Bree, Linda. “’The Lovely Cynthia’ Finds a Home at Chawton”. The Female Spectator, Vol.
16
, No. 4, pp. 11-12. 11
Connections Sort descending | Author name | Excerpt |
---|---|---|
Reception | Frances Burney | In the year of publication Henry Singleton
did two paintings illustrating scenes from Camilla, which are now at Chawton House Library
. Bree, Linda. “’The Lovely Cynthia’ Finds a Home at Chawton”. The Female Spectator, Vol. 16 , No. 4, pp. 11-12. 11 |
Reception | Charlotte Smith | CS
has enjoyed a recent renaissance, with Stuart Curran
's edition of her poems, 1993, her Major Poetical Works edited by Claire Knowles
and Ingrid Horrocks
, 2017, Curran's fourteen-volume collected works from Pickering and Chatto |
Reception | Catharine Macaulay | Chawton House Library
scheduled a workship in September 2013 to commemorate 250 years of CM
's History of England. Chaber, Lois. Email to Women’s Studies Group. |
Reception | Catharine Macaulay | Female historians have evinced more interest in CM
than male historians, but their evaluations have often been tinged with condescension or qualified with mockery. Women mentioning her have included Alicia Lefanu
in 1824, Dorothy Gardiner |
Reception | Germaine de Staël | Benjamin Constant
, formerly the lover of GS
, represented her in his novel Adolphe as a woman whose mind was the most wide-ranging of any woman ever, and perhaps of any man, Kobak, Annette. “Mme de Staël and Fanny Burney”. The Burney Journal, Vol. 4 , pp. 12-35. 26 |
Reception | Penelope Aubin | The borrowed text expands in a few places (but only in the early pages) and renames the characters (making a few slips), but otherwise changes nothing. This barefaced plagiarism remained undetected until Bonnie Kulik
discovered... |
Reception | Eliza Haywood | Editor Carol Stewart
writes that here Opposition writing becomes a vehicle for potentially radical thinking, often feminist in nature. Bernard, Stephen. “Rediscovered secrets”. Times Literary Supplement, p. 25. |
Reception | Jane Austen | Austen's status in the English-speaking world is not so far equalled among, for instance, French speakers. Valérie Cossy
noted in March 2006 that (largely on account of inaccurate and inadequate translations) [v]ery few people in... |
Residence | Jane Austen | After four and a half years they had a permanent home again, provided for them by Edward Austen Knight
on his Chawton estate. The red-brick cottage stands in the main road of the village, only... |
Textual Production | Mary Tighe | Henry Moore copied poems into a manuscript album which he titled Poems HM 1811 (now at Chawton House Library
). The first 66 pages are occupied by MT
's work, at the end of which... |
Textual Production | Mary Delany | The original manuscript, with the author's illustrations, is in the Lilly Library
, Indiana University
, while a fair copy made twenty years or so after composition, as a presentation gift to Queen Charlotte
is... |
Textual Production | Fanny Holcroft | At some time FH
is thought to have written Goldsmith. A New Drama in 2 Ac[ts]. A manuscript copy in Chawton House Library
is believed to be partly in her handwriting. (Each act has... |
Textual Production | Amelia Opie | The copy now in the library at Chawton Houe
bears an inscription from the author to her long-time friend Charles Edgeworth
(half-brother of Maria
). An edition published at Boston in 1839 was entitled A... |
Textual Production | Joanna Trollope | JA pursued her Austen
connection with a talk on her at a charity Christmas supper held at Chawton House Library
on 5 December 2015. |
Textual Production | Clara Reeve | This novel was advertised for the 26th of February. The Chawton House Library
copy has Reeve's gift inscription to a friend (Mrs Keller). She notes errors of the Press—infinitum, and begs her reader in lines... |
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