Frances Burney
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Standard Name: Burney, Frances
Birth Name: Frances Burney
Nickname: Fanny
Nickname: The Old Lady
Married Name: Frances D'Arblay
Indexed Name: Madame D'Arblay
Pseudonym: A Sister of the Order
Used Form: the author of Evelina
Used Form: the author of Evelina and Cecilia
Used Form: the author of Evelina, Cecilia, and Camilla
FB
, renowned as a novelist in her youth and middle age, outlived her high reputation; her fourth and last novel (published in 1814) was her least well received. Her diaries and letters, posthumously published, were greeted with renewed acclaim. During the late twentieth century the re-awakening of interest in her fiction and the rediscovery of her plays revealed her as a woman of letters to be reckoned with. Today her reputation in the academic world stands high, and productions of her plays are no longer isolated events.
Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Textual Production | Kathleen E. Innes | Of about a dozen other books in the series, this work was the only one written by a woman about a woman writer. Royds situates Barrett Browning within a strong tradition of women writers including... |
Textual Production | Cassandra Cooke | As well as writings by CC
now among the Beachcroft family private archive (at the Bodleian Library
) and the Stoneleigh papers (at the Shakespeare Birthplace Trust
, Stratford-upon-Avon), the letters whose backs Frances Burney |
Textual Production | Eliza Parsons | She gave her name as Mrs. Parsons on the title-page and signed the dedication with both her names. Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press, 2000, 2 vols. 1: 512 |
Textual Production | Hannah More | Like Frances Burney
's Brief Reflections Relative to the Emigrant French Clergy, this was written for the benefit of Frances Anne Crewe
's fund for relief of French clerical refugees. More expressed the hope... |
Textual Production | Angela Thirkell | She was anxious about publication, partly because she had not told her parents that she was writing a novel: this led her mentor W. Graham Robertson
to liken her to Fanny Burney
. Strickland, Margot. Angela Thirkell: Portrait of a Lady Novelist. Duckworth, 1977. 75-6 |
Textual Production | Elizabeth Meeke | EM
published, with her name, "There is a Secret, Find It Out!", a novel which quotes Griffith (probably Elizabeth Griffith
) on its title-page and borrows a character name from her stepsister Frances
's Evelina. Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press, 2000, 2 vols. 2: 281 |
Textual Production | Sydney Owenson Lady Morgan | The novel appeared in Dublin, before the London edition of the same year. Owenson dated her preface 2 November 1802. Her payment was said to consist of four free copies. Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press, 2000, 2 vols. 2: 176 Campbell, Mary, 1917 - 2002. Lady Morgan: The Life and Times of Sydney Owenson. Pandora, 1988. 47 |
Textual Production | Catharine Maria Sedgwick | While apparently received enthusiastically Foster, Edward Halsey. Catharine Maria Sedgwick. Twayne, 1974. 129 |
Textual Production | Elizabeth Meeke | Probably the last full-length fiction to appear by EM
was published in her name: What Shall Be, Shall Be. A Novel; again a character name was borrowed from Frances Burney
. Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press, 2000, 2 vols. 2: 561 |
Textual Production | Felicia Hemans | Gary Kelly
speculates that Felicia Browne may have been the translator (signing F. B.) of Italian patriot and political exile Ugo Foscolo
's autobiographical novel Ultime Lettere di Jacopo Ortis in 1812. Hemans, Felicia. “Introduction and Editorial Materials”. Felicia Hemans: Selected Poems, Prose, and Letters, edited by Gary Kelly, Broadview, 2002, pp. 12 - 89; various pages. 21 A... |
Textual Production | Jan Morris | More than a decade later, in 1978, JM
followed her own portrait of Oxford by editing The Oxford Book of Oxford, a quirky anthology of often very short anecdotes and other excerpts, aimed less... |
Textual Production | Naomi Royde-Smith | In an Author's NoteNRS
tenders her thanks to the shades of Miss Austen, Miss Burney
, Miss Edgeworth
, Mrs Sherwood
and Mr. W. M. Thackeray for the life-long pleasure they have given her... |
Textual Production | Ann Taylor Gilbert | ATG
later remembered that she was writing poetry at seven or eight. She also planned large literary projects qtd. in Gilbert, Ann Taylor. Autobiography and Other Memorials of Mrs. Gilbert. Editor Gilbert, Josiah, H. S. King, 1874, 2 vols., http://U of A, HSS Ruth N . 1: 46 |
Textual Production | Sarah Harriet Burney | Colburn originally wanted to publish two volumes of tales together; then he agreed to publish The Shipwreck immediately if a second volume could be ready soon after Christmas 1815. He had advertised volume one on... |
Theme or Topic Treated in Text | Julia Kavanagh | In this second work of women's literary history, JK
once again limits herself to the novel. Her canon comprises ten authors, from Aphra Behn
to Sydney Morgan
by way of Sarah Fielding
, Frances Burney |
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Texts
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