Szladits, Lola. “A Victorian Literary Correspondence: Letters from Julia Pardoe to Sir John Philippart, 1841-1860”. Bulletin of the New York Public Library, Vol.
55
, pp. 367-78. 368
Connections Sort ascending | Author name | Excerpt |
---|---|---|
Textual Production | E. Nesbit | Letters of EN
's are held by the Harry Ransom Humanities Research Center
, the University of Texas
(the Lane Papers), the New York Public Library
, and several other repositories. Some of her working... |
Textual Production | Virginia Woolf | Composition of The Voyage Out stretched over nine years, and VW
produced several versions of the text, including those she burned. Scholars Louise DeSalvo
and Elizabeth Heine
, working separately on materials in the Berg Collection |
Textual Production | Valentine Ackland | Not until 1998 were any of VA
's letters published. In that year about a third of the huge correspondence exchanged between her and her longtime lover was published as I'll Stand By You: Selected... |
Textual Production | Virginia Woolf | VW
left a mass of manuscript material, now mostly housed at the University of Sussex
in Brighton (Monks House Papers) and in the Berg Collection in the New York Public Library
. Both these collections... |
Textual Production | Kate Greenaway | This book was first published in three or four distinct editions, variously bound. An unauthorized edition appeared in the USA the next year, from McLoughlin Brothers
, who pirated other publications by KG
... |
Textual Production | Julia Pardoe | The Berg Collection of the New York Public Library
holds a series of 74 holograph letters written by JP
to Sir John Philippart
between 1841 and 1860. Szladits, Lola. “A Victorian Literary Correspondence: Letters from Julia Pardoe to Sir John Philippart, 1841-1860”. Bulletin of the New York Public Library, Vol. 55 , pp. 367-78. 368 |
Textual Production | Jane Porter | When the curtain rose Kean
(possibly drunk) appeared to have lost his memory, and his power of action.—The other Performers became disconcerted in their parts . . . the whole became a chaos of uproar... |
Textual Production | Anna Atkins | It appeared before Fox Talbot
's The Pencil of Nature, 1844-6, which does not therefore, technically, deserve being called, as it sometimes is, the first photobook. But his work, unlike Atkins's, was commercially... |
Textual Production | Dorothy Richardson | The majority of DR
's papers are held by Yale University
's Beinecke Library
. Smaller collections are housed at the British Library
, the New York Public Library
, the University of Texas at Austin |
Reception | Anita Desai | Many critics agree that AD
is a formidable writer, at home in intimate psychological worlds “Dictionary of Literary Biography online”. Gale Databases: Literature Resource Center-LRC. 271 |
Reception | Sarah Grand | At her death, SG
left all her manuscripts, copyrights, and published works to her step-granddaughter, Elizabeth Genevieve Bernadine Crawford Haldane McFall
, daughter of Haldane McFall
. Kersley, Gillian. Darling Madame: Sarah Grand and Devoted Friend. Virago Press. 334-5, 100 |
Reception | Tillie Olsen | To mark the publication of TO
's Yonnondio, Lola Sladitz
mounted an exhibition of manuscripts at the Berg Collection
in the New York Public Library
. Reid, Panthea. Tillie Olsen: One Woman, Many Riddles. Rutgers University Press. 263-4 |
Reception | Grace Aguilar | Another indication of her popularity in the US is that one of the oldest libraries in New York City, founded in 1886, was named in her honour as the Aguilar Library
; it is now... |
Reception | Maya Angelou | MA
became an iconic figure during her lifetime, symbolizing the struggle of the excluded for recognition, and eventually the reconciliation of Americans black and white. In February 2011 she received the Presidential Medal of Freedom... |
Reception | John Oliver Hobbes | Despite this assessment, and despite JOH
's own belief that her writing was in advance of her times, she is presently in literary limbo, out of print and with little recent critical work apart from... |
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