Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/.
Harold Pinter
-
Standard Name: Pinter, Harold
Pseudonym: David Baron
Pseudonym: Harold Pinta
Best-known as one of the leading British playwrights of the later twentieth century and as a Nobel Prize winner, HP
was also a poet, actor, theatre director, and writer of radio plays and screenplays both original and adapted. He was early recognised for stage violence, for comedy of menace and theatre of the absurd. His work became more urgently political with time. He stripped the excess fat from theatre dialogue, and mapped out his own distinctive theatrical topography: a place haunted by the ambivalence of memory, flecked by uncertainty, reeking of sex, and echoing with a strange, mordant laughter.
Connections
| Connections Sort descending | Author name | Excerpt |
|---|---|---|
| Literary responses | Antonia Fraser | AF
was not happy when Harold Pinter
found the manuscript, at a relatively early stage, confusing. Fraser, Antonia. Must You Go? Random House of Canada, 2010. 286 |
| Literary responses | Judith Kazantzis | Harold Pinter
called this work beautifully wrought, concrete, and passionate, and also noted that a major political poem was a rare event. Carol Ann Duffy
(herself an intensely political poet) observed sardonically: Someone should... |
| Literary responses | Antonia Fraser | AF
's debut as a crime novelist was complicated by reviewers looking for parallels with her own life, particularly her recent, high-profile relationship with Harold Pinter
. The Sunday Times was really nasty, but... |
| Literary responses | Antonia Fraser | Pinter
loved this spoof, which brought together characters from his various plays. Fraser, Antonia. Must You Go? Random House of Canada, 2010. 67-8 |
| Performance of text | James Joyce | This followed its rejection by managements in England, Ireland and America, the first pronounced by George Bernard Shaw
and the second by W. B. Yeats
. O’Brien, Edna. “The ogre of betrayal”. The Guardian, 29 July 2006, pp. Review 10 - 11. 11 |
| Performance of text | Shelagh Delaney | Nottingham Playhouse
, celebrating fifty years in its current home, put on The Lost Plays Revue, a composite work built around forgotten short sketches by SD
(Then and Now) and by others including Harold Pinter
. Thorpe, Vanessa. “Lost short plays by Pinter and Delaney to be staged again”. The Observer, 12 May 2013, p. 25. |
| Reception | Sarah Kane | A propos the Sheffield production of 2015, Alan Bennett
commented on the difficulty of achieving realism with such extreme violence: how can a character mutilated on stage be shown as having attention for anything at... |
| Textual Production | Antonia Fraser | She and Pinter
decided to sell their manuscripts to the British Library
. In July 1994 they went to pay our manuscripts a visit. They found that while Pinter's were stored in conventional box-files, hers... |
| Textual Production | Shelagh Delaney | Meanwhile, however, in 1963 Nottingham Playhouse
moved to new premises, and its three directors, Peter Ustinov
, John Neville
, and Frank Dunlop
, commissioned from various writers including SDa series of short sketch... |
| Textual Production | Fay Weldon | FW
joined distinguished writers such as Harold Pinter
in contributing to the multi-act Mixed Doubles: an Entertainment on Marriage, which was published in 1970 by Methuen
. Halio, Jay L., editor. Dictionary of Literary Biography 14. Gale Research, 1982–1983. 14: 752 Newman, Jenny. “’See Me as Sisyphus, But Having A Good Time’: The Fiction of Fay Weldon”. Contemporary British Women Writers: Texts and Strategies, edited by Robert E., Jr Hosmer, Macmillan, 1993. 207 |
| Textual Production | Elaine Feinstein | This opportunity arose from her guest editing an issue of Cambridge Opinion while the regular editors were sitting exams, in an issue she called The Writer out of Society. She had discovered |
| Textual Production | Sarah Waters | By perverse coincidence, SW
began her novel about the bombing of London (whose title had been used by several other writers already) on the morning of 11 September 2001. Allardice, Lisa. “Uncharted Waters”. The Guardian, 1 June 2006. Solo: Search Oxford University Libraries Online. 18 July 2011, http://solo.bodleian.ox.ac.uk/primo_library/libweb/action/search.do?vid=OXVU1&fromLogin=true&reset_config=true. |
| Textual Production | Dodie Smith | DS
found herself increasingly out of step with the new drama being produced in London since the advent of the Angry Young Men. She could tolerate John Osborne
and even admired Shelagh Delaney
... |
| Textual Production | Ruth Padel | This poem was reprinted in Angel. Other poets to appear in this series, each on a different coloured sheet of paper, were Carol Ann Duffy
, Judi Benson
, Anne Born
, Carole Coates |
| Textual Production | Antonia Fraser | AF
, at the hairdresser's, on impulse concocted a pastiche of Harold Pinter
's dramatic output entitled No Man's Homecoming. Fraser, Antonia. Must You Go? Random House of Canada, 2010. 67 |
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