputation stood high at her death, though it was subject to the ambivalence commonly met with by women writers at this period. The anonymous memoirist on her began by contradicting the barbarous opinion...
Textual Production A. Mary F. Robinson
In the same year, 1894, AMFR contributed critical introductions to selections by Felicia Hemans and Joanna Baillie in The English Poets, edited by Humphry Ward (husband of the well-known novelist ).
Robinson, A. Mary F. et al. “Critical Introductions”. The English Poets, edited by Thomas Humphry Ward, New Edition, Macmillian, pp. 4: 221 -34.
4: ix-x
Textual Features Christina Rossetti
The first poem, in the vein of major precursors Felicia Hemans and L. E. L. , represents the head of the lyric tradition as irrepressibly sighing and yearning for death, albeit that death will be...
Intertextuality and Influence Sappho
Elizabeth Moody engagingly converts Sappho into a contemporary in Sappho Burns her Books and Cultivates the Culinary Arts, 1798.
Jay, Peter, and Caroline Lewis. Sappho Through English Poetry. Anvil Press Poetry.
98
But many women poets accepted the notion of her rejected love for Phaon: Robinson
Literary responses Lydia Howard Sigourney
Edgar Allan Poe 's review of the US version in Graham's Magazine withdrew the charge of imitating Hemans that he had formerly levelled at LHS . She had now, he felt, found her own voice.
“Dictionary of Literary Biography online”. Gale Databases: Literature Resource Center-LRC.
183
Publishing Lydia Howard Sigourney
As her own need to make money from her writing grew, LHS turned increasingly to biography as a popular, saleable, and respected form. In 1829, she published anonymously through the American Sunday-School Union at Philadelphia...
Literary responses Lydia Howard Sigourney
Literary historian Emily Stipes Watts and others have noted Sigourney's high reputation in her own day (the female Milton, the American Hemans, the sweet singer of Hartford, generally ranked higher than William Cullen Bryant
Intertextuality and Influence Harriet Smythies
In a critical preface HS reveals her gender though not her name. She opens by invoking the author of Rienzi (either, Mary Russell Mitford or Edward Bulwer Lytton ). The two groups of lovers and...
Intertextuality and Influence Germaine de Staël
After completing this novel GS wrote, I'd like a really big [writing] table, it seems to me I've got the right to it now.
Kobak, Annette. “Mme de Staël and Fanny Burney”. The Burney Journal, Vol.
4
, pp. 12-35.
19
Corinne was enormously influential for nineteenth-century women writers. The model...

Timeline

No timeline events available.

Texts

No bibliographical results available.