Commire, Anne, and Deborah Klezmer, editors. Women in World History: A Biographical Encyclopedia. Yorkin Publications.
629
Connections | Author name Sort descending | Excerpt |
---|---|---|
Friends, Associates | Elizabeth Charles | EC
, however, ascribes the formative moments in her intellectual development to other sources. She counts among her early influences and inspirations writers Harriet Martineau
and Anne Trelawny
, and naturalist and artist Colonel Hamilton Smith |
Literary responses | Elizabeth Charles | By 1848, EC
was praised by such notable people as historian J. A. Froude
and Alfred Lord Tennyson
, who read her early manuscripts. Commire, Anne, and Deborah Klezmer, editors. Women in World History: A Biographical Encyclopedia. Yorkin Publications. 629 Shattock, Joanne. The Oxford Guide to British Women Writers. Oxford University Press. Lowndes, Marie Belloc. I, Too, Have Lived in Arcadia. Macmillan. 340 |
Publishing | Georgiana Chatterton | She sent out copies to Cardinal Wiseman
, William Holman Hunt
(who expressed his delight), Thomas Carlyle
, Alfred Lord Tennyson
(who called it picturesque), Edward Bulwer-Lytton
, and German historian Leopold Ranke
. |
Textual Production | Agatha Christie | AC
borrowed a title from Tennyson
for The Mirror Crack'd from Side to Side (in which a film is being shot at St Mary Mead, where Miss Marple lives), the first of her three Marple... |
Publishing | Agatha Christie | This, called only The Mirror Crack'd in the US edition the following year (so that the quotation from Tennyson
becomes easy to miss), was followed by A Caribbean Mystery, 1964 (in which Miss Marple's... |
Friends, Associates | Frances Power Cobbe | FPC
's wide London circle included Walter Bagehot
, Frances Sarah Colenso
and her husband Bishop Colenso
(while they were home from Africa), Henry Fawcett
, Charles Kingsley
, W. E. H. Lecky
, Sir Charles Lyell |
politics | Frances Power Cobbe | FPC
was a fervent anti-vivisectionist. She followed the issue of experiments on animals closely from early in her career. By 1874 she was petitioning the RSPCA
to pursue legislation restricting vivisection: Robert Browning
, Thomas Carlyle |
Friends, Associates | Mary Elizabeth Coleridge | Her parents often hosted musical and cultural events that drew visitors from London's artistic circles. As a girl, MEC
would have seen Alfred Tennyson
, John Ruskin
, William Holman Hunt
, Fanny Kemble
... |
Publishing | Sara Coleridge | SC
published a lengthy review (anonymous, according to custom) of Tennyson
's The Princess in the Quarterly Review. Houghton, Walter E., and Jean Harris Slingerland, editors. The Wellesley Index to Victorian Periodicals 1824-1900. University of Toronto Press. 1: 731 |
Literary responses | Eliza Cook | John Westland Marston
, reviewing anonymously for the Athenæum, contrasted EC
unfavourably with Tennyson
but said that while we cannot credit Miss Cook with much imagination or with any striking power to copy reality... |
Intertextuality and Influence | Frances Cornford | Cornford dedicated the book to the memory of her old friend and mentor, Cornford, Frances. Collected Poems. Cresset Press. 5 |
Education | Blanche Warre Cornish | Blanche and her family made a cult of Tennyson
, whom they visited at his home. MacCarthy, Mary. A Nineteenth-Century Childhood. Constable. 17-18 |
Publishing | Blanche Warre Cornish | |
Intertextuality and Influence | Louisa Stuart Costello | LSC
was apparently inspired by the same Italian poem (Cento Novelle Antiche) that inspired Tennyson
's The Lady of Shalott three years later. Simpson, Roger. “Costello’s ’The Funeral Boat’: An Analogue of Tennyson’s ’The Lady of Shalott’”. Tennyson Research Bulletin, Vol. 4 , No. 3, pp. 129-31. 129 |
Family and Intimate relationships | Dinah Mulock Craik | George Lillie Craik became (following his marriage to Dinah Mulock and possibly as a result of his connection with her) a partner in the Macmillan publishing firm
. Mitchell, Sally. Dinah Mulock Craik. Twayne. 15 |
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