Blunt, Reginald, and Elizabeth Montagu. Mrs Montagu, "Queen of the Blues", Her Letters and Friendships from 1762 to 1800. Constable.
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Connections Sort ascending | Author name | Excerpt |
---|---|---|
Textual Production | Angela Thirkell | For O, these Men, these Men!, a non-comic novel, AT
chose a title quotation from Shakespeare
's Othello, in which a wife (Emilia) makes light of a marital situation (with her husband Iago)... |
Textual Production | Mary Charlton | Its title-page (as well as bearing a quotation from Shakespeare
) mentions several of her earlier works. |
Textual Production | Elizabeth Montagu | |
Textual Production | E. M. Delafield | Its title comes from Shakespeare
's As You Like It, whose heroine, Rosalind, admonishes the haughty Phoebe to go down on her knees and thank heaven,fasting, for a good man's love. |
Textual Production | Marjorie Bowen | That same year she wrote an introduction to Percy Allen
's Plays of Shakespeare
& Chapman
in Relation to French History. In 1934 she selected and published the short-story collection More Great Tales of... |
Textual Production | Hannah Lynch | The English print-run of the Echegaray translation was 400 copies. Lynch's solid, 30-page introduction, in part reprinted from the Contemporary Review, makes no attempt at boosting her subject. She compares Echegaray
in his various... |
Textual Production | G. B. Stern | GBS
published another memoir volume, Benefits Forgot (quoted from Shakespeare
's As You Like It), which she says she strung on the theme of gratitude. Stern, G. B. A Name to Conjure With. Collins. 12 |
Textual Production | Ruth Padel | In Your Life as a WaveRP
, invited to respond to Shakespeare
's sonnets, built on Like as the waves make towards the pebbled shore in two sections based on the successive movement: incoming... |
Textual Production | Mary Robinson | From The WorldMR
moved on to a rival periodical, The Oracle, to which she contributed fairy poems as Oberon—a name which perhaps owes something to Frances Greville
's famous Ode to Indifference... |
Textual Production | Jeanette Winterson | JW
published a novel titled The Gap in Time. The Winter's Tale Retold: first in the Hogarth Shakespeare series in which novelists are commissioned to retell a Shakespearean
plot. She dedicated it to the... |
Textual Production | Sheenagh Pugh | This subject provides her with an unusual angle on intertextuality: SP
investigates not only the proliferation of sequels to Jane Austen
novels (by Joan Aiken
, Emma Tennant
, and many others) but also the... |
Textual Production | Caroline Bowles | She intended to move, with the publication of Chapters on Churchyards, from poetry to prose fiction. Her letter to Southey
written on 21 October 1833 shows her growing frustration with the very pretty poetry... |
Textual Production | Mary Cowden Clarke | Mary Cowden Clarke
published the work for which she is principally remembered, The Girlhood of Shakespeare
's Heroines; in a series of fifteen tales. British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo. The Athenaeum Index of Reviews and Reviewers: 1830-1870. http://replay.web.archive.org/20070714065452/http://www.soi.city.ac.uk/~asp/v2/home.html. 1208 (21 December 1850) |
Textual Production | Anne Ridler | Anne Bradby (later AR
) produced, on commission from Oxford University Press
, her first anthology: a World's Classics selection of Shakespeare
criticism since the end of the First World War. Ridler, Anne. Memoirs. The Perpetua Press, p. 240 pp. 96 |
Textual Production | Margaret Atwood | Awad, Mona. “Art to enchant”. The Globe and Mail, p. R11. |
No bibliographical results available.