Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Friends, Associates | Mary Elizabeth Coleridge | Her parents often hosted musical and cultural events that drew visitors from London's artistic circles. As a girl, MEC would have seen Alfred Tennyson, John Ruskin, William Holman Hunt, Fanny Kemble... |
Friends, Associates | William Makepeace Thackeray | Despite his lack of scholastic success WMT was popular socially, and his wide circle of friends at Cambridge included Alfred Tennyson, Edward FitzGerald, and John Allen. His brief time at university also... |
Friends, Associates | Lucie Duff Gordon | Her friends and acquaintances included (besides Caroline Norton, a particularly close friend) politicians Lord Lansdowne and Lord Monteagle; writers William Thackeray, Charles Dickens, Emily Eden, Elliot Warburton, Alfred Tennyson |
Friends, Associates | Adelaide Procter | AP's parents entertained a circle of well-known literary personages, including Leigh Hunt, William Hazlitt, Thomas Moore, Wordsworth, Tennyson, Longfellow, and Henry James. Intimates of the household included... |
Friends, Associates | Anna Swanwick | AS's circle of friends (very largely brought her by her translations) included Henry Crabb Robinson, Tennyson, Robert Browning (who told her he wished she had known his wife), James Martineau (brother of... |
Friends, Associates | Jane Ellen Harrison | Moving in London's social and creative circles, JEH also met Robert Browning, Walter Pater, Henry James, and Alfred Tennyson (whom she called the most openly vain man I ever met)... |
Friends, Associates | Thomas Carlyle | He shared a wide and varied social circle with his wife, as well as forging his own connections with Ralph Waldo Emerson, John Ruskin, Charles Kingsley, and Alfred Tennyson. |
Friends, Associates | George Eliot | Despite her and Lewes's uneven health, they were still able at times to socialise with the likes of Robert Browning, Frederic Leighton, Clara Schumann, Alfred Tennyson, Dean Stanley, J. A. Froude |
Friends, Associates | Sarah Orne Jewett | SOJ had a broad social circle. She belonged to an artistic community of women that included Celia Thaxter and Louise Guiney, and counted Harriet Beecher Stowe (whose funeral she and Annie Fields attended in... |
Friends, Associates | Anne Ogle | The success of AO's first novel introduced her to England's literary circles. She knew the Browning Robert Browning s, the Carlyle Thomas Carlyle s, the Thackeray William Makepeace Thackeray s, Tennyson, and Swinburne. She also kept company with Mary Louisa Molesworth. Blain, Virginia et al., editors. The Feminist Companion to Literature in English: Women Writers from the Middle Ages to the Present. Yale University Press; Batsford, 1990. Meyers, Terry L. “Swinburne Reshapes His Grand Passion: A Version by ’Ashford Owen’”. Victorian Poetry, Vol. 31 , No. 1, West Virginia University, 1 Mar.–31 May 1993, pp. 111-15. 111 |
Friends, Associates | Geraldine Jewsbury | GJ's later social circle included many writers: Sydney, Lady Morgan, who became a close friend and for whom GJ acted as amanuensis; author Lady Llanover; author and publisher Douglas Jerrold; and... |
Intertextuality and Influence | Louisa Stuart Costello | LSC was apparently inspired by the same Italian poem (Cento Novelle Antiche) that inspired Tennyson's The Lady of Shalott three years later. Simpson, Roger. “Costello’s ’The Funeral Boat’: An Analogue of Tennyson’s ’The Lady of Shalott’”. Tennyson Research Bulletin, Vol. 4 , No. 3, 1984, pp. 129-31. 129 |
Intertextuality and Influence | Lady Charlotte Elliot | The volume includes the titular long poem Stella, about the doomed love between an Italian patriot and the daughter of a nobleman, which critic Francis O'Gorman describes as echoing Tennyson's Maud (published twelve years... |
Intertextuality and Influence | Felicia Hemans | Wordsworth in 1837 revised his existing Extempore Effusion upon the Death of James Hogg to include a stanza describing FH as that holy Spirit / Sweet as the spring, as ocean deep. Wordsworth, William. The Complete Poetical Works of Wordsworth. Editor George, Andrew J., Houghton Mifflin, 1932. 737 |
Intertextuality and Influence | Laura Ormiston Chant | Verona's title poem embeds a number of lyrics within its novelistic structure. Tennyson's influence is particularly apparent in Serenada, which opens: Now folds the cistus, now / The lemon-blossom sleeps Chant, Laura Ormiston. Verona and Other Poems. David Stott, 1887. 50 |
Timeline
No timeline events available.
Texts
No bibliographical results available.