Frances Burney

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Standard Name: Burney, Frances
Birth Name: Frances Burney
Nickname: Fanny
Nickname: The Old Lady
Married Name: Frances D'Arblay
Indexed Name: Madame D'Arblay
Pseudonym: A Sister of the Order
Used Form: the author of Evelina
Used Form: the author of Evelina and Cecilia
Used Form: the author of Evelina, Cecilia, and Camilla
FB , renowned as a novelist in her youth and middle age, outlived her high reputation; her fourth and last novel (published in 1814) was her least well received. Her diaries and letters, posthumously published, were greeted with renewed acclaim. During the late twentieth century the re-awakening of interest in her fiction and the rediscovery of her plays revealed her as a woman of letters to be reckoned with. Today her reputation in the academic world stands high, and productions of her plays are no longer isolated events.

Connections

Connections Sort ascending Author name Excerpt
Textual Production Elizabeth Meeke
Probably the last full-length fiction to appear by EM was published in her name: What Shall Be, Shall Be. A Novel; again a character name was borrowed from Frances Burney .
Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press.
2: 561
Textual Production Naomi Royde-Smith
In an Author's NoteNRS tenders her thanks to the shades of Miss Austen, Miss Burney , Miss Edgeworth , Mrs Sherwood and Mr. W. M. Thackeray for the life-long pleasure they have given her...
Textual Production Ann Taylor Gilbert
ATG later remembered that she was writing poetry at seven or eight. She also planned large literary projects
Gilbert, Ann Taylor. Autobiography and Other Memorials of Mrs. Gilbert. Editor Gilbert, Josiah, H. S. King, http://U of A, HSS Ruth N .
1: 46
including a prequel to Homer 's Iliad. Like Frances Burney , she tried to...
Textual Production Felicia Hemans
Gary Kelly speculates that Felicia Browne may have been the translator (signing F. B.) of Italian patriot and political exile Ugo Foscolo 's autobiographical novel Ultime Lettere di Jacopo Ortis in 1812.
Hemans, Felicia. “Introduction and Editorial Materials”. Felicia Hemans: Selected Poems, Prose, and Letters, edited by Gary Kelly, Broadview, pp. 12 - 89; various pages.
21
A...
Textual Production Jan Morris
More than a decade later, in 1978, JM followed her own portrait of Oxford by editing The Oxford Book of Oxford, a quirky anthology of often very short anecdotes and other excerpts, aimed less...
Textual Production Hester Mulso Chapone
HMC 's surviving letters span the years both before and after her marriage. Apart from her best-known letters, exchanged with Richardson himself, Richardson's circle, and other Bluestockings of the original generation, she corresponded with Frances Burney
Textual Production Catharine Maria Sedgwick
While apparently received enthusiastically
Foster, Edward Halsey. Catharine Maria Sedgwick. Twayne.
129
in America, this book had a more mixed reception in Britain. A long review in the Athenæum began by describing CMS as clear of affectation to the extent of being...
Textual Production Angela Thirkell
She was anxious about publication, partly because she had not told her parents that she was writing a novel: this led her mentor W. Graham Robertson to liken her to Fanny Burney .
Strickland, Margot. Angela Thirkell: Portrait of a Lady Novelist. Duckworth.
75-6
From...
Textual Production Alice Meynell
She often used this column to address the works of literary women of the past. She judged Jane Austen inferior to Charlotte Brontë , accepting Brontë's opinion that Austen lacked what she, by implication, possessed:...
Textual Production Frances Brooke
FB invited Frances Burney to collaborate with her on a new periodical; Burney declined.
The date is from Brooke's letter expressing regret.
McMullen, Lorraine. An Odd Attempt in a Woman: The Literary Life of Frances Brooke. University of British Columbia Press.
204-5, 235n2
Textual Production Charlotte Smith
It was small but handsome. Thomas Stothard did two of the illustrations. His design for sonnet 12 (Written on the Sea Shore.—October 1784—the month in which she crossed the Channel with her children...
Textual Production Eliza Parsons
She gave her name as Mrs. Parsons on the title-page and signed the dedication with both her names.
Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press.
1: 512
A title-page epigraph reads: Brutus said Virtue was but a name—tis more. ....
Textual Production Cassandra Cooke
As well as writings by CC now among the Beachcroft family private archive (at the Bodleian Library ) and the Stoneleigh papers (at the Shakespeare Birthplace Trust , Stratford-upon-Avon), the letters whose backs Frances Burney
Textual Production Hester Lynch Piozzi
HLP was a voluminous letter-writer all her life. Though scholarly estimates differ, there is no doubt that thousands of her letters survive. The first selection appeared in print in 1833. Many early editions, however, had...
Textual Production Cassandra, Lady Hawke
By early 1782, when she met with Frances Burney , CLH had written or drafted two novels. According to her sister, Lady Saye and Sele (who was keen that Burney should read them both), one...

Timeline

May 1992: The Eighteenth- and Nineteenth-Century British...

Women writers item

May 1992

The Eighteenth- and Nineteenth-Century British Women Writers Association held its first annual conference. Thereafter the conference was held at a different American location each year.
Parker, Pamela Corpron. “A Conference of Our Own: on the 20th Anniversary of the BWWA”. The Female Spectator, Vol.
16
, No. 1, p. 6.
6

November 2003: A painting by John Hoppner entitled Portrait...

Women writers item

November 2003

A painting by John Hoppner entitled Portrait of a Lady as Evelina (Frances Burney 's earliest heroine, born in January 1778) sold at Sotheby 's to an unnamed private buyer for £173,600.

6 May 2009: The antiquarian book collection of the late...

Women writers item

6 May 2009

The antiquarian book collection of the late Paula Fentress Peyraud (the largest in private hands), auctioned in New York, fetched more than $1.5 million US. Books by women between 1760 and 1830 predominated.

Texts

No bibliographical results available.