Smulders, Sharon. Christina Rossetti Revisited. Twayne.
100
Robert Browning
-
Standard Name: Browning, Robert
Used Form: Z
RB
wrote thirty-one books of poetry (excluding numerous collected editions) and became the most influential practitioner of the dramatic monologue in the Victorian period. He also wrote literary criticism and two plays that were staged. His poetry's conversational phrasing, challenging syntax, quotidian imagery, and philosophical preoccupations respond to romanticism and anticipate modernism. He has become one of the most prominent among canonical Victorian poets.
Connections
| Connections Sort descending | Author name | Excerpt |
|---|---|---|
| Textual Production | Lesley Storm | LS
's early novels appeared in quick succession after this first publication. In the next two years she published Head in the Wind (1928) and Small Rain (1929). Between 1931 and 1933, she published five... |
| Textual Production | Doreen Wallace | DW
told a journalist during the 1970s that she had published under the name of Mary Crossley. This author name appears in library catalogues of the period for only one novel, titled (from a... |
| Textual Production | Elizabeth Barrett Browning | She did not show the poems to Browning
until July of 1849; he persuaded her to include them in her next edition of Poems, saying I dared not reserve to myself, the finest sonnets... |
| Textual Production | Elizabeth Barrett Browning | The poem's first part was inspired by events on the night of 12 September 1847, EBB
's first wedding anniversary. From Casa Guidi she and Robert Browning
watched political demonstrations in celebration of Grand Duke Leopoldo II |
| Textual Production | Christina Rossetti | In 1856, CR
published an historical short story, The Lost Titian, in The Crayon, a small magazine published in New York. Marsh, Jan. Christina Rossetti: A Writer’s Life. Viking. 176-9 |
| Textual Production | Isa Blagden | Smith, Elder and Co.
of London released Agnes Tremorne in two volumes. It has been sugested that Anthony Trollope
helped get this first novel published, and that Robert Browning
may have similarly persuaded publishers to... |
| Textual Production | Evelyn Waugh | The novel's title is that of a poem by Robert Browning
. |
| Textual Production | A. S. Byatt | She thought of the title and the central idea for the novel in the British Library, watching that great Coleridge
scholar, Kathleen Coburn
, and thinking of the poet possessing his critic, and of the... |
| Textual Production | Kate Greenaway | Throughout the 1880s KG
illustrated many little books by well-known authors. In 1883 she provided illustrations for Little Ann and Other Poems, a collection by the early nineteenth-century children's writers Ann (later Gilbert)
and... |
| Textual Production | Anne Thackeray Ritchie | ATR
published Records of Tennyson
, Ruskin
, and Browning (which also covers Elizabeth Barrett Browning
). Gérin, Winifred. Anne Thackeray Ritchie: A Biography. Oxford University Press. 224 |
| Textual Production | Catharine Amy Dawson Scott | CADS
published the final novel in her feminist Some Wives trilogy, Mrs. Noakes, An Ordinary Woman. The protagonist's name reflects the use (in legal texts, as well as by such writers as Robert Browning |
| Textual Production | Elizabeth Barrett Browning | Staying at Pisa with her new husband
, EBB
sent her dramatic monologue The Runaway Slave at Pilgrim's Point to James Russell Lowell
; it appeared next year in the Boston abolitionist gift-book The Liberty... |
| Textual Production | Beatrice Harraden | BH
published Spring Shall Plant, a novel about the troubled eleven-year-old Patuffa and the effects of music upon her. The title comes from a text by Robert Browning
. Colles, Hester Janet. “Spring Shall Plant”. Times Literary Supplement, No. 975, p. 614. 614 OCLC WorldCat. http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999. |
| Textual Production | Carol Ann Duffy | The title of CAD
's poetry volume Rapture alludes to a well-known poem by Robert Browning
and implies the recreation or imaginative re-possession of past ecstasies. Blackwell’s Online Bookshop. http://Bookshop.Blackwell.co.uk. |
| Textual Production | Michael Field | Some time after Callirrhoë; Fair Rosamund appeared, MF
's correspondent Robert Browning
probably let it slip to the Athenæum that the author was a woman. Fletcher, Robert P. “’ I leave the page half-writ’: Narrative Discoherence in Michael Field’s <span data-tei-ns-tag="tei_title" data-tei-title-lvl=‘m’>Underneath the Bough</span>”;. Women’s Poetry, Late Romantic to Late Victorian: Gender and Genre, 1830-1900, edited by Isobel Armstrong and Virginia Blain, Macmillan, pp. 164-82. 166 |
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