Philip Larkin
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Standard Name: Larkin, Philip
Birth Name: Philip Arthur Larkin
PL
is now widely regarded as one of the leading English poets of the later twentieth century. His output was small and his chosen form is brief, tightly structured, rhyming and self-contained, using a demotic vocabulary of deceptive simplicity. Though he often expresses brief, exuberant joy, he also returns again and again to the prospect of personal death, and the general tone of his poems is downbeat. He also published two novels as well as volumes of his reviews (of jazz and books), and other occasional prose writings.
Connections
Connections Sort descending | Author name | Excerpt |
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Reception | Iris Murdoch | It is not clear why Philip Larkin
and Monica Jones
chose a copy of this novel for systematically defacing every page with childishly salacious alterations and insertions (lips were parted, for instance, became... |
Reception | E. J. Scovell | For a poet whose calm clarity, ordinariness, and reach towards the simple sublime seem to give her a kinship with Philip Larkin
(without the cynicism), EJS
is remarkably neglected. In 1990 the Feminist Companion quoted... |
Reception | Ruth Pitter | During her lifetime RP
was deeply appreciated by some readers. C. S. Lewis
scatters through his letters such remarks as Whenever I re-read your poems, I blame myself for not re-reading them oftener. King, Don W. “The Anatomy of a Friendship: the correspondence of Ruth Pitter and C. S. Lewis, 1946-1962: Mythlore, Summer 2003”. Findarticles. 2 |
Reception | Barbara Pym | BP
was the only living writer named as under-rated by two people, Philip Larkin
and Lord David Cecil
, in a list compiled by the Times Literary Supplement of the most over- and under-rated authors... |
Reception | Elizabeth Jennings | In the Times Literary SupplementPeter Redgrove
welcomed EJ
as a good rather than a great poet, lyrical, metaphysical, and psychologically penetrating, a very accomplished writer of short pieces. TLS Centenary Archive Centenary Archive [1902-2012]. http://www.gale.com/c/the-times-literary-supplement-historical-archive. 2705 (4 December 1953): 778 |
Reception | Elizabeth Jennings | Delay became a popular poem. It was selected twenty years after publication, by Philip Larkin
, for The New Oxford Book of Twentieth-Century Verse, and years later again to appear among the advertising placards... |
Reception | Patricia Beer | Reviewers were again appreciative, and many recognised several sides to PB
: oddity as well as cleverness and elegance, risk-taking as well as delicacy and astringency. Martin Dodsworth
, however, sounded a warning note about... |
Reception | Barbara Pym | When An Unsuitable Attachment was finally published (posthumously), Larkin remarked that it was richly redolent of her unique talent, despite some aspects of the text that were not fully done. qtd. in Allen, Orphia Jane. Barbara Pym: Writing a Life. Scarecrow Press, 1994. 34 |
Reception | Caroline Blackwood | This was shortlisted for the Booker Prize. Philip Larkin
(a member of the jury) voted against it on the grounds that it was memoir rather than fiction, and it did not win. Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. Schoenberger, Nancy. Dangerous Muse, A Life of Caroline Blackwood. Phoenix, 2002. 25 |
Textual Features | Wendy Cope | Yet the casual virtuosity of this poem is a kind of consolation. WC
's assets include the power of compression and the power of brevity, sometimes Larkin
esque (as in the conclusion of Bloody Men... |
Textual Features | E. Nesbit | The title, condensed from two lines in Wordsworth
's Ode on the Intimations of Immortality, alludes to the dimming and flattening of once-acute sensations. One of these poems says that Love can never be... |
Textual Features | Carol Rumens | Until We Could Hardly See Them imagines the dead calling from the roadway on any passers-by to notice them, to remember them, not caring if the living take offence and say their dead are being... |
Textual Features | Carol Ann Duffy | Many poems here feature women answering back to canonical male voices: Liz Lochhead
to Donne
, Jenny Joseph
to W. S. Gilbert
, U. A. Fanthorpe
to Walt Whitman
, Wendy Cope
to A. E. Housman |
Textual Features | Carol Ann Duffy | Critic Deryn Rees-Jones
discerns widely varied influences on CAD
's work: mainstream English poets like Wordsworth
, Robert Browning
, T. S. Eliot
, Auden
, Dylan Thomas
, Larkin
, and Ted Hughes
... |
Textual Features | Seamus Heaney | These pieces cover elders and friends (Larkin
, Walcott
, Patrick Kavanagh
), poets of Eastern Europe where poetry performs the service of resistance to political oppression (as it might do in Northern Ireland... |
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