Kelley, Anne. Catharine Trotter: An Early Modern Writer in the Vanguard of Feminism. Ashgate.
223-4
Connections | Author name Sort ascending | Excerpt |
---|---|---|
Wealth and Poverty | Anna Williams | This meant that she received the night's profits after the theatre covered its expenses: friends made a special effort to attend or to buy tickets for others. Johnson enlisted in the cause Elizabeth Carter
... |
Anthologization | Catharine Trotter | Several shorter poems by CT
are known today only from their inclusion in George Colman
's and Bonnell Thornton
's anthology Poems by Eminent Ladies in its edition of 1757. Kelley, Anne. Catharine Trotter: An Early Modern Writer in the Vanguard of Feminism. Ashgate. 223-4 |
Textual Features | Mariana Starke | In her preface MS
makes fun of rumours that were circulating about her identity—that she was a grocer's daughter, or an adventuress, or a mother of six starving children. She concludes, however, that it is... |
Publishing | Charlotte Smith | Encouraged by her friendship with the theatrical patron and amateur performer Henrietta O'Neill
, CS
had long thought about writing for the stage. She had written to Georgiana, Duchess of Devonshire
, in 1795 about... |
Textual Production | Frances Sheridan | In Garrick
's absence in France, it was produced by George Colman
. Sheridan, Frances. “Introduction”. The Plays of Frances Sheridan, edited by Richard Hogan and Jerry C. Beasley, University of Delaware Press, pp. 13-35. 24 |
Occupation | Susanna Haswell Rowson | She, with her husband and half a dozen other members of the Philadelphia New Theatre had defected to this Boston theatre by November 1796. There she appeared in November and December that year in a... |
Theme or Topic Treated in Text | Susanna Haswell Rowson | In this humorous poem the author draws on her first-hand knowledge, as an actor and singer, with the London stage. She marshals thirty-four of it actors and writers to appear before Apollo, who metes out... |
Literary responses | Susanna Haswell Rowson | Charlotte Temple has received a great deal of recent critical attention. Steven Epley
has discerned a possible connection with Inkle and Yarico (which he classes as folk legend). Epley, Steven. “Alienated, Betrayed, and Powerless: A Possible Connection between Charlotte Temple and the Legend of Inkle and Yarico”. Papers on Language and Literature, Vol. 38 , No. 2, pp. 200-22. |
Textual Features | Susanna Haswell Rowson | Steven Epley
finds Eumea reminiscent of the native woman betrayed in Inkle and Yarico, and that the Irishman is used, like Trudge in Colman
's version of that story, to demonstrate the superiority of... |
Reception | Mary Masters | MM
's friendship with Johnson laid her open to suspicion that he had revised and polished her poems. But this work was praised in the Gentleman's Magazine. Gentleman’s Magazine. Various publishers. 25 (1755) 190-1 |
Publishing | Jean Marishall | JM
says the idea of writing a comedy was first suggested to her by Hope amid the disappointments that attended the appearance of her first novel. Marishall, Jean. A Series of Letters. C. Elliot. 2: 195 |
Family and Intimate relationships | Judith Cowper Madan | JCM
's nephew William Cowper
the poet, with whom she corresponded, took an interest in her work and was probably the channel through which her poems reached the anthologists Colman
and Thornton
. Lavoie, Chantel Michelle. Collecting Women: Poetry and Lives, 1700-1780. Bucknell University Press. 155n55 |
Publishing | Charlotte Lennox | CL
had probably begun this play immediately after the appearance of her novel Henrietta, 1759, which it reworks. Indeed, the play bore the same title as the novel when it was seen in manuscript... |
Publishing | Sophia Lee | |
Performance of text | Elizabeth Inchbald | EI
's farce Young Men and Old Women, an unpublished adaptation from French, was performed on stage as afterpiece to George Colman the elder
's The Suicide. The London Stage 1660-1800. Southern Illinois University Press. 5: 1465 |