Sappho
-
Standard Name: Sappho
Birth Name: Sappho
Used Form: Sapho
Sappho
, the female poet who stands at the head of the lyric tradition in Europe, has been a major figure of identification, of desire, of influence, of adulation, and of opprobrium in British women's writing, though little remains of her texts. All of her estimated 12,000 lines of verse has been lost except a handful of complete poems and many fragments, either quotations of her work by other writers, or scraps deciphered from papyri used to wrap mummies in ancient Egypt. This mutilated body of work amounts to somewhere around seven hundred intelligible lines.
Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Literary responses | Frances Ridley Havergal | The Reverend Charles Tennyson Turner
offered high praise for several of FRH
's poems and noted that Miss Havergal, Sappho
and Mrs Browning
constitute my present female trio. There may be others lying perdues to... |
Literary responses | Sarah Wentworth Morton | During her lifetime SWM
was seen as standing at the head of a national tradition of women's writing: in 1791 she was flattered with the honorific titles of both the Sappho
and the Elizabeth Montagu |
Literary responses | Queen Elizabeth I | The immense and long-lasting interest aroused by Elizabeth is not, of course, primarily due to her writings, any more than were the adulation paid her during her lifetime, the cult of Gloriana, the Virgin Queen... |
Literary responses | Mary Matilda Betham | Samuel Taylor Coleridge
wrote To Matilda Betham
from a Stranger (later published privately), wishing that she might be as impassioned as Sappho
—but holier and happier. Wordsworth, Jonathan. The Bright Work Grows: Women Writers of the Romantic Age. Woodstock Books, 1997. 202 |
Literary responses | Felicia Hemans | FH
was so popular overseas that she was strongly associated, in the mind of Wordsworth
at least, with a US audience. Her poems, particularly the Landing of the Pilgrim Fathers in New England from Records... |
Literary responses | Felicia Hemans | |
Literary responses | Susanna Blamire | The reviewer of this collection in Chambers's Edinburgh Journal unoriginally but flatteringly called SB
the Cumbrian Sappho. qtd. in Kushigian, Nancy, and Stephen C. Behrendt, editors. Scottish Women Poets of the Romantic Period. |
names | Anne Bradstreet |
|
Other Life Event | Alison Uttley | She had precognitive dreams, including one about Sappho
. |
Performance of text | Natalie Clifford Barney | NCB
's Equivoque, a play about Sappho
, was privately performed in her garden. Causse, Michèle. Berthe ou un demi-siècle auprès de l’Amazone. Tierce, 1980. 249 |
Performance of text | Maureen Duffy | MD
wrote a dramatic monologue to be spoken by Sappho
(whose poems she had just been writing about), which was performed in London in 2010. Duffy, Maureen. “My Life with Aphra Behn”. Women’s Writing, Vol. 19 , No. 2, 13 Feb. 2012. 244 |
Author summary | Sarah Lewis | Sarah Anna Lewis
was a mid-nineteenth-century American poet who is today better known for her association with Edgar Allan Poe
than for her writings. She began her career with frequent periodical publications, then published four... |
Author summary | Michael Field | As MF
, Katharine Harris Bradley and Edith Cooper published twenty-seven tragedies, mostly verse dramas on historical or classical subjects. Only one of their plays was staged, and it received poor reviews. Their unique literary... |
Publishing | Michael Field | Printing of the book was limited to one hundred copies. (Robert Browning
received no. 2.) It was beautifully bound in vellum and printed in two ink colours: MF
's poems in black and Sappho |
Publishing | Mary Lamb | Mary Lamb
's poem A Lady's Sapphic, an attempt to render Sappho
's style and metre in English, was anonymously printed in The Champion. Prance, Claude Annett. Companion to Charles Lamb: A Guide to People and Places, 1760-1847. Mansell, 1983. 188 |
Timeline
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Texts
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