Women’s Writing in the British Isles from the Beginnings to the Present
Frances Burney
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Standard Name: Burney, Frances
Birth Name: Frances Burney
Nickname: Fanny
Nickname: The Old Lady
Married Name: Frances D'Arblay
Indexed Name: Madame D'Arblay
Pseudonym: A Sister of the Order
Used Form: the author of Evelina
Used Form: the author of Evelina and Cecilia
Used Form: the author of Evelina, Cecilia, and Camilla
FB
, renowned as a novelist in her youth and middle age, outlived her high reputation; her fourth and last novel (published in 1814) was her least well received. Her diaries and letters, posthumously published, were greeted with renewed acclaim. During the late twentieth century the re-awakening of interest in her fiction and the rediscovery of her plays revealed her as a woman of letters to be reckoned with. Today her reputation in the academic world stands high, and productions of her plays are no longer isolated events.
"Frances Burney" Retrieved from https://upload.wikimedia.org/wikipedia/commons/thumb/6/60/Frances_d%27Arblay_%28%27Fanny_Burney%27%29_by_Edward_Francisco_Burney.jpg/840px-Frances_d%27Arblay_%28%27Fanny_Burney%27%29_by_Edward_Francisco_Burney.jpg.
She sometimes wrote of her own drawing and painting as an obsession: Why cannot one be content to look at it? I cannot rest, I must draw, however poor the result. But also, watching and...
Reception
Elizabeth Hervey
It has been until recently a given of literary history that William Beckford
had his half-sister in his sights in his two burlesques on women's novel-writing. The title-page of the first quotes Pope
, thus...
Reception
Emily Frederick Clark
From EFC
's letters to the Royal Literary Fund
it would seem that she entertained a very modest estimate of her own talents. Late in her career, for example, she calls her own works very...
Textual Features
Anna Maria Mackenzie
AMM
's opening address To the Readers of Modern Romance says that ancient romance was put paid to by the new source of amusement . . . struck out by Henry Fielding
and Richardson
(to...
Textual Features
Mary Julia Young
MJY
foregrounds her own friendship with Anna Maria Crouch, and finds room for such details as the opinions of Crouch's father, Peregrine Phillips
, about novelists: he admired Charlotte Smith
, Anna Maria Bennett
,...
Textual Features
Catherine Hutton
This character, which novelistic convention would make a peripheral caricature (though his vigorous writing style has no oddity like, for instance, that of Frances Burney
's Mr Briggs), becomes incorporated, without reforming in character, into...
Textual Features
Elizabeth Thomas
The range of authors quoted for chapter-headings is similar to that in her last novel, with the notable addition of passages in both prose and poetry by Martha Homely, her own formerly-used pseudonym. Poems...
Textual Features
Frances Jacson
The title-page quotes from Milton
's Samson Agonistes. An address To the Dethroned Sovereign Truth hopes for the restoration of this power which, says the author, is still present although obsolete and obscure. Her...
Textual Features
Helen Craik
Authors quoted on HC
's title-page include La Rochefoucauld
. Mary Robinson
's Walsingham is quoted in volume two and supplies the epigraph for volume three.
Craciun, Adriana, and Kari E. Lokke, editors. “The New Cordays: Helen Craik and British Representations of Charlotte Corday, 1793-1800”. Rebellious Hearts: British Women Writers and the French Revolution, State University of New York Press, 2001, pp. 193-32.
228n47
The story opens shortly before the French Revolution...
Textual Features
Anna Letitia Barbauld
The series has a general introduction, On the Origin and Progress of Novel-Writing, and a Preface, Biographical and Critical for each novelist, which in its echo of the full and original title of Johnson's...
Textual Features
Ann Thicknesse
An introduction explains that this book, although called a novel, will not deal in pathetic tales of love, marvellous prodigies, or even . . . elegant flights of fancy, but only plain simple facts...
Textual Features
Phebe Gibbes
The heroine, who is initially called Ella, is represented as needing to read novels in order to learn about social skills, duties, and distinctions as depicted by a Brooks
[sic], a Sheridan
, a Burney
Textual Features
Eliza Haywood
True to her name, EH
's heroine snubs Mr Trueworth because she really can't be bothered with him. She is already sorry before (ignoring ominous nightmares) she marries the egregious Mr Munden. He not only...
Textual Features
Sydney Owenson Lady Morgan
In setting this novel in remote Donegal, Morgan continued her project of explaining her native land to her English readership. Her Irish hero, Roderick O'Donnel, is that almost unbelievable thing, an Irish gentleman who...
