Hatton, Ann. Chronicles of an Illustrious House. Minerva, 1816, 5 vols.
title-page
Connections Sort descending | Author name | Excerpt |
---|---|---|
Family and Intimate relationships | Ann Lady Fanshawe | They may have chosen to marry outside Oxford because although he was a royalist, Sir Richard did not support the reforms by which William Laud had been making the Church of England higher. Ann's... |
Intertextuality and Influence | Ann Hatton | The title-page promises embellishment with characters and anecdotes of well-known persons, Hatton, Ann. Chronicles of an Illustrious House. Minerva, 1816, 5 vols. title-page |
Intertextuality and Influence | Anne Ridler | The new poems included Kirkwall 1942, about her wartime stay in Orkney, Ridler, Anne. Memoirs. The Perpetua Press, 2004, p. 240 pp. 138 |
Intertextuality and Influence | Anne Halkett | AH
handles her narrative (which survives only up to the year 1656) with skill. She employs literary reference when the ups and downs of her personal value at court put her in mind of texts... |
Literary responses | Anna Kingsford | The most vitriolic review appeared in The Academy. Walter MacLeane
vehemently objected to AK
's favourable depiction of Rosamunda, whom he declared one of the most detestable characters in history . . . coarse... |
Occupation | Elizabeth Inchbald | EI
made her London stage debut, at Covent Garden
; she played the breeches role of Bellario in Fletcher
's Philaster. Manvell, Roger. Elizabeth Inchbald: England’s Principal Woman Dramatist and Independent Woman of Letters in 18th Century London. University Press of America, 1987. 23 The London Stage 1660-1800. Southern Illinois University Press, 1960–1968, 5 vols. 5: 376 |
Reception | Ada Cambridge | The Athenæum decried AC
's lack of originality, arguing that the work as a whole read like an echo of well-remembered poems, recalling . . . half a score of other scarcely less familiar productions... |