Women’s Writing in the British Isles from the Beginnings to the Present
Frances Burney
-
Standard Name: Burney, Frances
Birth Name: Frances Burney
Nickname: Fanny
Nickname: The Old Lady
Married Name: Frances D'Arblay
Indexed Name: Madame D'Arblay
Pseudonym: A Sister of the Order
Used Form: the author of Evelina
Used Form: the author of Evelina and Cecilia
Used Form: the author of Evelina, Cecilia, and Camilla
FB
, renowned as a novelist in her youth and middle age, outlived her high reputation; her fourth and last novel (published in 1814) was her least well received. Her diaries and letters, posthumously published, were greeted with renewed acclaim. During the late twentieth century the re-awakening of interest in her fiction and the rediscovery of her plays revealed her as a woman of letters to be reckoned with. Today her reputation in the academic world stands high, and productions of her plays are no longer isolated events.
Probably the last full-length fiction to appear by EM
was published in her name: What Shall Be, Shall Be. A Novel; again a character name was borrowed from Frances Burney
.
Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press.
2: 561
Textual Production
Sydney Owenson, Lady Morgan
The novel appeared in Dublin, before the London edition of the same year. Owenson dated her preface 2 November 1802. Her payment was said to consist of four free copies.
Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press.
2: 176
Campbell, Mary. Lady Morgan: The Life and Times of Sydney Owenson. Pandora.
ATG
later remembered that she was writing poetry at seven or eight. She also planned large literary projects
Gilbert, Ann Taylor. Autobiography and Other Memorials of Mrs. Gilbert. Editor Gilbert, Josiah, H. S. King, http://U of A, HSS Ruth N .
1: 46
including a prequel to Homer
's Iliad. Like Frances Burney
, she tried to...
Textual Production
Felicia Hemans
Gary Kelly
speculates that Felicia Browne may have been the translator (signing F. B.) of Italian patriot and political exile Ugo Foscolo
's autobiographical novel Ultime Lettere di Jacopo Ortis in 1812.
Hemans, Felicia. “Introduction and Editorial Materials”. Felicia Hemans: Selected Poems, Prose, and Letters, edited by Gary Kelly, Broadview, pp. 12 - 89; various pages.
21
A...
Textual Production
Jan Morris
More than a decade later, in 1978, JM
followed her own portrait of Oxford by editing The Oxford Book of Oxford, a quirky anthology of often very short anecdotes and other excerpts, aimed less...
Textual Production
Hester Mulso Chapone
HMC
's surviving letters span the years both before and after her marriage. Apart from her best-known letters, exchanged with Richardson
himself, Richardson's circle, and other Bluestockings of the original generation, she corresponded with Frances Burney
Textual Production
Catharine Maria Sedgwick
While apparently received enthusiastically
Foster, Edward Halsey. Catharine Maria Sedgwick. Twayne.
129
in America, this book had a more mixed reception in Britain. A long review in the Athenæum began by describing CMS
as clear of affectation to the extent of being...
Textual Production
Angela Thirkell
She was anxious about publication, partly because she had not told her parents that she was writing a novel: this led her mentor W. Graham Robertson
to liken her to Fanny Burney
.
Strickland, Margot. Angela Thirkell: Portrait of a Lady Novelist. Duckworth.
75-6
From...
Textual Production
Alice Meynell
She often used this column to address the works of literary women of the past. She judged Jane Austen
inferior to Charlotte Brontë
, accepting Brontë's opinion that Austen lacked what she, by implication, possessed:...
Textual Production
Frances Brooke
FB
invited Frances Burney
to collaborate with her on a new periodical; Burney declined.
The date is from Brooke's letter expressing regret.
McMullen, Lorraine. An Odd Attempt in a Woman: The Literary Life of Frances Brooke. University of British Columbia Press.
204-5, 235n2
Textual Production
Charlotte Smith
It was small but handsome. Thomas Stothard
did two of the illustrations. His design for sonnet 12 (Written on the Sea Shore.—October 1784—the month in which she crossed the Channel with her children...
Textual Production
Eliza Parsons
She gave her name as Mrs. Parsons on the title-page and signed the dedication with both her names.
Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press.
1: 512
A title-page epigraph reads: Brutus said Virtue was but a name—tis more. ....
Theme or Topic Treated in Text
Eva Figes
Though she mentions such writers as Eliza Haywood
and Mary Davys
, she begins her detailed discussion with the 1790s (a time which twenty years on would be regarded as somewhat late in the history...
Theme or Topic Treated in Text
Camilla Crosland
In the preface she declares that she sought to simply set before the young women of the present day examples of wives and mothers who have done their duty under difficulties and temptations; and if...
