Grundy, Isobel. Lady Mary Wortley Montagu: Comet of the Enlightenment. Clarendon, 1999.
344-5, 345n63
| Connections Sort descending | Author name | Excerpt |
|---|---|---|
| Textual Features | Clara Reeve | |
| Textual Features | Lady Mary Wortley Montagu | The Verses are the most brilliant of all the many satirical attacks on Pope, and one of the most offensive. They zero in on his physical disability, and claim that it is the sign of... |
| Textual Production | Alexander Pope | AP
continued his series of Horatian imitations with The Second Satire of the Second Book of Horace. Grundy, Isobel. Lady Mary Wortley Montagu: Comet of the Enlightenment. Clarendon, 1999. 344-5, 345n63 |
| Textual Production | Alexander Pope | AP
published anonymously a poem which is anything but sober, entitled Sober Advice from Horace. Pope, Alexander. The Poems of Alexander Pope. Editor Butt, John, Twickenham Edition, Methuen; Yale University Press, 1951–1969, 11 vols. 5: li |
| Textual Production | Alexander Pope | They first appeared as One Thousand Seven Hundred and Thirty Eight. A Dialogue Something like Horace and One Thousand Seven Hundred and Thirty Eight. Dialogue II. Pope, Alexander. The Poems of Alexander Pope. Editor Butt, John, Twickenham Edition, Methuen; Yale University Press, 1951–1969, 11 vols. 4: 296, 312 |
| Textual Production | Laetitia Pilkington | |
| Textual Production | Jane Brereton | JB
published her first free-standing poem, as a Lady: The Fifth Ode of the Fourth Book of Horace
, Imitated: and apply'd to the King. Lonsdale, Roger, editor. Eighteenth-Century Women Poets. Oxford University Press, 1990. 78 English Short Title Catalogue. http://estc.bl.uk/. Cox, Michael, editor. The Oxford Chronology of English Literature. Oxford University Press, 2002, 2 vols. |
| Textual Production | Nina Hamnett | She dedicated it to Claude Mounsey
, with one quotation from the Latin poet Horace
and one from George Du Maurier
's Trilby. Hamnett, Nina. Is She a Lady? A Problem in Autobiography. Allan Wingate, 1955. prelims |
| Textual Production | Elizabeth Carter | She also contributed an English version of an ode by Horace
(ode fifteen of the first book) to The Works of Horace, in English Verse. By Several Hands, 1757, whose mastermind was William Duncombe
. Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. Solo: Search Oxford University Libraries Online. 18 July 2011, http://solo.bodleian.ox.ac.uk/primo_library/libweb/action/search.do?vid=OXVU1&fromLogin=true&reset_config=true. |
| Textual Production | Judith Cowper Madan | This seems to be the first of four poems which her daughter preserved, dating from this year and shortly afterwards. The others are versions of odes by Anacreon
and Horace
, and a dream vision... |
| Textual Production | Anna Seward | AS
published her Original Sonnets on Various Subjects and Odes paraphrased from Horace. Critical Review. W. Simpkin and R. Marshall, 5 series. 2d ser. 26 (1799): 33 |
| Textual Production | Gladys Henrietta Schütze | It is dedicated, in gratitude and affection, to W. Pett Ridge
, who was known as a novelist of the London lower classes. It bears as epigraph an unascribed quotation from the Roman poet Horace |
| Textual Production | Lady Mary Wortley Montagu | Each issue of To the Imitator was priced at sixpence. One appeared through a trade publisher, James Roberts
, and one through a mercury, Anne Dodd
. Both these were pamphlet-producers who offered... |
| Textual Production | Queen Elizabeth I | |
| Textual Production | Julia Constance Fletcher | JCF set another George Fleming novel, Vestigia, in Italy: its title comes from the Latin phrase she uses as epigraph: Vestigia nulla retrorsum, which means something like No steps back. Vestigia nulla... |
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