Wellesley, Dorothy, and W. B. Yeats. Selections from the Poems of Dorothy Wellesley. Macmillan.
vii
Connections Sort ascending | Author name | Excerpt |
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Textual Production | Ruth Padel | The thesis (which bears her whole name, Ruth Sofia Padel) is held by the Bodleian Library
. She began rewriting it in the form of a book the same year, staying on the island of... |
Textual Production | Catharine Amy Dawson Scott | CADS
published The Seal Princess, a prose re-working of a one-act play that had previously appeared in her 1912 collection Phoca; or, History Repeats Itself. The title is sometimes wrongly given as The... |
Textual Production | Dorothy Wellesley | W. B. Yeats
chose and edited for the publisher Macmillan
a volume of Selections from the Poems of Dorothy Wellesley, in which he sought to establish her reputation. Dated from the Bodleian Library
acquisition stamp. Wellesley, Dorothy, and W. B. Yeats. Selections from the Poems of Dorothy Wellesley. Macmillan. vii |
Textual Production | Sara Maitland | SM
and Wendy Mulford
together published Virtuous Magic: Women Saints and Their Meanings, a work of hagiography. This is dated by the Bodleian Library
acquisition stamp. Solo: Search Oxford University Libraries Online. http://solo.bodleian.ox.ac.uk/primo_library/libweb/action/search.do?vid=OXVU1&fromLogin=true&reset_config=true. |
Textual Production | Mary Penington | The note (probably made in 1785, which date has been written elsewhere in the book) says, The following most charming Treatise supposed to be written by the widow of Coll Springett, who became afterwards the... |
Textual Production | Elizabeth Stone | Elizabeth Stone
published God's Acre; or, Historical Notices relating to Churchyards. One of the two copies in the Bodleian
has a new leaf replacing the original pages 187-8, which were cancelled. Athenæum. J. Lection. 1599 (19 June 1858): 778-81 |
Textual Production | Elizabeth Pipe Wolferstan | EPW
published what appears to be her final work, Old Stories Versified, of which copies are very rare (as they are of many of her works). The British Library Catalogue does not list this... |
Textual Production | Amelia Bristow | While AB
's dates and titles are a little uncertain, it seems that she claimed to have written work during the 1830s for The Christian Lady's Friend and Family Repository (probably Fisher's Drawing-Room Scrap Book... |
Textual Production | Margiad Evans | Margiad Evans
entitled her second poetry collection—the last published work of her short career, acquired by the Bodleian Library
on the last day of the year—A Candle Ahead. “The Times Digital Archive 1785-2007”. Thompson Gale: The Times Digital Archive. (19 March 1958): 13 |
Textual Production | P. D. James | The Bodleian
(where James spoke several times and was photographed, and which presented her with its Bodley Medal in 2002) commissioned this book in December 2006. |
Textual Production | Susan Miles | SM
published another book of poetry, entitled Annotations: the title is taken from Walter de la Mare
, in a line that appears on the title-page. Dated from stamp in the Bodleian Library
copy. Miles, Susan. Annotations. Oxford University Press. title-page |
Textual Production | Anne Ridler | It had been commissioned by Martin Browne
, the lessee of the Mercury Theatre, who, inspired by the success of T. S. Eliot
's Murder in the Cathedral, set out to encourage poets to... |
Textual Production | Melesina Trench | The Bodleian Library
copy of the original edition has numerous manuscript additions by the author. In 1837 a new edition of this work was published by a female friend of MT
who had met with... |
Textual Production | Rose Allatini | RA
published with her name as R. Allatini, through Mills and Boon
, her first novel, ". . . Happy Ever After". This is dated by the Bodleian Library
acquisition stamp. British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo. |
Textual Production | Mary, Lady Champion de Crespigny | One year of Mary Champion de Crespigny's diary, that for the year 1791, survives in the Bodleian Library
. Until recently, because of her odd habit of referring to her husband as Starke, it... |
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