Lonsdale, Roger, editor. Eighteenth-Century Women Poets. Oxford University Press, 1990.
494ff
Connections Sort descending | Author name | Excerpt |
---|---|---|
Anthologization | Annabella Plumptre | Anthologist Roger Lonsdale
includes several stanzas from it in his Eighteenth-Century Women Poets: An Oxford Anthology, 1989. Lonsdale, Roger, editor. Eighteenth-Century Women Poets. Oxford University Press, 1990. 494ff |
Literary responses | Anna Letitia Barbauld | William Enfield
quoted eight lines from Aikin (as Our Poetess) in dedicating his very popular anthology The Speaker, designed for the teaching of elocution, to the head of Warrington Academy
. Her volume... |
Literary responses | Jane Brereton | In her anniversary poem on her mother's death, Charlotte Brereton
, writing as Carolina, seized as consolation the thought (in the Gentleman's Magazine's over-insistent typography): Yet shall thy writings—thy example, be / The... |
Literary responses | Mary Leapor | The emphasis placed on ML
by Roger Lonsdale
in his revolutionary Eighteenth-Century Women Poets, 1989, was welcomed by reviewers. Leapor, Mary. “Introduction”. Poems, edited by Ann Messenger and Richard Greene, 2003. |
Literary responses | Judith Cowper Madan | Roger Lonsdale
in 1990 followed Falconer Madan
in supposing that her child-bearing and the influence of John Wesley
and the Methodists
amounted to sufficient explanation for her ceasing to write. Valerie Rumbold
suggested in 1996... |
Reception | Elizabeth Tollet | Nineteenth-century anthologists Alexander Dyce
and Frederic Rowton
chose their selection of Tollet's poems from that of Southey. Londry, Michael, and Elizabeth Tollet. The Poems of Elizabeth Tollet. Oxford University, 2004. 70-1 |
Textual Features | Mary Savage | The opening poem, Nothing New, situates the anxieties of authors in regard to critics in the tradition of anxieties of lovers: both are right to be anxious. The contents include an English translation of... |
Textual Production | Elizabeth Tollet | Her authorship of this volume was first revealed in a note in Roger Lonsdale
's Eighteenth-Century Women Poets in 1989. Lonsdale, Roger, editor. Eighteenth-Century Women Poets. Oxford University Press, 1990. 842n116 |
Textual Production | Elizabeth Singer Rowe | An Expostulatory Epistle to Sir Richard Steele
upon the Death of Mr. Addison, published in February 1720 by a Lady, is attributed to ESR
in a contemporary note on the title-page of a... |
Textual Production | Joanna Baillie | She told Mary Berry
that she hoped she would not give offence, since she wrote with humble boldness, regarding God & not man. Duquette, Natasha Aleksiuk. Veiled Intent: Dissenting Women’s Approach to Biblical Interpretation. Pickwick Publications, 2016. 166 |
Textual Production | Jane Brereton | |
Textual Production | Jane Brereton | Bibliographer David Foxon
assigns this poem to Elizabeth Singer Rowe
, whose name was written on to the title-page by a contemporary reader of a copy now at the University of Illinois
, Urbana... |
Textual Production | Martha Fowke | It has recently been suggested among scholars that MF
is the hitherto unidentified author of another and larger group of poems in the Barbados Gazette. Bill Overton
thinks it possible, Phyllis Guskin
thinks it... |